Historic – Matthew Liedke on Film

REVIEW: ‘Uprising’ is an intense, but largely forgettable dramatization

Is this a Robin Hood origin story? I’m not really sure. I don’t think the filmmakers were sure, either.

The main focus of this picture, written and directed by Paul Greengrass, is a peasant revolt in the late 1300s where a group of farmers and townsfolk descended on London to demand changes from King Richard II. At the time, the king, still a teenager, had a council making many of the decisions, including the levy of higher taxes.

Helping spark the revolt is a farmer who goes by Ploughman (Andrew Garfield), who kills a soldier to protect fellow citizens. The rest of his town and nearby communities rally behind him, as well as former soldier Wat Tyler (Cosmo Jarvis) and priest John Ball (Jamie Bell), with a coalition forming to march on London and ask for relief.

REVIEW: ‘By Any Means’ isn’t deep, but it does entertain

I’m somewhat convinced the creative team watched 2018’s “Green Book” and thought, ‘yeah, but what if we made this into a pseudo-buddy police procedural?’

“By Any Means” is set in 1966 in Mississippi, a few years after the murders of activists James Chaney, Andrew Goodman and Michael Schwerner. As the movie gets underway, another murder of a Civil Rights activist takes place, and the FBI once again has a case on their hands.

Special agent Wayne Strider (Yahya Abdul-Mateen II), who knew the victim, is tasked with investigating the killing. To complete the case, the FBI decides to go outside the law, bringing in mafia enforcer Gregory Scarpa (Mark Wahlberg) to assist Strider in the effort. Together, reluctantly, they have to go through rural Mississippi and uncover who was behind the murder.

REVIEW: ‘Nouvelle Vague’ is an enjoyable look back at French New Wave

Well, this was a fun little trip down memory lane in film classes.

“Nouvelle Vague” is a movie all about the making of the 1960 classic film “Breathless.” That 60s picture is a staple of cinema history, notable for its revolutionary methods incorporated in its shooting. Guillaume Marbeck stars as the director of “Breathless,” Jean-Luc Godard, who pushes boundaries with his unorthodox approach.

Joining in the production as the two leads of his film are Jean Seberg (Zoey Deutch) and Jean-Paul Belmondo (Aubry Dullin). Both performers express frustrations with Godard’s take on directing, as do members of the crew, but they stay committed to make the picture become a reality.

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REVIEW: Seyfried shines in Ann Lee’s mixed ‘Testament’

Amanda Seyfried is continuing to show she’s one of the best actresses working today with this flick, though one wishes the film around her was stronger.

“The Testament of Ann Lee” centers on its titular character, who founded the religious movement that became known as the Shakers. Ann’s story began in England during the 18^th century, where, after several miscarriages and stillbirths, she leaned heavy into faith.

This led to her receiving a vision, which resulted in her taking over a religious group that prayed through continuous movements and shakes. Additionally, knowing what happened with her pregnancies, she makes a decree barring intimacy, seeing it as the ultimate sin.

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REVIEW: ‘Hamnet’ boasts great performances but pacing is off

The life of William Shakespeare is once again explored in this film, but in this movie, the focus is on the playwright’s wife.

Agnes Shakespeare, portrayed by Jessie Buckley, is introduced as a young woman in “Hamnet” when she first meets William (Paul Mescal). Following a short courtship, the two conceive a child and choose to get married.

The movie then picks up with the couple having a family, including two daughters and their son, Hamnet (Jacobi Jupe). As the film goes on, William and Agnes lose Hamnet to the plague and are left in a state of grief. The situation is made even more stressful as William is away from the family in London to write.

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REVIEW: Visually stunning ‘Train Dreams’ fails to fully connect

“Train Dreams” is a film that, in theory, should be one a viewer can fully embrace. In practice, though, it’s another story.

Speaking of story, the one at play here revolves around Robert (Joel Edgerton). A laborer in Idaho, Robert finds himself getting work in the timber and railroad industries starting in the 1910s. It’s around this time he also meets Gladys (Felicity Jones), who he begins a relationship with and later marries.

The film follows his time at home, as he builds a life with Gladys and the two have a child. The audience also gets to see his days at work, where he meets others from across the country who’ve come to the forested terrain to earn a living.

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REVIEW: Latest ‘Nuremberg’ dramatization intrigues, but lacks focus

The decisive court cases to close World War II’s final chapter have once again been dramatized, but the latest isn’t quite as strong as previous pieces of media.

The latest WW2 period piece takes place during most of the Nuremberg Military Tribunals after Germany’s defeat, with a focus on one of two main mental health professionals present during the process. That individual is Douglas Kelley (Rami Malek), a psychiatrist who spoke with the remnants of Third Reich who were imprisoned during the trial.

His most notable conversations were with Herman Goring (Russell Crowe), second in command to Adolf Hitler. As the film goes on, the discussions and analysis become more important as U.S. Justice Robert Jackson (Michael Shannon), the American lead prosecutor, prepares his case. Continue reading “REVIEW: Latest ‘Nuremberg’ dramatization intrigues, but lacks focus”

REVIEW: ‘Sovereign’ is an intense look at extremism on the human psyche

One of the more dangerous movements in America over the last few decades gets explored in great detail during this new drama.

Christian Swegal makes his feature directorial debut with this film, centering on the real story of Jerry Kane (Nick Offerman) and his son Joe (Jacob Tremblay). Jerry was well known in circles of the sovereign citizen movement for his speeches about his interpretation of American law and home ownership rights.

His perception of power that the American government has, and his disregard for the operations of law enforcement and courts, leads to a growing tension with authority. That eventually leads to a fateful 2010 run in with police in West Memphis.

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REVIEW: Filming method makes ‘Nickel Boys’ a let down

Maybe RaMell Ross films just aren’t my thing.

After helming the Academy Award-nominated documentary “Hale County This Morning, This Evening” in 2018, Ross has directed a narrative feature. His latest film, “Nickel Boys,” is an adaptation of a book with the same name that itself was inspired by a real reform school.

Set in the 1960s, “Nickel Boys” centers on two black teen boys, Elwood (Ethan Herisse) and Turner (Brandon Wilson). Both from different backgrounds, each boy finds themselves brought to a rough reform school called Nickel Academy. There the two become friends and try to make it through the system.

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REVIEW: ‘The Brutalist’ is a monumental film about the American dream

You know those expectation Vs. reality memes? Well, the two halves of this movie is kind of like that in relation to the immigrant experience in America.

This movie is just a tad bit more complex than a meme, though. “The Brutalist” is an epic three-and-a-half-hour character study about an architect, László Tóth (Adrien Brody), who arrives in the U.S. from Hungary just after World War II.

A Holocaust survivor, Tóth comes to America with hopes of a new start for him and his wife, Erzsébet (Felicity Jones), who is still in Europe. Eventually, Tóth gets an opportunity to put his experience in architecture to work. However, he learns over time that there are new hardships in the States he has to face.

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