crime – Matthew Liedke on Film

REVIEW: ‘Tuner’ is a total bore

For a film about instruments being fine-tuned, it’s a shame this doesn’t manage to strike a chord. Sorry if that’s not the cleverest lede for this type of film. Alas, I played brass in high school.

Anyway, “Tuner” is a film that, unsurprisingly, centers on a piano tuner. More specifically, a tuner’s apprentice named Niki (Leo Woodall), who works for his boss Harry (Dustin Hoffman). Niki was once a promising pianist himself, but had to shift to being a tuner when he began to suffer from hyperacusis, an increased sensitivity to sound.

That sensitivity also means he can pick up subtle noises, such as the gears in a safe mechanism. Once he demonstrates that he can crack a safe thanks to this, he’s recruited by a trio of thieves. At first, his life starts to turn positive with the new gig, as he’s able to support his sick mentor and he gains more confidence to start a relationship. However, things later take a turn for the worse.

REVIEW: ‘I Love Boosters’ is bold, but ultimately breaks down

When it comes to “B” things I love, I can’t say boosters is on the list. Bourbon, basketball, burritos. I love those, but not boosters.

This movie didn’t really change that fact, either.

The film is writer/director Boots Riley’s sophomore effort after helming 2018’s “Sorry to Bother You.” His latest film is a surreal crime comedy starring Keke Palmer as Corvette. While she has a passion for designing clothes, challenges in life have forced her into shoplifting and reselling fashionable attire.

She conducts her boosting efforts in company with friends Sade (Naomi Ackie) and Mariah (Taylour Paige). In addition to earning the nickname the Velvet Gang, their activities also catch the attention of a powerful designer who is furious about her clothes being stolen.

REVIEW: ‘Is God Is’ is pretty God damn good

What’s better than a roaring rampage of revenge? A roaring rampage of revenge with a two protagonists.

That’s what audiences can expect in “Is God Is.” The film is an adaptation of a play by the same name, penned by Aleshea Harris, who makes her feature film debut as the writer and director of the movie. The picture follows a pair of twins, Racine ( Kara Young) and Anaia (Mallori Johnson) who are on a mission.

As children, they were forced to witness their mother, Ruby, be burned in a murder attempt by their abusive father, known only as The Monster (Sterling K. Brown). They themselves were burned, too, and the Monster got off free in court. Because of her injuries, Ruby was unable to raise her kids, but now on her death bed, she asks her two daughters to get revenge.

REVIEW: High octane ‘In the Grey’ excites, but doesn’t fully engage

In terms of grey movies, this isn’t as good as 2011’s “The Grey,” about on par with 2020’s “Greyhound” and better than 2022’s “The Gray Man (I think that counts).” Take that for what you will.

When it comes to “In the Grey,” Eiza Gonzalez stars as high-powered attorney Rachel Wild. The title gives insight into Rachel’s profession, she works in-between the criminal underworld and major financial institutions, or as she calls it, the black and white of the fiscal world. The grey. Her latest effort involves trying to recover a loan from a crime lord for a major establishment.

In order to do so, she recruits her elite team, headlined by two black ops-level individuals, Sid Sensible (Henry Cavill) and Bronco Beauregard (Jake Gyllenhaal). The trio, along with others on the team, set up an elaborate scheme to not only hurt the crime lord’s wallet, but come prepared with firepower in case the situation gets out of hand.

REVIEW: Dizzying, absurd story causes ‘Fuze’ to fizzle out

The director of “Hell or High Water” being attached to this built some excitement, but the experience in this new crime drama from David Mackenzie isn’t on the same level without writer Taylor Sheridan.

Mackenzie’s new film centers on a World War II bomb being discovered in the London metro area by a construction crew. Following the discovery, the military is called in, with bomb defusing specialist Will Tranter (Aaron Taylor-Johnson) leading the examination of the explosive.

With threat of the bomb potentially going off, the police department, under the leadership of chief Zuzana (Gugu Mbatha-Raw) evacuates the nearby area. Meanwhile, a bank heist is taking place during the distraction including characters X (Sam Worthington) and Karalis (Theo James).

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REVIEW: ‘Crime 101’ is a familiar but refreshing drama course

Since it’s been out for a while, I’m sure it’s been mentioned a bunch. So, insert Hulk and Thor joke here.

The reason for that lede is the actors now well-known for their appearances in Marvel movies both appear in “Crime 101.” Chris Hemsworth in the movie portrays a jewel thief, Mike, who’s pulled several successful heists. Each one he does efficiently, and with a unique commitment to non-violence.

Mark Ruffalo, meanwhile, is Lou Lubesnick, a detective who manages to deduce that all of the recent jewel heists are tied to Mike. As his investigation heats up, Mike is approached about a new big job, but is concerned about doing so, especially since he recently started a new relationship.

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REVIEW: Conventional ‘Belén’ still has impact

Stories of wrongful imprisonment often show situations of injustice, as well as resiliency and fights for freedom. That’s what a viewer can expect in “Belén,” which is set in Argentina.’

Camila Pláate plays Julieta in “Belén,” a woman who, after having a miscarriage in a hospital, is charged with having an illegal abortion, as well as homicide. The charges lead to her being sentenced to prison, with a limited defense by her public attorney.

Seeing issues with the case, lawyer Soledad Deza (Dolores Fonzi), decides to take up the case with plans to appeal the court’s decision. This is a difficult effort, as she and her team face fierce resistance in the press and judicial system. However, women start to rally when behind the cause when they learn the story of Julieta, who takes the alias Belén to protect her family.

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REVIEW: ‘Just an Accident’ has strong moments, but isn’t great as a whole

The lingering trauma of political and government oppression can last long after the acts of violence and imprisonment take place.

That’s what’s shown in “It Was Just an Accident”. The movie mainly centers on Vahid (Vahid Mobasseri), a mechanic who one night recognizes the voice of a man stopping by the garage he works in. Vahid, who believes that man was once a guard at an Iranian prison who regularly engaged in torture and mistreatment, kidnaps the individual.

Driven by anger, Vahid is looking to exact justice on the man who notably has a prosthetic leg. However, he’s still unsure if it’s the right person, and wants to confirm the identity. To do so, he brings in others who were wrongfully held in the prison and mistreated to see if they can ID the man.

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REVIEW: ‘Caught Stealing’ has more cinematic crimes than just theft

“Caught Stealing” involved the filmmaking contributions of several great talents, making it ultimately unfortunate that the movie ends up a disappointment.

Set in the late 1990s, the movie centers on Hank Thompson (Austin Butler). Once a promising Major League Baseball prospect, Hank’s life took a bad turn and he now works at a neighborhood bar to get by. Work follows him home, too, as he drinks regularly.

Hank’s home is also adjacent to a British punk rock neighbor named Russ (Matt Smith), who has left the apartment for a trip back to the U.K. Unfortunately, Russ was involved in illegal activity and criminal elements looking for the Brit come across Hank, which spirals into a dangerous situation for the bartender.

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REVIEW: Lee’s ‘Highest 2 Lowest’ succeeds largely on cast, style

Denzel Washington’s son gets kidnapped in this movie, and here, he doesn’t have his Equalizer skills to rely on for a rescue.

In the film, based on 1963’s “High and Low” by Japanese director Akira Kurosawa, Washington stars as David King. A music mogul, King is head of a major label and has built a reputation of having the best ears in the business. Eventually, his status draws the attention of a kidnapper, who abducts his son.

In the process, the abductor also kidnapped the son of one of King’s workers and friends, Paul (Jeffrey Wright). The man who committed the crime demands ransom, and in a flash, young lives, millions of dollars and his music empire are at stake.

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