Reviews – Matthew Liedke on Film

REVIEW: ‘Leviticus’ is an intriguing, compelling horror entry

“Leviticus,” AKA that part of the bible referenced by President Jed Bartlet when verbally taking down a homophobic radio host in “The West Wing.”

It’s also a 2026 horror flick written and directed by Adrian Chiarella. Set in rural Australia, the movie centers on Naim (Joe Bird), who relocates to a small factory town with his mother (Mia Wasikowska) after the death of the family patriarch. There he meets and starts a relationship with another boy in town, Ryan (Stacy Clausen).

However, when their relationship is uncovered by the rather religious community, both are sent to meet with a priest known for conducting rituals as a sort of conversion therapy. The results are frightening, as both begin encountering a dangerous entity hell bent on destroying each of them.

REVIEW: Fantastic fights mostly carry ‘The Furious’

Kenji Tanigaki already proved he knows action to me because of his stunt choreography work on “Blade II” back in 2002. More than 20 years later, he proves it again.

In the case of “The Furious,” Tanigaki sat in the director’s chair, helming a picture centered on two angry men on a mission. Xie Miao stars as Wang Wei, a mute tradesman who sets off on a mission to rescue his daughter who’s been kidnapped. Though he appears as just an ordinary blue-collar worker, he soon shows he is highly skilled in martial arts.

Navin (Joe Taslim), meanwhile, is a journalist whose wife, another reporter, went missing investigating reports of child trafficking. He’s now following up on what she found, and meets up with Wang. Together, they embark on a mission to stop the syndicate and rescue their loved ones.

REVIEW: There’s plenty to like about ‘Girls Like Girls’

I can’t say the song-to-book-to-movie pipeline is a robust one, but that’s the type of production we have in this coming-of-age feature.

Hayley Kiyoko first made the song “Girls Like Girls” in 2015, before writing a novel inspired by the tune in 2023. The next step on her path was filmmaking, as she directed this adaptation of her book. The film centers on the character Coley (Maya da Costa), a teenager who’s moved from San Diego to rural Oregon just before her senior year.

She doesn’t view the move as a good one, though, as she’s now having to live with her estranged dad (Zach Braff) after her mother’s passing. Things start to brighten, though, when she develops a connection with another girl, Sonya (Myra Molloy), and their bond brings them closer. However, difficulties emerge as they navigate their feelings.

REVIEW: Aside from Jackman, final tale of ‘Robin Hood’ is mostly mixed

This is far from the first big screen showing of Robin Hood, and it certainly won’t be the last. However, there’s no doubt this one stands apart in its subject matter.

Directed by Michael Sarnoski, Hugh Jackman stars in this film as the legendary outlaw, now in his later years. The film picks up with him living a directionless life, no longer interested in prior adventures, and under threat from old enemies. However, he takes up a new task to help protect the family of Little John (Bill Skarsgard), but is gravely injured in the process.

Badly hurt, Robin Hood finds himself waking up in a monastery where he’s nursed back to health by a nun, Sister Brigid (Jodie Comer). He begins to recover and even finds some peace, but the past still rears its head often.

REVIEW: Fifth film proves ‘Toy Story’ series still has the magic

When a film series gets to this many sequels, it’s not uncommon for quality to decline. “Toy Story,” though, just keeps beating the odds.

The latest film in Pixar’s longest running series, both by date and movie count, takes place a couple years after the events of the fourth picture. Bonnie (Scarlett Spears) is a bit older now, but still plays with the usual group of toys, sans Woody (Tom Hanks). That is until she is gifted a tablet by her parents, and enters the digital age.

The impact is immediate, as all of Bonnie’s attention is taken up by the frog themed Lilypad, voiced by Greta Lee. Now neglected, the toys, led by Jessie (Joan Cusack), begin an effort to be played with again. In the process, Jessie is connected with aspects of her past, while coming to understand how toys might still be relevant in the future.

