Crime Drama – Matthew Liedke on Film

REVIEW: ‘Tuner’ is a total bore

For a film about instruments being fine-tuned, it’s a shame this doesn’t manage to strike a chord. Sorry if that’s not the cleverest lede for this type of film. Alas, I played brass in high school.

Anyway, “Tuner” is a film that, unsurprisingly, centers on a piano tuner. More specifically, a tuner’s apprentice named Niki (Leo Woodall), who works for his boss Harry (Dustin Hoffman). Niki was once a promising pianist himself, but had to shift to being a tuner when he began to suffer from hyperacusis, an increased sensitivity to sound.

That sensitivity also means he can pick up subtle noises, such as the gears in a safe mechanism. Once he demonstrates that he can crack a safe thanks to this, he’s recruited by a trio of thieves. At first, his life starts to turn positive with the new gig, as he’s able to support his sick mentor and he gains more confidence to start a relationship. However, things later take a turn for the worse.

REVIEW: ‘Is God Is’ is pretty God damn good

What’s better than a roaring rampage of revenge? A roaring rampage of revenge with a two protagonists.

That’s what audiences can expect in “Is God Is.” The film is an adaptation of a play by the same name, penned by Aleshea Harris, who makes her feature film debut as the writer and director of the movie. The picture follows a pair of twins, Racine ( Kara Young) and Anaia (Mallori Johnson) who are on a mission.

As children, they were forced to witness their mother, Ruby, be burned in a murder attempt by their abusive father, known only as The Monster (Sterling K. Brown). They themselves were burned, too, and the Monster got off free in court. Because of her injuries, Ruby was unable to raise her kids, but now on her death bed, she asks her two daughters to get revenge.

REVIEW: Dizzying, absurd story causes ‘Fuze’ to fizzle out

The director of “Hell or High Water” being attached to this built some excitement, but the experience in this new crime drama from David Mackenzie isn’t on the same level without writer Taylor Sheridan.

Mackenzie’s new film centers on a World War II bomb being discovered in the London metro area by a construction crew. Following the discovery, the military is called in, with bomb defusing specialist Will Tranter (Aaron Taylor-Johnson) leading the examination of the explosive.

With threat of the bomb potentially going off, the police department, under the leadership of chief Zuzana (Gugu Mbatha-Raw) evacuates the nearby area. Meanwhile, a bank heist is taking place during the distraction including characters X (Sam Worthington) and Karalis (Theo James).

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REVIEW: ‘Crime 101’ is a familiar but refreshing drama course

Since it’s been out for a while, I’m sure it’s been mentioned a bunch. So, insert Hulk and Thor joke here.

The reason for that lede is the actors now well-known for their appearances in Marvel movies both appear in “Crime 101.” Chris Hemsworth in the movie portrays a jewel thief, Mike, who’s pulled several successful heists. Each one he does efficiently, and with a unique commitment to non-violence.

Mark Ruffalo, meanwhile, is Lou Lubesnick, a detective who manages to deduce that all of the recent jewel heists are tied to Mike. As his investigation heats up, Mike is approached about a new big job, but is concerned about doing so, especially since he recently started a new relationship.

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REVIEW: Conventional ‘Belén’ still has impact

Stories of wrongful imprisonment often show situations of injustice, as well as resiliency and fights for freedom. That’s what a viewer can expect in “Belén,” which is set in Argentina.’

Camila Pláate plays Julieta in “Belén,” a woman who, after having a miscarriage in a hospital, is charged with having an illegal abortion, as well as homicide. The charges lead to her being sentenced to prison, with a limited defense by her public attorney.

Seeing issues with the case, lawyer Soledad Deza (Dolores Fonzi), decides to take up the case with plans to appeal the court’s decision. This is a difficult effort, as she and her team face fierce resistance in the press and judicial system. However, women start to rally when behind the cause when they learn the story of Julieta, who takes the alias Belén to protect her family.

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REVIEW: ‘Just an Accident’ has strong moments, but isn’t great as a whole

The lingering trauma of political and government oppression can last long after the acts of violence and imprisonment take place.

That’s what’s shown in “It Was Just an Accident”. The movie mainly centers on Vahid (Vahid Mobasseri), a mechanic who one night recognizes the voice of a man stopping by the garage he works in. Vahid, who believes that man was once a guard at an Iranian prison who regularly engaged in torture and mistreatment, kidnaps the individual.

Driven by anger, Vahid is looking to exact justice on the man who notably has a prosthetic leg. However, he’s still unsure if it’s the right person, and wants to confirm the identity. To do so, he brings in others who were wrongfully held in the prison and mistreated to see if they can ID the man.

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REVIEW: ‘Rosemead’ is a well-made, distressing picture

A frightening spiral of events, inspired by a true situation, unfold in this drama with a noteworthy performance from Lucy Liu.

In “Rosemead,” Liu stars as Irene, a woman with a terminal cancer diagnosis whose son, Joe (Lawrence Shou), is also facing major issues. A high school student, Joe has struggled with his mental health since the death of his father.

Because of those struggles, Joe has visited a mental health professional and was diagnosed with schizophrenia. As the film goes on, Joe’s mental health deteriorates, resulting in disturbing behavior, putting Irene in a difficult position with her limited resources and worsening cancer.

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REVIEW: Lee’s ‘Highest 2 Lowest’ succeeds largely on cast, style

Denzel Washington’s son gets kidnapped in this movie, and here, he doesn’t have his Equalizer skills to rely on for a rescue.

In the film, based on 1963’s “High and Low” by Japanese director Akira Kurosawa, Washington stars as David King. A music mogul, King is head of a major label and has built a reputation of having the best ears in the business. Eventually, his status draws the attention of a kidnapper, who abducts his son.

In the process, the abductor also kidnapped the son of one of King’s workers and friends, Paul (Jeffrey Wright). The man who committed the crime demands ransom, and in a flash, young lives, millions of dollars and his music empire are at stake.

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REVIEW: ‘Sovereign’ is an intense look at extremism on the human psyche

One of the more dangerous movements in America over the last few decades gets explored in great detail during this new drama.

Christian Swegal makes his feature directorial debut with this film, centering on the real story of Jerry Kane (Nick Offerman) and his son Joe (Jacob Tremblay). Jerry was well known in circles of the sovereign citizen movement for his speeches about his interpretation of American law and home ownership rights.

His perception of power that the American government has, and his disregard for the operations of law enforcement and courts, leads to a growing tension with authority. That eventually leads to a fateful 2010 run in with police in West Memphis.

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REVIEW: Journey of ‘The Bikeriders’ is interesting, but not genre defining

Here we are, the best motorcycle film to hit theaters since “Wild Hogs.” Kidding of course.

The latest movie featuring motorcycle riders rumbling down the open road is a period piece drama centered on a Chicago-based club called the Vandals. The film is told from the perspective of Kathy (Jodie Comer), a woman narrates her experience marrying one of the club members and being around the group as it gained membership and began more illegal activity.

Her husband, Benny (Austin Butler), was one of the higher-ups in the group, behind its leader Johnny (Tom Hardy). The film explores how they and other core club members started the group and where it took their lives.

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