REVIEW: While thought provoking, “Nope” is rarely gripping

“Nope” is a UFO movie. I’m resistant to using the Unidentified Aerial Phenomena term, UFO just sounds better.

In writer/director Jordan Peele’s newest film, Daniel Kaluuya and Keke Palmer star as O.J. and Em Haywood, respectively. The brother-sister duo inherited a ranch from their father where horses were raised and trained to be used in the entertainment industry.

The business is struggling lately, though, and to generate revenue, O.J. has been selling off the horses to Jupe Park (Steven Yeun), the owner of a nearby cowboy-inspired theme park. As time goes on, the family’s financial situation becomes a lesser issue, with strange and disturbing events beginning to happen, with a potential UFO in the area.

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REVIEW: ‘Elvis’ is an exuberant, exhausting experience

Elvis Presley has been portrayed on the large and small screen many times before. However, none of them featured the flair of filmmaker Baz Luhrmann, until now.

The story of Elvis (Austin Butler) in this biopic is told from the perspective of the performer’s infamous manager, Col. Tom Parker (Tom Hanks). The movie begins with Parker on his deathbed and from there, the former manager recounts the events of his time with the singer, from when he discovered him to the performers final days in Las Vegas.

The movie showcases how Elvis’ popularity surged, his inspiration from African American musicians, his controversial stage movements and his attempt at a comeback after some down years. It also features the decline of his health during his time doing several shows in Vegas.

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REVIEW: ‘The Black Phone’ is a frightening delight

Hauntings are fairly common in horror films but “The Black Phone,” thankfully, puts a new twist on the concept.

The movie follows middle school student Finney (Mason Thames), a kid who lives in mid-size Colorado city with his sister Gwen (Madeleine McGraw) and father Terrence (Jeremy Davies). The community where Finney resides has been in a state of terror lately as several children have gone missing in recent weeks.

The suspect is only known as the Grabber (Ethan Hawke), and eventually, Finney becomes a target. Now kidnapped and locked in a basement, Finney has to try to survive, and ends up getting help from the spirits of the Grabber’s other victims, who speak with the protagonist through a disconnected black phone.

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REVIEW: Third ‘Jurassic World’ is mostly a waste of time

Mr. Trevorrow, after careful consideration I’ve decided not to endorse your trilogy.

Colin Trevorrow is back in the directing chair for “Dominion,” after writing the second “Jurassic World” film and helming the first. This movie picks up several months after the conclusion of “Fallen Kingdom,” with dinosaurs now living among humanity, for better and for worse.

Owen (Chris Pratt) and Claire (Bryce Dallas Howard), who worked at the Jurassic World theme park are now looking after Maisie (Isabella Sermon), who was orphaned in the previous installment. Drs. Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) meanwhile, reunite to investigate a large locust species that are destroying crops, which are linked to the company Biosyn, which has its own dinosaur research.

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REVIEW: ‘Hustle’ has enough highlights to be worth seeing

As a Timberwolves fan, I was happy to see Minnesota star basketball player Anthony Edwards featured in this film.

Unfortunately, he plays an antagonistic character in “Hustle,” so the audience isn’t supposed to like him. Quite the dilemma.

The main focus of “Hustle,” though, is Stanley Sugerman (Adam Sandler), a scout for the NBA’s Philadelphia 76ers team. At the film’s start, Sugerman appears to have a chance at moving up from a scout to an assistant coach, but the promotion is dashed when a change of ownership takes place.

Sugerman is at first upset about having to go abroad to scout players again, but his mentality changes when he comes across a street-ball player named Bo Cruz (Juancho Hernangomez) in Spain. Sugerman knows it’s a long shot because the 76ers don’t appear entirely interested in Cruz because of his lack of association play, but Sandler’s character still brings him to the United States, convinced that the player can get drafted by a pro team.

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REVIEW: Alex Garland’s “Men” is ambitious but frustrating

I have a feeling this film will have some guys shouting “not all men!”

This film from director Alex Garland from the company A24 stars Jessie Buckley as Harper, a woman who’s gone to stay at a cottage in the country after a personal tragedy. The rental is in a nice enough small town and all seems well, but issues with her past continue to trouble her.

It’s made only worse as she has to deal with some rather bothersome figures in town, from a prying priest to a creepy schoolboy. These men only make her mental state worse.

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REVIEW: ‘Memory’ is solid matinee action cinema

Wow, two Liam Neeson action movies in less than three months. Fortunately, “Memory” is a better film than February’s “Blacklight.”

In “Memory,” Neeson plays Alex Lewis, a hitman for organized crime who almost always gets the job done. However, his latest job involves killing a child, something he refuses to do.

Meanwhile, Guy Pearce portrays an FBI agent named Vincent who’s investigating a trafficking operation. It turns out the girl Alex was supposed to kill was involved in the trafficking operation and those who run it are now after the hitman to bring him down for not going through with the task.

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REVIEW: ‘Unbearable Weight of Massive Talent’ is a Nic Cage triumph

Nicolas Cage is uncaged in this film, since he gets to really be himself. Seriously.

Cage plays a fictionalized version of himself in “Massive Talent.” Like the real version, the Cage in the movie hasn’t starred in a major blockbuster in a few years and it’s been tough on the actor.

He gets an opportunity to make some easy cash thanks to a mega fan named Javi, though, which could help get him on sturdier ground. However, it turns out Javi, who hired Cage to attend his birthday party, is actually a person the CIA has been targeting as an arms dealer. The CIA then asks Cage to provide surveillance on the individual.

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REVIEW: Adrenaline filled ‘Ambulance’ entertains despite speed bumps

Michael Bay tears up Los Angeles in his new action blockbuster, although the stakes are a bit lower compared to his other entries from the last decade.

Yahya Abdul-Mateen II stars as Will Sharp in “Ambulance,” a veteran and young father struggling to provide for his family, especially with medical bills mounting. In his desperation, he turns to his adoptive brother Danny (Jake Gyllenhaal), who runs an auto shop.

It turns out, that isn’t Danny’s only business, though, as the brother is also into heists and has been planning a bank robbery. Will is eventually roped in to the situation, but the robbery turns south fast. Needing to escape, the brothers carjack an ambulance with a wounded officer and an EMT (Eiza Gonzalez) inside.

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REVIEW: ‘Everything Everywhere All At Once’ is excellent

After this movie, you’ll never look at googly eyes the same way again.

This film stars Michelle Yeoh as a woman, Evelyn, who owns and operates a laundromat with her husband, Waymond (Jonathan Ke Quan). Their marriage has become strained, though, and she doesn’t have the best relationship with her daughter, Joy (Stephanie Hsu), either. On top of her family matters, Evelyn also has to deal with an audit into the laundromat by the IRS.

At a meeting with an IRS employee, Evelyn is contacted by different version of her husband from another universe who informs her that she may be the only being in the multi-verse who can prevent a calamity. To do so, Evelyn will have to tap into abilities from other versions of herself from alternate universes.

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