REVIEW: ‘American Fiction’ is astute and immensely funny

Truth is often stranger than fiction, but in “American Fiction,” the tale made-up by the protagonist is far more outlandish than his reality.

Jeffrey Wright stars as Thelonious Ellison in the film, although many just call him by his nickname, Monk. A writer and college professor, Monk finds himself in a bit of a career rut, with little interest coming from publishers in his new novel. At the same time, he sees other black writers getting a ton of success by writing stories about African American trauma and hardships.

Wanting to make a statement, Monk writes his own book in the same style, hoping that it will be taken as a satirical jab on the genre. Instead, it’s taken seriously and becomes a success. As he needs money because of a personal tragedy, Monk plays along.

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REVIEW: ‘Killers of the Flower Moon’ is a powerful, meticulously made historic epic

Martin Scorsese has once again returned to the crime drama genre, focusing on a series of murders known as the “Reign of Terror.”

“Killers of the Flower Moon” centers on a conspiracy to murder members of the Osage Nation and steal their wealth and land. In Osage County, Oklahoma, members on the reservation received rights to royalties from oil production that was taking place on their land. The finances they inherited, unfortunately, made those with rights targets to others.

Scorsese’s film centers on these events, mainly through the eyes of Ernest Burkhart (Leonardo DiCaprio). A World War I veteran, Ernest arrives in Osage to work with his uncle William Hale (Robert De Niro) as the murders are picking up. During this time, Ernest himself marries a woman with rights to oil wealth herself, Mollie (Lily Gladstone).

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REVIEW: Alexander Payne’s ‘The Holdovers’ is a funny, emotional winner

This just in, Paul Giamatti continues to be a national treasure.

The Golden Globe winner and Oscar nominee portrays Paul Hunham in “The Holdovers.” A teacher at a private boys high school in the 1970s, Paul has earned himself a reputation as a notoriously tough teacher and not the most pleasant to chat with.

Unfortunately for some students who have to stay at the school during the holiday break, they have to spend their days with Paul, who’s the designated the chaperone. One student in particular, Angus (Dominic Sessa) has to spend an extended time there. But as time goes on, he finds himself bonding with both Paul and the school’s head cook Mary (Da’Vine Joy Randolph)

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REVIEW: Spooky season setting boosts ‘A Haunting in Venice’

After two underwhelming films, the third time appears to have been the charm for the modern Hercule Poirot series.

Based on another one of Agatha Christie’s stories, “A Haunting in Venice” finds inspector Poirot retired from detective work. Played by Kenneth Branagh, who also directs, Poirot is now living in the titular city a few years removed from investigating. That is until he he meets up with friend and author Ariadne (Tina Fey).

A mystery author, Ariadne is planning to attend a séance to gather some inspiration for future works, and she invites Poirot to come along. The inspector is skeptical at first about the whole situation, but decides to tag along. During the event, a mysterious death takes place, and it forces Poirot to exit his retirement on a spooky Halloween night.

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REVIEW: Nolan’s ‘Oppenheimer’ is an immaculate cinematic achievement

Scientific breakthroughs can be great things, leading to new discoveries and improvements in quality of life. They can also create terrifying, destructive power.

Christopher Nolan’s “Oppenheimer” captures the latter, and the impact it had on the figure that helmed such a breakthrough.

The film mainly revolves around J. Robert Oppenheimer’s work on the Manhattan Project, what led him to his involvement, and subsequent investigations into his character during the Red Scare. To do this the movie goes back and forth between three time periods.

Most of the movie takes place during the time where Oppenheimer was becoming a scientist and his work in Los Alamos. However, the movie also includes moments from Oppenheimer’s security hearing in 1954, as well as scenes in 1959 when Lewis Strauss’ hostile relationship with the physicist was brought up in commerce secretary nomination hearings with the Senate.

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REVIEW: ‘Asteroid City’ is a fine addition to Anderson’s filmography

Another Wes Anderson movie. Come for the quirks, stay for the feels.

The latest film from the auteur director is a few layers deep. The movie showcases a television broadcast of the play “Asteroid City,” and through that broadcast, the audience is also able to see behind-the-scenes of that production.

In the play itself, Jason Schwartzman plays the character Augie Steenbeck, whose son Woodrow (Jake Ryan) is attending an event celebrating teens who excel at science. During the event, the small rural town, known for being next to a crater where a meteor struck, is visited by an extra-terrestrial. Through this event, the audience learns more about the characters in the play, as well as the cast and crew of the production.

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REVIEW: ‘Past Lives’ is a romantic drama triumph

One of the most common aspects of the human experience is considering how different things could be if one made a different choice or a life event went an alternate way.

In stirring fashion, “Past Lives” writer/director Celine Song explores this concept, that boils down to the simple words “what if.”

The film, inspired by Song’s own life, centers on Nora (Greta Lee), a woman whose story began in South Korea before her family immigrated to Canada when she was a pre-teen. When she was growing up in South Korea, she was close friends with a boy named Hae Sung (Teo Yoo), but the two lost contact.

The two reconnect a dozen years later via social media and begin speaking regularly via Skype, but again are unable to consistently stay in touch as life takes them on different paths. The movie then follows up with the characters in the present day, when Hae Sung is able to visit Nora. who’s now a married writer in New York City.

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REVIEW: It doesn’t hurt to watch ‘You Hurt My Feelings’

The many complexities that exist in a relationship, even a loving one, come up in this smart dramatic comedy.

“You Hurt My Feelings,” written and directed by Nicole Holofcener, stars Julia Louis-Dreyfus as Beth. The film opens with Beth, an author and writing-class teacher, feeling somewhat discouraged. Despite her efforts over the last several months, her latest novel just isn’t getting a great response from her agent.

That feeling only grows when she overhears her husband Don (Tobias Menzies) saying to another person that he doesn’t like her new book, despite saying otherwise to her face. The rest of the movie explores how this impacts their relationship and the people around them.

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REVIEW: ‘Chevalier’ gives insight to important musician, but does so generically

A story during the era of the French Revolution that’s gone largely untold is given a spotlight in this film.

It’s an admirable effort, although there’s a feeling it could have been stronger.

The movie centers on Joseph Bologne, the illegitimate son of an African slave and a French plantation owner who was raised to become a great violinist. Because of his skills, he finds himself in France’s high society, and is named Chevalier de Saint-Georges.

The movie picks up with Queen Marie Antoinette (Lucy Boynton) giving Joseph the opportunity to lead an opera house via a competition with another composer, to see who can write the best one. During that process, Joseph begins an affair with a married woman, Marie-Josephine (Samara Weaving). As this is happening, there are rumblings of revolution, and it will all come to a head.

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REVIEW: ‘How to Blow Up a Pipeline’ is bold, powerful filmmaking

The brink has been reached for the characters in this drama, and it forces them to go past the point of no return.

It’s no surprise, as they feel the same has happened with climate change.

The film, inspired by the book featuring the same title, follows a group of young people who, seeing all other forms of protest ineffective, decide to sabotage a section of an oil pipeline in Texas. The plan originally formulates between college students Xochitl (Ariela Barer) and Shawn (Marcus Scribner).

They join forces with activists Rowan (Kristine Froseth), Logan (Lukas Gage), Theo (Sasha Lane), Alisha (Jayme Lawson) and Michael (Forrest Goodluck). Additionally, they partner with Dwayne (Jake Weary), a Texan who was forced to relocate when his property was bought out for a pipeline’s construction.

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