REVIEW: ‘Killers of the Flower Moon’ is a powerful, meticulously made historic epic

Martin Scorsese has once again returned to the crime drama genre, focusing on a series of murders known as the “Reign of Terror.”

“Killers of the Flower Moon” centers on a conspiracy to murder members of the Osage Nation and steal their wealth and land. In Osage County, Oklahoma, members on the reservation received rights to royalties from oil production that was taking place on their land. The finances they inherited, unfortunately, made those with rights targets to others.

Scorsese’s film centers on these events, mainly through the eyes of Ernest Burkhart (Leonardo DiCaprio). A World War I veteran, Ernest arrives in Osage to work with his uncle William Hale (Robert De Niro) as the murders are picking up. During this time, Ernest himself marries a woman with rights to oil wealth herself, Mollie (Lily Gladstone).

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REVIEW: ‘Power of the Dog’ is a well crafted character study that digs deep

The concept of masculinity is explored and deconstructed in this new Netflix feature, set where the prairies meet the Rocky Mountains.

“Power of the Dog,” directed by Jane Campion, takes place during the 1920s in Montana. Benedict Cumberbatch stars as Phil Burbank in the film, a tough cattle rancher with a rough personality.

While Phil seems mystified by the life of a rancher in the western side of the nation, his brother George (Jesse Plemons) is less fascinated by the cowboy career and has ambitions of settling down. He does just that when he meets and later marries a restaurant owner named Rose (Kirsten Dunst). The film then follows how Phil often finds himself at odds with the rest of his family.

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REVIEW: Eastwood’s ‘Cry Macho’ is a misfire

Clint Eastwood is once again sporting a cowboy hat in his latest movie, but this one doesn’t take place in the old west.

In “Cry Macho,” Eastwood portrays Mike Milo, a retired rodeo star and horse breeder who was just cut from his job. His former boss Howard Polk (Dwight Yoakam) hires him for a different job at the movie’s outset, though.

Polk’s son, Rafo (Eduardo Minett) lives in Mexico and is allegedly being abused. Mike’s job is to bring Rafo back to the United States, so the father and son can reunite. While reluctant, Mike takes the job, meets Rafo and the two go on a journey from Mexico City to the U.S. border.

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