REVIEW: ‘A Different Man’ succeeds with dark comedy, superb acting

Depressing, awkward, funny, cringey and shocking. They’re all words that can be used to describe “A Different Man,” in a good way.

The movie stars Sebastian Stan as Edward, a man who’s not only struggling to make it as an actor in New York, but also suffering neurofibromatosis. The condition leaves him with tumors that have grown on his face.

However, he manages to enter a trial run for a new procedure that can remove the tumors and completely treat the condition. The treatment ends up working, giving Edward the life he’s always wanted, at least that’s what he thinks.

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REVIEW: As a thriller, ‘Longlegs’ is laudable, but not quite legendary

Sometimes Nicolas Cage plays a character who’s just a little off. That’s not the case here, because the character he portrays in “Longlegs” is completely off.

In this film, Cage plays a serial killer known as Longlegs who’s been on the loose for decades. To help catch him after a recent family massacre, the head of Oregon’s FBI office brings in Agent Lee Harker (Maika Monroe). 

Awkward in social situations but completely dedicated to her profession, Harker begins the case with vigor, going over every clue, including letters left by Longlegs. Eventually, she’s able to decode them, but they only lead to more mysteries and memories from her own past.

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REVIEW: Mildly amusing ‘Fly Me to the Moon’ never fully takes off

Scarlett Johansson makes it two in a row with space-themed films, following up her appearance in 2023’s “Asteroid City” with this summer’s “Fly Me to the Moon.”

This time around, Johansson plays an advertising ace named Kelly. Because of her record of success in marketing, Kelly is recruited by a mysterious government agent named Moe Berkus (Woody Harrelson) to bolster the public’s perception of NASA.

It comes at a time when NASA is looking to forge ahead on its Moon mission, despite losing the loss of public interest. Kelly starts turning that around, much to the chagrin of by-the-books launch director Cole (Channing Tatum). However, Kelly starts winning him over, too.

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REVIEW: ‘Kinds of Kindness’ is a constantly fascinating anthology

The guy who made the new film “kinds of Kindness” is kind of a good director.

Obviously that’s not true, as Yorgos Lanthimos is a great director and once again shows off his abilities to make a bizarre, amusing and insightful picture. His latest film is an anthology with three stories full of dark comedy and absurd moments.

Each story features the same set of actors, but they’re all standalone tales and the cast play different characters.  That cast includes Emma Stone, Jesse Plemons, Willem Dafoe, Hong Chau, and more.

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REVIEW: Journey of ‘The Bikeriders’ is interesting, but not genre defining

Here we are, the best motorcycle film to hit theaters since “Wild Hogs.” Kidding of course.

The latest movie featuring motorcycle riders rumbling down the open road is a period piece drama centered on a Chicago-based club called the Vandals. The film is told from the perspective of Kathy (Jodie Comer), a woman narrates her experience marrying one of the club members and being around the group as it gained membership and began more illegal activity.

Her husband, Benny (Austin Butler), was one of the higher-ups in the group, behind its leader Johnny (Tom Hardy). The film explores how they and other core club members started the group and where it took their lives.

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REVIEW: ‘Ghostlight’ is an endearing dramedy about the impact of art

Despite the name, “Ghostlight” is a film more about stage fright, and less about a fear of apparitions.

The film stars Keith Kupferer as Dan, a man who is at wit’s end at the movie’s outset. His son died roughly a year ago, he’s dealing with a wrongful death lawsuit he filed in the aftermath, and his daughter Daisy (Katherine Mallen Kupferer) has been having disciplinary issues.

The stress gets to him during his construction job and it leads to a blow-up. The moment is witnessed by an actress named Rita (Dolly de Leon), who invites Dan to participate in a community theater presentation of “Romeo and Juliet.” As he becomes part of the production, he starts being able to process his grief. Continue reading “REVIEW: ‘Ghostlight’ is an endearing dramedy about the impact of art”

REVIEW: ‘Treasure’ is largely tedious

Sometimes film adaptations work better when they’re a bit different than the source material. But after learning about the book “Treasure” was based on, I wish it would have been more faithful.

Set in 1991, “Treasure” stars Lena Dunham as Ruth, a journalist from New York City who’s visiting Poland to learn about where her parents grew up before being taken to concentration camps by Germans during World War II.  

She’s accompanied by her father Edek (Stephen Fry) on the trip and the two set out on visiting a few of the towns he was familiar with. However, the situation is strained because Ruth is still getting over a difficult divorce and both she and her father are mourning the loss of the family matriarch.

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REVIEW: ‘Tuesday’ is a turbulent, pretentious disappointment

Didn’t have death appearing as a bird that talks like Caesar from “Planet of the Apes” on the bingo card.

Voiced by Arinze Kene, Death comes in the form of a size-shifting parrot in “Tuesday,” and visits people across Earth in their final moments before they pass away. As the movie gets underway, the bird’s latest task is visiting the terminally ill teenage girl Tuesday (Lola Petticrew).

Tuesday speaks with Death though and the two form a sort of understanding, leading to an arrangement where the girl will be allowed to stay alive until her mother Zora (Julia Louis-Dreyfus) gets home to say goodbye. From there, the film presents a journey all about mortality for the characters.

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REVIEW: Back out of watching ‘Back to Black’

Amy Winehouse should be remembered for her musical talents and ability to create songs people love. Unfortunately, this biopic decided to focus nearly entirely on her controversies and struggles.

The film picks up with Winehouse, portrayed by Marisa Abela, just before she records her first studio album, “Frank.” The audience learns about her family life, her love of music and how her demo tape has opened a doorway to success.

Following the release of “Frank,” Winehouse begins building her music career and at the same time, starts a relationship with her future husband Blake (Jack O’Connell). From there, the film dramatizes her struggles with alcoholism and addiction, as well as how she pushed forward to make her second and final album, “Back to Black.”

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REVIEW: Long live the ‘Kingdom of the Planet of the Apes’

It’s hard to imagine the current run of “Planet of the Apes” continuing on without Caesar, but director Wes Ball’s latest film in the series is a fitting follow-up to the 2010s trilogy.

“Kingdom” takes place several generations after Caesar’s death. Humans are now primitive and scarce, while the apes have built up small villages, one of them being home to the protagonist, Noa (Owen Teague). Led by Noa’s father, the clan built a peaceful society around training falcons.

The peace of Noa’s village is shattered, though, when it’s raided by another ape kingdom set on conquest. Injured in the battle, Noa awakens to find his village destroyed and residents taken hostage. From there, Noa sets out on a quest to rescue those imprisoned and gets an unlikely ally along the way.

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