REVIEW: ‘Mass’ is an emotionally charged film with a great ensemble

While “Mass” is simply a film with four people in a room having a conversation, it has more tension than most of the other movies released in 2021.

“Mass” is about a meeting between two sets of parents whose children were involved in a school shooting. Jay (Jason Isaacs) and Gail (Martha Plimpton) are parents who lost their son in the incident.

Linda (Ann Dowd) and Richard (Reed Birney), meanwhile, are the parents of the shooter, who also died during the event. Over the course of the film, the two discuss what led to the school shooting and how it has impacted them.

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REVIEW: Cage shines in truffle trouble drama ‘Pig’

Nicholas Cage has had ups and downs in his career over the last decade, with some real lows in there (“Season of the Witch”), but he shows in this movie that he still has the acting prowess that won him an Oscar in the 90s.

Cage stars as Rob in “Pig,” a man who lives a secluded life in the Pacific northwest. He spends his days hunting for truffles with his foraging pig, and sells his finds to a single buyer, Amir (Alex Wolff), for simple supplies.

His day-to-day routine is shattered, though, when his pig is stolen in the middle of the night. With a reluctant Amir providing assistance, Rob sets out to get his pig back by any means necessary. However, his journey takes him back to a world he left behind, digging up his past in the process.

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REVIEW: ‘C’mon C’mon’ is moving, heartfelt cinema

Can we pretend Joaquin Phoenix’s Oscar was for this movie instead of “Joker?”

Phoenix stars in “C’mon, C’mon,” the new film from writer/director Mike Mills. In the film, Phoenix plays Johnny, a podcaster whose show centers on opinions of the youth. Johnny is often traveling across the country because of his job to interview students about their outlook on the world.

His career is interrupted, though, when his sister Viv (Gaby Hoffmann) asks for help. Viv is needing to take care of her husband, who’s going through a difficult time with mental health. As a result, she needs Johnny to help look after her son, Jesse (Woody Norman).

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REVIEW: The past looms large in quality Netflix entry ‘Lost Daughter’

Longtime actress Maggie Gyllenhaal has made her feature directorial debut with this new Netflix film, and it’s a solid starting point.

Leda, portrayed by Olivia Colman, is the star of the “The Lost Daughter.” A writer and a professor, Leda is on a vacation in Greece during the film for some time to herself.

As she’s settling in, she meets another family who’s on vacation. As Leda begins to interact with the family more, mostly with the matriarch who has a young daughter, it causes her to look back on her own past, and the decisions she made as a parent.

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REVIEW: Paul Thomas Anderson serves up one of year’s best with ‘Licorice Pizza’

Sometimes a good movie will introduce a new talent on screen.

It’s an even bigger treat when two new performers are introduced and give stellar performances.

That’s the case with “Licorice Pizza,” where first time performers Cooper Hoffman and Alana Haim star. Hoffman plays Gary, a teen actor with a ton of ambition. Despite being 15, Gary has a knack for hustling with small business schemes.

The film picks up in 1973, with Gary meeting Haim’s character Alana, a 25-year-old photography assistant. The two form an initial bond and from there, start working together on Gary’s business ideas. The film follows their relationship through the ups and downs of their lives during the summer months.

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REVIEW: Biopic ‘Being the Ricardos’ drops the Ball

It’s easy to love “I Love Lucy.” But that’s not the case with “Being the Ricardos.”

The film stars Nicole Kidman, who portrays Lucille Ball, the actress well known for the series “I Love Lucy.” The movie picks up during a week of filming the “I Love Lucy” show, where the production has been impacted by some recent news.

Rumors are swirling around Hollywood about Ball possibly being associated with communism during the height of the Red Scare. The film follows how this affects production, and Ball’s marriage to her husband, Desi Arnaz (Javier Bardem).

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REVIEW: Don’t look at the screen when ‘Don’t Look Up’ is on

So, this movie sure got people talking.

“Don’t Look Up” is the latest feature from director/writer Adam McKay, and centers on a scenario where there’s a comet headed toward Earth. The scientists who discover the comet, Randall (Leonardo DiCaprio) and Kate (Jennifer Lawrence) immediately inform the federal government after their discovery, with the hope that action is taken.

Unfortunately, they’re not exactly met with a warm welcome at the White House. The president, played by Meryl Streep, is much more concerned with optics and doesn’t particularly trust scientific evidence. As a result, Randall and Kate have to try to work with an ineffective head of state, while also trying to get air-time in a world where’s there’s apparently just one television show.

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REVIEW: ‘American Underdog’ let down by overstuffed story, weak script

Greatest Show this is not.

“American Underdog” tells the story of Kurt Warner. A man who, despite many setbacks, managed to earn a roster spot on a National Football League team, the St. Louis (now Los Angeles) Rams, and lead them to a Super Bowl championship.

Warner is portrayed by Zachary Levi, and the film follows how he played at the University of Northern Iowa, met his wife Brenda (Anna Paquin) and worked to make an NFL roster, mainly by building highlights in the Arena Football League.

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REVIEW: Take a stroll in ‘Nightmare Alley’ for quality noir

A title like “Nightmare Alley” may inspire thoughts that this film is about fantastical monsters.

But director Guillermo del Toro’s latest film is about how ordinary men can be just as monstrous as fabled beasts.

Bradley Cooper stars as Stanton in the film, a man who’s clearly on the run from his past at the start of the movie. As the film takes place during the later years of the depression and Stanton needing work, he ends up taking an offer to work at a carnival.

There, he meets a husband and wife duo who have an act where they perform as a pair of psychics, although, their mind games are actually just coded words to make it appear that they have powers. Still, Stanton sees an opportunity for himself and decides he would like to do such an act, but his efforts to do so leads to dangers and conundrums.

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REVIEW: ‘Spider-Man: No Way Home’ spins a satisfying web

The Marvel Cinematic Universe’s incarnation of Spider-Man fought in the Avengers’ Civil War and the Infinity War, but those end up paling in comparison to his multi-layered challenge in “No Way Home.”

The hero’s alter ego is Peter Parker, once again portrayed by Tom Holland. The movie begins with a news program revealing the webslinger’s identity via a hoax video produced by the villain Mysterio.

In the video, Mysterio not only revealed that Spider-Man is Peter Parker, he also claimed the hero used drone technology to wreak havoc on London. Parker soon has supporters and haters surrounding him 24/7, which pushes him to find a solution. That solution is visiting Mystic Arts Master Dr. Stephen Strange (Benedict Cumberbatch) and asking if there’s a spell to make people forget Spider-Man’s identity.

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