REVIEW: ‘Dream Scenario’ is wonderfully creative and comedic

Meeting Nicolas Cage would probably be a cool experience, but having it be during a dream could be a bit much if it’s anything like this film.

That’s the situation many people have to go through in the movie “Dream Scenario,” though, where Cage plays Paul, a man who ends up appearing in random peoples’ dreams. A college professor, Paul’s appearances in dreams begin with his own family, then to his students, followed by the general populace.

Paul has been struggling lately, not able to move his career forward, so at first he welcomes the new popularity. However, it begins to be an overwhelming experience. Additionally, while he at first did nothing in the dreams, people who see Paul in their sleep begin having terrifying nightmares, which turns him into an antagonist for many.

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REVIEW: ‘Anatomy of a Fall’ is mostly engaging, but also overlong

The title “Anatomy of a Fall” may imply this movie is all about a person’s death, but this foreign film analyzes much more.

Taking place in southeast France, “Anatomy of a Fall” opens with the death of Samuel Maleski (Samuel Theis), who appears to have been killed by a fall from one of  his home’s top floors. An autopsy, though, finds he suffered an injury before he hit the ground.

This puts suspicion on Samuels’s wife Sandra (Sandra Huller), and after some investigation, she is arrested and brought to trial. The film then explores the cause of the death through the trail, as well as a marriage that was fracturing long before the inciting incident.

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REVIEW: Excessive depravity doesn’t salvage ‘Saltburn’

“Saltburn” is an appropriate title for this flick, because things get really salty, and then some.

Set in 2006, “Saltburn” opens at Oxford University where young student Oliver Quick (Barry Keoghan) is just beginning to attend on a scholarship. He initially struggles to fit in among many wealthier peers, but manages to eventually befriend another student, Felix (Jacob Elordi).

After forming a friendship, Felix invites Oliver to spend the summer at his family’s mansion, titled Saltburn. There, Oliver experiences parties, sex, drugs and all of the other things available to the rich. However, the setting becomes tense as Oliver begins showing darker tendencies.

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REVIEW: ‘May December’ is a successful dramatization of a dark story

You know that meme with the dog who’s sitting in a burning building, drinking coffee and saying “this is fine,” even though everything clearly isn’t? The characters in this movie seem to have that mentality.

“May December,” the latest film from director Todd Haynes, takes inspiration from the case of Mary Kay Letourneau, a teacher who raped her 12-year-old, sixth grade student, Vili Fualaau, and later gave birth to his child. The two were eventually married after her prison sentence.

Those individuals were the basis for Julianne Moore’s Gracie and Charles Melton’s Joe. The film takes place many years after the affair between the married couple began, and centers on an actress, Elizabeth (Natalie Portman), who is visiting Gracie and Joe to prepare for her portrayal of the former in an independent film. Continue reading “REVIEW: ‘May December’ is a successful dramatization of a dark story”

REVIEW: ‘Napoleon’ is a considerable, but incomplete portrait of French ruler

Ambition is something leaders of nations should have. However, when that ambition is only self-serving, it can end in disaster, as Ridley Scott’s “Napoleon” shows.

The film picks up right in the midst of the French Revolution, with Napoleon Bonaparte (Joaquin Phoenix), then an army officer, in attendance for the beheading of Queen Marie Antoinette. From there, the film follows how he built popularity with military accomplishments and used political maneuvers to gain power in France.

The film then explores his military campaigns as Emperor of France while also dramatizing his relationship with his wife Josephine (Vanessa Kirby).

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REVIEW: Coppola’s ‘Priscilla’ is a poignant, eloquently made film

Similar movies have come out close to each other before, à la “Armageddon” and “Deep Impact.” Usually they aren’t two award contending dramas, though. But here we are with “Elvis” in 2022 and “Priscilla” in 2023.

In the titular role is Cailee Spaeny, who portrays Priscilla from her teenage years living in Germany to when she ended her marriage to Elvis Presley (Jacob Elordi). The movie dramatizes how the two met, Priscilla moving to the Graceland mansion, the extended courtship and eventual deterioration of the relationship.

In addition to exploring the relationship, director and writer Sofia Coppola follows Priscilla’s personal journey of having to go through high school and enter adulthood in such a situation.

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REVIEW: ‘American Fiction’ is astute and immensely funny

Truth is often stranger than fiction, but in “American Fiction,” the tale made-up by the protagonist is far more outlandish than his reality.

Jeffrey Wright stars as Thelonious Ellison in the film, although many just call him by his nickname, Monk. A writer and college professor, Monk finds himself in a bit of a career rut, with little interest coming from publishers in his new novel. At the same time, he sees other black writers getting a ton of success by writing stories about African American trauma and hardships.

Wanting to make a statement, Monk writes his own book in the same style, hoping that it will be taken as a satirical jab on the genre. Instead, it’s taken seriously and becomes a success. As he needs money because of a personal tragedy, Monk plays along.

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REVIEW: ‘Killers of the Flower Moon’ is a powerful, meticulously made historic epic

Martin Scorsese has once again returned to the crime drama genre, focusing on a series of murders known as the “Reign of Terror.”

“Killers of the Flower Moon” centers on a conspiracy to murder members of the Osage Nation and steal their wealth and land. In Osage County, Oklahoma, members on the reservation received rights to royalties from oil production that was taking place on their land. The finances they inherited, unfortunately, made those with rights targets to others.

Scorsese’s film centers on these events, mainly through the eyes of Ernest Burkhart (Leonardo DiCaprio). A World War I veteran, Ernest arrives in Osage to work with his uncle William Hale (Robert De Niro) as the murders are picking up. During this time, Ernest himself marries a woman with rights to oil wealth herself, Mollie (Lily Gladstone).

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REVIEW: Alexander Payne’s ‘The Holdovers’ is a funny, emotional winner

This just in, Paul Giamatti continues to be a national treasure.

The Golden Globe winner and Oscar nominee portrays Paul Hunham in “The Holdovers.” A teacher at a private boys high school in the 1970s, Paul has earned himself a reputation as a notoriously tough teacher and not the most pleasant to chat with.

Unfortunately for some students who have to stay at the school during the holiday break, they have to spend their days with Paul, who’s the designated the chaperone. One student in particular, Angus (Dominic Sessa) has to spend an extended time there. But as time goes on, he finds himself bonding with both Paul and the school’s head cook Mary (Da’Vine Joy Randolph)

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REVIEW: Spooky season setting boosts ‘A Haunting in Venice’

After two underwhelming films, the third time appears to have been the charm for the modern Hercule Poirot series.

Based on another one of Agatha Christie’s stories, “A Haunting in Venice” finds inspector Poirot retired from detective work. Played by Kenneth Branagh, who also directs, Poirot is now living in the titular city a few years removed from investigating. That is until he he meets up with friend and author Ariadne (Tina Fey).

A mystery author, Ariadne is planning to attend a séance to gather some inspiration for future works, and she invites Poirot to come along. The inspector is skeptical at first about the whole situation, but decides to tag along. During the event, a mysterious death takes place, and it forces Poirot to exit his retirement on a spooky Halloween night.

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