Tag: movies

REVIEW: Slasher fans will be thankful for Thanksgiving’

The Macy’s parade, turkey, football, and this year, a slasher movie.

In this new seasonal horror flick, inspired by a fake trailer made for the 2007 “Grindhouse” films, a killer is on the loose in a small Massachusetts town. The slayings get underway a year after a deadly riot broke out at the local super market during a massive Black Friday deal.

In the present, whoever is doing the killings appears to be going after those who were responsible for the riot. That puts a target on the back of Jessica (Nell Verlaque), a high schooler and daughter of the store owner, who was there that night with her friends.

Continue reading “REVIEW: Slasher fans will be thankful for Thanksgiving’”

REVIEW: ‘The Killer’ is a brisk, finely crafted thriller

Director David Fincher has made another solid film on Netflix. Now here’s hoping he makes a third season of “Mindhunter” for the streaming service.

Let’s stick with his latest film, though. With “The Killer,” Fincher returns to the thriller genre, and gives audiences insight into the mind of an expert assassin. Playing the main character, who is only referred to as the Killer, is Michael Fassbender.

The film follows the character returning home from a job only to find someone close to him has been attacked. Knowing the perpetrators are still out there and could potentially strike again, the Killer sets out to eliminate the threats.

Continue reading “REVIEW: ‘The Killer’ is a brisk, finely crafted thriller”

REVIEW: Coppola’s ‘Priscilla’ is a poignant, eloquently made film

Similar movies have come out close to each other before, à la “Armageddon” and “Deep Impact.” Usually they aren’t two award contending dramas, though. But here we are with “Elvis” in 2022 and “Priscilla” in 2023.

In the titular role is Cailee Spaeny, who portrays Priscilla from her teenage years living in Germany to when she ended her marriage to Elvis Presley (Jacob Elordi). The movie dramatizes how the two met, Priscilla moving to the Graceland mansion, the extended courtship and eventual deterioration of the relationship.

In addition to exploring the relationship, director and writer Sofia Coppola follows Priscilla’s personal journey of having to go through high school and enter adulthood in such a situation.

Continue reading “REVIEW: Coppola’s ‘Priscilla’ is a poignant, eloquently made film”

REVIEW: ‘American Fiction’ is astute and immensely funny

Truth is often stranger than fiction, but in “American Fiction,” the tale made-up by the protagonist is far more outlandish than his reality.

Jeffrey Wright stars as Thelonious Ellison in the film, although many just call him by his nickname, Monk. A writer and college professor, Monk finds himself in a bit of a career rut, with little interest coming from publishers in his new novel. At the same time, he sees other black writers getting a ton of success by writing stories about African American trauma and hardships.

Wanting to make a statement, Monk writes his own book in the same style, hoping that it will be taken as a satirical jab on the genre. Instead, it’s taken seriously and becomes a success. As he needs money because of a personal tragedy, Monk plays along.

Continue reading “REVIEW: ‘American Fiction’ is astute and immensely funny”

REVIEW: ‘Five Nights at Freddy’s’ squanders fun concept

It’s a tale as old as time, or at least as old as the early 90s. A concept works quite well as a video game, but doesn’t quite translate well to film.

The latest example is “Five Nights at Freddy’s,” a horror game franchise with a lot of popularity that has been made into a movie. The film stars Josh Hutcherson as Mike, who has to spend his nights at Freddy’s, a defunct brand similar to Chuck E Cheese, known for its animatronic mascots.

His stay there is out of desperation, as the security guard role at the dilapidated family restaurant is the only job he can get, and he needs it to continue being a guardian to his sister Abby (Piper Rubio). As Mike soon learns, working at the property can be rather creepy, as it has a dark history that lives on through the seemingly shut down animatronic animals.

Continue reading “REVIEW: ‘Five Nights at Freddy’s’ squanders fun concept”

Adventures in B-Movie Horror 2023: ‘Intruder’ and ‘Death Mask’

The weather outside is frightful here in Minnesota, and unfortunately, it’s not because of Halloween.

No, instead this state has provided us here in the Land of 10,000 Lakes with some wintry snow and ice on this spooky day. However, it is still Oct. 31, meaning it’s still Halloween, and it’s time for another Adventure in B-Movies, snow be damned.

This year I checked out a pair of low budget scary pictures. A slasher from the 80s and a paranormal horror from the 90s. Continue reading “Adventures in B-Movie Horror 2023: ‘Intruder’ and ‘Death Mask’”

REVIEW: ‘Killers of the Flower Moon’ is a powerful, meticulously made historic epic

Martin Scorsese has once again returned to the crime drama genre, focusing on a series of murders known as the “Reign of Terror.”

“Killers of the Flower Moon” centers on a conspiracy to murder members of the Osage Nation and steal their wealth and land. In Osage County, Oklahoma, members on the reservation received rights to royalties from oil production that was taking place on their land. The finances they inherited, unfortunately, made those with rights targets to others.

Scorsese’s film centers on these events, mainly through the eyes of Ernest Burkhart (Leonardo DiCaprio). A World War I veteran, Ernest arrives in Osage to work with his uncle William Hale (Robert De Niro) as the murders are picking up. During this time, Ernest himself marries a woman with rights to oil wealth herself, Mollie (Lily Gladstone).

Continue reading “REVIEW: ‘Killers of the Flower Moon’ is a powerful, meticulously made historic epic”

REVIEW: Alexander Payne’s ‘The Holdovers’ is a funny, emotional winner

This just in, Paul Giamatti continues to be a national treasure.

The Golden Globe winner and Oscar nominee portrays Paul Hunham in “The Holdovers.” A teacher at a private boys high school in the 1970s, Paul has earned himself a reputation as a notoriously tough teacher and not the most pleasant to chat with.

Unfortunately for some students who have to stay at the school during the holiday break, they have to spend their days with Paul, who’s the designated the chaperone. One student in particular, Angus (Dominic Sessa) has to spend an extended time there. But as time goes on, he finds himself bonding with both Paul and the school’s head cook Mary (Da’Vine Joy Randolph)

Continue reading “REVIEW: Alexander Payne’s ‘The Holdovers’ is a funny, emotional winner”

REVIEW: Sans dialogue, ‘No One Will Save You’ succeeds with suspense

Those who’ve played Nintendo games where protagonists are speechless other than grunts should find themselves in familiar territory with this mostly dialogue-free film.

Kaitlyn Dever stars in the picture, now on Hulu, as Brynn, a young woman living in a rural house near a small community. Brynn lives a simple, quiet life, appearing to be trying to recover from a trauma in her past.

After a fairly typical day, she goes to sleep, but is woken up by noise in and around her home. The intruder, though, is no burglar, but rather an extra-terrestrial, and there’s not just one that Brynn has to escape from.

Continue reading “REVIEW: Sans dialogue, ‘No One Will Save You’ succeeds with suspense”

REVIEW: Poor narrative breaks ‘Exorcist: Believer’

Keep those tubular bells ringin’, “The Exorcist” series is back. However, unfortunately, the quality of the original film is not.

In this entry to the franchise, Leslie Odom Jr. plays Victor, a single father whose wife died during child birth due to the 2010 Haiti Earthquake. In the ensuing years, Victor loses his faith, but appears to be doing alright as a dad to his daughter Angela (Lidya Jewett).

His world gets turned upside down, though, when Angela and her friend Katherine (Olivia O’Neill) go missing. They’re eventually found, much to their parents’ relief. As time goes on though, it appears something sinister has latched on to the two girls. Continue reading “REVIEW: Poor narrative breaks ‘Exorcist: Believer’”