REVIEW: ‘Disclosure Day’ is a major disappointment from Spielberg

Steven Spielberg is no doubt a fantastic filmmaker with a spectacular career. But when it comes to his recent filmography, things have been rough. Sadly, that trend continues.

The latest movie from the notable director stars Emily Blunt as Margaret Fairchild, a Kansas City-based meteorologist at a local station who, after a strange encounter, acquires the ability to speak several languages, as well as some telepathic power. Meanwhile, cybersecurity expert Daniel (Josh O’Connor) is on the run from a nefarious company.

The group, led by Noah Scanlon (Colin Firth) is chasing Danile and his girlfriend Jane (Eve Hewson), because he’s carrying evidence of the government covering up alien life. As the film goes on, the paths of Daniel and Margaret are on a collision course, as the former knows something needs to be revealed, and the latter realizes she has to bring something to light.

REVIEW: ‘Backrooms’ boasts good premise, but stumbles in execution

I’ve heard some horror stories about the retail space, but this one might take the cake.

In “Backrooms,” a film inspired by online horror stories, Chiwetel Ejiofor stars as Clark, a furniture store owner whose career as an architect was completely derailed. Clark is also coming off a difficult divorce, which he discusses regularly with his therapist, Dr. Mary Kline (Renate Reinsve).

His furniture business isn’t going well, either, as sales have dried up. His latest round of bad luck comes when the electricity at his store starts going haywire. While looking into the issue, though, he discovers a doorway to a sprawling, labyrinth-like alternate realm. He soon becomes obsessed with the space, to the concern of those around him.

REVIEW: Strong set pieces don’t resolve ‘He-Man’ adaptation issues

Was this supposed to be “Masters of the Marvel Universe?” No? Could have fooled me.

In this titular universe, the focus is primarily on the world of Eternia, where a great cosmic power has long been held in the form of a sword and safeguarded by a royal family. That world comes under attack by a warlock, Skeletor (Jared Leto), hellbent on taking the sword, and the associated power, for himself.

With defenses failing, the young prince of Eternia, Adam, is sent to Earth with the sword to keep it away from Skeletor. The film then picks up with Adam (Nicholas Galitzine) as an adult, who is seeking the sword after losing it in the wormhole to Earth. Once he does retrieve it, he has an opportunity to return to the world he left and stand against Skeletor’s evil.

REVIEW: ‘Tuner’ is a total bore

For a film about instruments being fine-tuned, it’s a shame this doesn’t manage to strike a chord. Sorry if that’s not the cleverest lede for this type of film. Alas, I played brass in high school.

Anyway, “Tuner” is a film that, unsurprisingly, centers on a piano tuner. More specifically, a tuner’s apprentice named Niki (Leo Woodall), who works for his boss Harry (Dustin Hoffman). Niki was once a promising pianist himself, but had to shift to being a tuner when he began to suffer from hyperacusis, an increased sensitivity to sound.

That sensitivity also means he can pick up subtle noises, such as the gears in a safe mechanism. Once he demonstrates that he can crack a safe thanks to this, he’s recruited by a trio of thieves. At first, his life starts to turn positive with the new gig, as he’s able to support his sick mentor and he gains more confidence to start a relationship. However, things later take a turn for the worse.

REVIEW: While not genre defining, ‘Pressure’ nicely dramatizes D-Day

We’ve seen the major D-Day invasion and its aftermath portrayed in cinema plenty of times. I guess it only makes sense to get a look at how the planning went before the English Channel was crossed.

Rather than determining what type of force is needed to storm the beaches of Normandy, though, “Pressure” centers on the meteorological efforts needed to know when to launch. The picture is largely from the vantage point of James Stagg (Andrew Scott), a meteorologist who was summoned by General Dwight D. Eisenhower (Brendan Fraser) to help the process.

However, Eisenhower’s decision was based on a recommendation from Prime Minister Winston Churchill, and he already has a weather expert who he’s relied on before. That expert, Irving Krick (Chris Messina), forecasts calm weather, contrasting Stagg’s outlook of a storm. As D-Day gets closer, their disagreement puts the invasion at risk.