REVIEW: ‘The Phantom of the Open’ is a below average biopic

Some sports biopics inspire, others make you laugh, and there are those that do both.

“Phantom of the Open,” unfortunately, isn’t such a film.

The movie tells the true story of Maurice Flitcroft (Mark Rylance) a middle class shipping worker in an English port town. Upon hearing that the company he works for may be downsizing in the years to come, he begins considering what else he can do in life.

After a night of watching golf on TV, he decides to try his luck at the sport, entering the 1976 Open Championship. The only problem is Flitcroft is a complete amateur entering a professional competition. Despite this, he goes forward with support from his family.

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REVIEW: ‘Crimes of the Future’ is a fascinating sci-fi creation

In the “Crimes of the Future” world, there are two separate, yet equally important groups. The police who investigate crime, and an organ registry office to track human evolution.

These are their stories.

In the future portrayed in this film, humanity has evolved to the point where people no longer experience pain and are immune to infectious diseases. Evolution hasn’t stopped there, though, with some humans having bodies that create additional organs with no function, and others having a digestive system that can dissolve plastic.

Both evolutionary traits have gotten the attention of government agencies. Thanks to a man named Saul (Viggo Mortenson), the former trait has also gotten attention in cultural circles. He has made the removal of these organs into a show, as he allows an audience to watch these surgeries, which are conducted by an artist named Caprice (Lea Seydoux).

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REVIEW: ‘Hustle’ has enough highlights to be worth seeing

As a Timberwolves fan, I was happy to see Minnesota star basketball player Anthony Edwards featured in this film.

Unfortunately, he plays an antagonistic character in “Hustle,” so the audience isn’t supposed to like him. Quite the dilemma.

The main focus of “Hustle,” though, is Stanley Sugerman (Adam Sandler), a scout for the NBA’s Philadelphia 76ers team. At the film’s start, Sugerman appears to have a chance at moving up from a scout to an assistant coach, but the promotion is dashed when a change of ownership takes place.

Sugerman is at first upset about having to go abroad to scout players again, but his mentality changes when he comes across a street-ball player named Bo Cruz (Juancho Hernangomez) in Spain. Sugerman knows it’s a long shot because the 76ers don’t appear entirely interested in Cruz because of his lack of association play, but Sandler’s character still brings him to the United States, convinced that the player can get drafted by a pro team.

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REVIEW: Maverick’s new mission in ‘Top Gun’ sequel is worth seeing

In the past 20 years, sequels have been made to 80s franchises like “Rambo,” “Rocky,” “Die Hard” and “Indiana Jones.”

It just feels right that “Top Gun” joins the club.

“Maverick” follows the titular character (Tom Cruise) as he enters what looks to be the last stage of his career. Rather than move on to other ranks and jobs, Pete “Maverick” Mitchell has remained a captain in the United States Navy, with the decision based on his love of being a pilot.

At the request of Tom “Iceman” Kazansky (Val Kilmer), Maverick is taken off his current assignment as a test pilot for new aircraft and placed back in San Diego at Top Gun. He was chosen because he’s the only pilot with enough experience to train the top aviators in the country for a dangerous, nearly impossible mission. The situation is complicated by Maverick’s guilt, though, as his late wingman’s son Bradley (Miles Teller) is one of the pilots he intends to train.

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REVIEW: Alex Garland’s “Men” is ambitious but frustrating

I have a feeling this film will have some guys shouting “not all men!”

This film from director Alex Garland from the company A24 stars Jessie Buckley as Harper, a woman who’s gone to stay at a cottage in the country after a personal tragedy. The rental is in a nice enough small town and all seems well, but issues with her past continue to trouble her.

It’s made only worse as she has to deal with some rather bothersome figures in town, from a prying priest to a creepy schoolboy. These men only make her mental state worse.

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REVIEW: ‘New Era’ at Downton offers enjoyment, despite shortcomings

I didn’t always know what was going on in the 2019 “Downton Abbey” film since I didn’t watch the series. That was true again here.

However, like its predecessor, it’s still fairly enjoyable.

“New Era” has two main stories unfolding. One revolves around a new film being shot at the Downton estate, where Mary (Michelle Dockery) and Violet (Maggie Smith) are keeping watch of things. While the family is hesitant about the film industry using the building, they allow it as it will provide funding to do needed roof repairs.

Meanwhile, the characters Robert (Hugh Bonneville), Cora (Elizabeth McGovern), Edith (Laura Carmichael), Herbert (Harry Hadden-Patton), Tom (Allen Leech) and Lucy (Tuppence Middleton) travel to southern France to explore a villa Violet inherited. The inheritance was included in the will of a man who Violet met decades ago in her youth.

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REVIEW: ‘Firestarter’ is a faulty King adaptation

Stephen King is an iconic writer but the adaptations of his work have a tendency to be hit or miss. This new “Firestarter” movie is definitely one of the latter.

Zac Efron and Sydney Lemmon play parents of a daughter with a unique ability in the film. Their child, Charlie (Ryan Kiera Armstrong), has the ability to spontaneously create fire with her mind, although she can’t manage to fully control the power.

While her power is unique, though, her having an ability isn’t, as both her parents are also able to control things with their mind. This has put a target on the family by an organization set on controlling people with special powers. With Charlie’s powers more based on high emotions, it puts her family in a dangerous position, as their cover of being normal residents may be blown.

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REVIEW: Visually appealing ‘Outfit’ bogged down by plotting issues

The Chicago crime scene of years gone by is brought to life on a small scale in this bottle film.

Graham Moore makes his feature directorial debut with “The Outfit,” which centers on Leonard (Mark Rylance), an Englishman who owns a tailor shop in Chicago. The film’s protagonist runs an honest business, with the help of his secretary Mable (Zoey Deutch).

However, he has also set up a post box at his establishment used by crime organizations to communication. One night, this decision becomes a problem, as mafia members who’re customers of Leonard’s store begin using the shop as a place to go during a gang war. Leonard is then placed in a tense situation with dangerous men.

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REVIEW: ‘The Batman’ is a brilliant caped crusader story

Some of the best elements of the “Batman” interpretations by directors Tim Burton and Christopher Nolan are melded into the new crime epic featuring the Dark Knight.

In director Matt Reeves’ “The Batman,” Robert Pattinson stars as Bruce Wayne, who spends his nights out in Gotham City as the caped crusader. The film picks up with him meeting with Lt. James Gordon (Jeffrey Wright) after a night of fighting criminals to consult on a murder case.

The victim is the city’s mayor, and the suspect is the Riddler (Paul Dano), who leaves behind haunting clues. The killing sets Batman on an investigation, where he partners with Gordon and a cat burglar, Selina (Zoe Kravitz). The investigation brings him in conflict with the city’s underbelly, with the likes of the Penguin (Colin Farrell) in his way.

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REVIEW: ‘Worst Person in the World’ is a well-made Norwegian feature

“The Worst Person in the World” is far from the worst movie in the world.

This film, from Norway, stars Renate Reinsve as Julie, a young woman who’s having trouble deciding what to do in life. The movie starts with Julie studying to become a doctor, before switching majors to psychology. Early on in the movie, she does this again, deciding to pursue a career in photography.

Her romantic life is fairly similar. Early in the picture, she meets and begins a relationship with Aksel, a successful comic artist. As their relationship is humming along, though, she meets another man, Eivind (Herbert Nordrum). Like her academic career, Julie feels herself being pulled in more than one direction romantically.

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