Matthew Liedke on Film

98th Academy Award Predictions

The Super Bowl of cinema is near.

This Academy Awards, the 98th ceremony in history, is headlined by the title fight of “One Battle After Another” and “Sinners.” In one corner, a dramatic, comedic thriller. In the other, an elevated horror action picture. The Oscars won’t be limited to this face-off, though.

Other films will be recognized in several categories, and there will be surprises along the way. As always, I’m weighing in with my expectations for who is likely to win, as well as my thoughts as to who or what is most deserving.

Before we get into the predictions, here’s a helpful glossary of acronyms ahead: GG = Golden Globes. WGA = Writers Guild of America. DGA = Directors Guild of America. ACE = American Cinema Editors. SAG = Screen Actors Guild. ASC = American Society of Cinematographers. AA = Animation, or Annie, Awards. ADG = Art Directors Guild. MPSE = Motion Picture Sound Editors. BAFTA = British Academy of Film and Television Arts. CCA = Critics’ Choice Awards.

REVIEW: ‘The Bride’ is an abomination

First “Lisa Frankenstein,” and now this. Yeesh.

Written and directed by Maggie Gyllenhaal, “The Bride” is a retelling of “Bride of Frankenstein.” However, rather than take place in the 1800s, this one is set in 1936 Chicago. The movie centers on Ida (Jessie Buckley), a young woman who is killed one night at a mob bar after she’s suddenly possessed by the spirit of Mary Shelley.

Meanwhile, Frankenstein (Christian Bale), the monster who took the name of his creator, has become exhausted from a century of loneliness and wants a significant other. With the help of a Chicago-based scientist, Dr. Euphronious (Annette Bening), they resurrect Ida, creating a wife for the monster. Their ensuing escapades result in havoc and chaos.

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The art of movie studio logos

Well, award season is nearly wrapped up and the summer blockbuster season is still more than a month away.

So. How about movie studio logos? Now I wouldn’t say this holds much merit when it comes to cinema as an art form. In fact, it doesn’t really matter in the grand scheme. However, despite that, they tend to leave a big impact. Many of them are memorable, and they stick with a person because they’re made to.

2026 Oscar Docs: A look at the nominees

Unlike last year where I was only able to catch three of the five nominated films for Best Documentary Feature, I have managed to watch the whole lineup, and then some. It was worth it, too, because this was one of the best group of nominees in the category in years.

The 2025 collection covers a wide range of topics, all with unique styles and effective approaches. Below, I share my thoughts on all five. Additionally, I’m including my take on two shortlisted pictures detailing significant topics.

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REVIEW: Solid action in ‘Protector’ overwhelmed by other problems

Kids, this here is what we used to call “straight to DVD.”

“Protector” is an action film very much in the vein of “Taken,” as it centers on the protagonist’s daughter being abducted. Milla Jovovich stars as Nikki in the film, a woman who for years served in the United States Army with multiple combat tours during America’s wars in the Middle East.

She ends her military career, though, when her husband passes away, so she can be at home with her daughter, Chloe (Isabel Myers). Because she was gone for years, their relationship is strained. But when Chloe is abducted by traffickers, Nikki goes in to protective mom mode, and leans on her special forces training.

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REVIEW: Pixar’s ‘Hoppers’ is an enjoyable mix of science and nature

Pixar has had a mixed track record in the 2020s, but fortunately, it’s new release is one of the better flicks from the animation studio.

The latest feature from the Disney affiliate centers on Mabel (Piper Curda), a college student who cares deeply about animals and nature. Her appreciation puts her at great odds with her city’s mayor, Jerry (Jon Hamm), who intends to develop a highway bypass. Doing so would mean the destruction of a natural area Mabel holds dear.

One night, when looking for solutions with few options left, she learns of a program at her college which has developed life-like robots, one of which looks like a beaver. The robots are controllable by humans with a neural link, and Mabel takes control of one to connect with animals and lead them in taking back there home under threat.

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REVIEW: ‘Crime 101’ is a familiar but refreshing drama course

Since it’s been out for a while, I’m sure it’s been mentioned a bunch. So, insert Hulk and Thor joke here.

The reason for that lede is the actors now well-known for their appearances in Marvel movies both appear in “Crime 101.” Chris Hemsworth in the movie portrays a jewel thief, Mike, who’s pulled several successful heists. Each one he does efficiently, and with a unique commitment to non-violence.

Mark Ruffalo, meanwhile, is Lou Lubesnick, a detective who manages to deduce that all of the recent jewel heists are tied to Mike. As his investigation heats up, Mike is approached about a new big job, but is concerned about doing so, especially since he recently started a new relationship.

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REVIEW: ‘How to Make a Killing’ sorely lacking in humor, suspense

I need Margaret Qualley to back off the crime movies, because between this and “Drive Away Dolls,” it’s not been a great run in the genre.

Rather than the focusing on her, though, “How to Make a Killing” centers on Glen Powell’s character Becket Redfellow. A blue-collar worker in New York City, Becket appears to come from, at best, a middle-class background. However, he’s tied to a family with immense wealth, and remains in the will, meaning a fortune is possible.

Yet he’s not exactly first in line to receive anything. In fact, he’s far from it, more like fifth or sixth. Knowing his family abandoned his own mother leaving her to fend for herself, Becket decides to take matters in his own hands, and knock off heirs to put himself in a better position. But while he thinks he’s in the clear, a person from his past starts to suspect him.

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REVIEW: Though fun, ‘Psycho Killer’ plays premise too straightforward

Slasher meets police procedural? Sure, why not.

That’s what’s offered up in “Psycho Killer,” where the film’s protagonist, Jane (Georgina Campbell), is hunting a murderer who’s slaying across the country. The latest in his rampage took the life of Jane’s husband and fellow Kansas state trooper. Vowing to bring him to justice, Jane launches a national endeavor of her own, trailing the suspect.

As she tracks down the man, known only as the Satanic Slasher for the symbols he leaves behind, the killer manages to find new victims. With a major deadly event planned by the killer to finalize his effort, the pressure is on Jane to stop him.

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The End of the Beginning: My hometown theater, Cine 5, closes

For a film buff, living near a movie theater is a great bit of geographic luck.

That’s what I had growing up in International Falls, Minn. From when I was born until I moved away for college, I never lived more than a block or two away from the local theater, the Cine 5.

Sadly, like I’ve done twice already on this site, I’m having to write a farewell piece to a place where I spent countless hours and created numerous memories. The Cine 5 closed recently, marking the end of another theater that I regularly attended.

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