Matthew Liedke

REVIEW: ‘Warfare’ falters from lack of depth, insight

War is hell, and that certainly is shown viscerally in this 95-minute feature. If only it did more than that.

“Warfare,” directed and penned by Alex Garland, is based on the account of U.S. Navy Seal Ray Mendoza, who shared his story as a co-writer. The movie is more or less a bottle film. There are a few overhead shots from the perspective of military aircraft and a few scenes set on roads nearby, but the great majority of “Warfare” is in a single house.

It’s 2006, and the U.S. military is engaged in the Battle of Ramadi during the Iraq War. The film centers on a group of Navy SEALS who have set themselves up in an Iraqi home to monitor activity across the street. Unfortunately, they’re soon found out and are quickly pinned down by a large group of Iraqi fighters and have to survive until they can be evacuated.

Continue reading “REVIEW: ‘Warfare’ falters from lack of depth, insight”

REVIEW: Premise of ‘Drop’ is too far off the deep end to fully work

Sometimes, a movie just breaks a person’s suspension of disbelief limit.

The latest film to do so is from Christopher Landon, known for helming “Happy Death Day” and its sequel. His new film, “Drop,” is a thriller, and centers on Violet (Meghann Fahy), a widowed single mother about to go on a date with a promising match from an app.

Violet arrives at the restaurant they decided on, a fancy eatery in a Chicago skyscraper, and, after some waiting, meets her match, Henry (Brandon Sklenar). The night seems to be going OK until Violet’s phone starts getting digital drops with messages saying her son will be harmed if she doesn’t kill her date, who’s knows about a government secret.

Continue reading “REVIEW: Premise of ‘Drop’ is too far off the deep end to fully work”

REVIEW: ‘A Working Man’ is entirely mundane

Bring back the bees, please.

Director David Ayer and actor Jason Statham team up again for “A Working Man” after partnering for last year’s film “The Beekeeper.” Unlike last time where he was a retired special ops guy-turned beekeeper, Statham now plays a former commando-turned construction worker.

Statham’s character, Levon, works for a kind family and is trying to rebuild his own situation after the death of his wife. However, his everyday life is disrupted when the daughter of his employer is kidnapped by traffickers. With the police doing little, he uses his skills to rescue her from the gangsters responsible.

Continue reading “REVIEW: ‘A Working Man’ is entirely mundane”

REVIEW: ‘Snow White’ is an aggressively mediocre remake

Hi ho, hi ho, a walk through the uncanny valley we go.

The latest adaptation of the “Snow White” story and the most recent in a string of live action remakes of classic Disney animated features stars Rachel Zegler in the titular role. After the loss of her mother, Snow White, a princess, sees her father get remarried to a mysterious woman (Gal Gadot).

A short time later, Snow White’s father disappears and is assumed dead, allowing the woman to assume power as queen, to which she uses to become an authoritarian ruler. Seeing her stepdaughter as a threat, the Queen sets out to have Snow White killed, but the princess escapes and on the outskirts of the kingdom, meets new friends and allies.

Continue reading “REVIEW: ‘Snow White’ is an aggressively mediocre remake”

REVIEW: Soderbergh’s ‘Black Bag’ is a satisfactory spy flick

Talk about a power couple.

In the latest film from director Steven Soderbergh, Michael Fassbender and Cate Blanchett play a married couple who both work in British Intelligence as elite spies. At the outset of the film, Fassbender’s character George is informed that a secret piece of tech has been leaked and one of the suspects behind it is his wife, Kathryn.

George accepts the mission to investigate where the leak is coming from, committing to including his wife in his search, though he is skeptical. The film follows as he plays a careful game of keeping Kathryn close while also looking into her own spy work which has been labeled as classified or “black bagged.”

Continue reading “REVIEW: Soderbergh’s ‘Black Bag’ is a satisfactory spy flick”

REVIEW: ‘Last Breath’ is deep on suspense, shallow elsewhere

This film is somewhat paradoxical in that it gets about as low as you can go in terms of depth, but isn’t exactly deep.

In 2019 director Alex Parkinson released the documentary “Last Breath.” The film centered on an incident where a deep-sea diver tasked with repairing pipes was nearly lost when his umbilical cable snapped and he was left on the ocean floor. Parkinson has now followed that up with a feature length narrative film.

The movie showcases how Chris Lemons (Finn Cole) was cut off from the air supply on the seabed and ran out of oxygen. It also shows fellow divers Duncan (Woody Harrelson) and David (Simu Liu), as well as ship Captain Andre (Cliff Curtis) and repair supervisor Craig (Mark Bonnar) making rescue attempts.

Continue reading “REVIEW: ‘Last Breath’ is deep on suspense, shallow elsewhere”

REVIEW: ‘Mickey 17’ is a clumsy creation from Bong Joon-ho

Bong Joon-ho’s follow-up to “Parasite” is unfortunately, no awards contender.

The latest from the South Korean filmmaker is a dark sci-fi action-comedy centered on the character Mickey Barnes (Robert Pattinson). Needing to flee Earth because of a loan shark, Mickey boarded a spacecraft to a new planet, and took a job known as Expendable, where he does repairs in awful conditions.

In the case of death, his memories and personality has been downloaded, and his body can be recreated, allowing him to live on. The movie picks up with Mickey now on body 17 and surviving a dangerous incident where he should have died. As a result, an 18^th Mickey is made. In doing so, their combined presence alters the course of the future for the a space colony.

Continue reading “REVIEW: ‘Mickey 17’ is a clumsy creation from Bong Joon-ho”

REVIEW: ‘Novocaine’ is an action-comedy knockout

There’s no pain for the main character in this film and there’s no pain for the audience either, because this one is quite enjoyable..

Jack Quaid stars in “Novocaine” as assistant bank manager, Nathan Caine. On top of being rather mild mannered and introverted, he also lives with congenital insensitivity to pain, meaning he can get hurt, but not feel a thing. Internally, though, he does feel attraction to one of his co-workers, Sherry.

After finally going out on a date with her (Amber Midthunder), things seem to be looking up. That is until the bank he works at is robbed and Sherry is abducted. On a quest to get her back, Caine uses his inability to feel pain to fight back against those behind the heist.

Continue reading “REVIEW: ‘Novocaine’ is an action-comedy knockout”

97th Academy Award Predictions

Oscar Sunday has finally arrived and it’s time to honor the best films of 2024, for the most part.

Awards will be handed out to winners in more than 20 categories, and like always, I’m going to do my best to predict who gets a statue. Additionally, as I’ve done annually, I also include the possible spoiler in the category, as well as my takes on who should win and what deserved to make the cut.

Find out my expectations for every category during tonight’s ceremony.

Continue reading “97th Academy Award Predictions”

2025 Oscar Docs: A Look at the Nominees

Most award seasons I try to see all five of the Oscar nominated documentaries. However, February turned into a busy month, and one of the movies, “No Other Land,” was only playing at a single theater and it was difficult to find a showtime to see it. It was also unavailable to stream.

That was the same case with “Porcelain War,” which wasn’t streaming and also had zero theatrical showings in the great state of Minnesota. Fortunately, I was able to at least se three of the nominees and can give my thoughts on them ahead of the ceremony.

Continue reading “2025 Oscar Docs: A Look at the Nominees”