REVIEW: Long live the ‘Kingdom of the Planet of the Apes’

It’s hard to imagine the current run of “Planet of the Apes” continuing on without Caesar, but director Wes Ball’s latest film in the series is a fitting follow-up to the 2010s trilogy.

“Kingdom” takes place several generations after Caesar’s death. Humans are now primitive and scarce, while the apes have built up small villages, one of them being home to the protagonist, Noa (Owen Teague). Led by Noa’s father, the clan built a peaceful society around training falcons.

The peace of Noa’s village is shattered, though, when it’s raided by another ape kingdom set on conquest. Injured in the battle, Noa awakens to find his village destroyed and residents taken hostage. From there, Noa sets out on a quest to rescue those imprisoned and gets an unlikely ally along the way.

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REVIEW: Gosling and Blunt lift ‘The Fall Guy’ above average

Ryan Gosling has been outstanding in many dramatic roles, but damn does he ever have some good comedic skills, too.

Gosling stars as Colt Seavers, an experienced stunt man who had a steady career and a budding romance with a camerawoman, Judy (Emily Blunt). However, that came to an end with a bad injury that took him a long time to recover from. He’s convinced to come out of retirement, though, to work on a film that’s being directed by Judy, which is her first project.

It’s an awkward experience because he broke up with the up-and-coming director after his injury. The situation is made even more complicated when the actor Colt is doing stunts for suspiciously disappears. It turns out, there are nefarious reasons why, and as Colt searches for the star, he’s put in danger.

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REVIEW: ‘Monkey Man’ has great action but mangled storytelling

There are plenty of primate movie titles this year it seems. March had “Kong x Godzilla,” April has “Monkey Man” and May brings “Kingdom of the Planet of the Apes.”

The middle film isn’t actually about a monkey, though. Instead, the film centers on the character Kid (Dev Patel), a young man living in Yatana, a fictional metropolis in India. Struggling to get by, he manages to earn money as a fighter in an underground boxing ring, where he dons an ape mask.

His true objective, though, is putting himself in a position where he can get revenge on those who destroyed his village and killed his mother. His main two targets are a corrupt guru (Makarand Deshpande) and a crooked police chief (Sikandar Kher). But pulling such a thing off is a difficult, dangerous task.

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REVIEW: ‘In the Land of Saints and Sinners’ is a solid Neeson entry

Another movie has arrived in theaters with a poster showing Liam Neeson holding a gun. There’s been quite a few of these over the years, but few quite as somber.

“Land of Saints and Sinners” is set in Ireland during the Troubles, but most of the movie takes place away from the conflict. Instead, the location is a coastal village where humble, friendly bookseller Finbar Murphy (Neeson) resides. What he hides from the town, though, is that he’s also an experienced hitman.

However, it’s part of his life he’s ready to be done with. That is until the conflict arrives in the village when a group of IRA members go there to lay low after a bombing. While there, one of them commits a crime against one of the residents, and, as he’s grown to love the village, Finbar decides to take action.

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REVIEW: Godzilla and Kong’s New Empire is off to a forgettable start

At this point these films might as well just cut the human characters out entirely, they were barely necessary here.

That’s because, as expected, the latest movie centers on the big monkey and giant lizard. The former, Mr. Kong, has made a home in the Hollow Earth, a space between the planet’s surface and core. Kong is living his life as the Hollow Earth’s de facto ruler, but is rather lonely as the only giant gorilla there.

That changes when he discovers several other massive apes live nearby, but they’re led by a tyrant hell-bent on conquest of the surface. Godzilla, who is becoming aware of this threat, is preparing in his own way. But it’s going to take both rivals to handle the antagonist.

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REVIEW: ‘Ghostbusters: Frozen Empire’ is a fumbling follow-up

It’s time to take the Ghostbusters off the contacts list, they don’t need to be called again.

Set after the 2021 film “Afterlife,” “Frozen Empire” takes place in New York City in the present day with Egon Spengler’s daughter Callie (Carrie Coon) hunting ghosts with her kids Phoebe (Mckenna Grace) and Trevor (Finn Wolfhard), as well as her boyfriend Gary (Paul Rudd). Though successful, the four have also gotten into trouble with NYC leadership for property damage.

They get off with a warning, but are forced to leave Phoebe, still a teen, out of ghost catching. Meanwhile, former Ghostbuster Ray (Dan Aykroyd) is presented with an old family heirloom with a powerful entity inside. As the film goes on, situations with the characters begin happening that may release the entity.

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REVIEW: ‘Knox Goes Away’ is a strong creative effort from Keaton

A moody drama with Michael Keaton playing a hitman? Sure, sign me up.

In addition to starring as the lead character, Keaton also directed “Knox Goes Away.” In the film,  John Knox is a contract killer who’s been dealing with memory loss. When he meets with a doctor, Knox is diagnosed with a fast-moving form of dementia that will give him only weeks to live.

Without much time left, Knox starts making arrangements to pass on all of his money to his estranged family. However, the plan becomes complicated when his son Miles (James Marsden) shows up one night asking for help in covering up a crime.

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REVIEW: ‘Love Lies Bleeding’ is a chaotic blast

“Love Lies Bleeding” is a really accurate title, because this film has all three. It also has a ton of awesomeness.

Kristen Stewart stars as gym manager Lou in “Love Lies Bleeding.” A recluse, Lou seems to just be on cruise control in her life. Jackie (Katy O’Brian), meanwhile, is a woman who’s hitchhiked from Oklahoma to New Mexico, with hopes of competing as a body-builder in Las Vegas.

The two meet and begin a relationship, and fall for each other quickly. However, situations related to their past, present and future put them on a wild collision course with destiny that challenges their love.

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REVIEW: ‘Madame Web’ is a woeful ‘Spider-Man’ spin-off

This film may be titled “Madame Web,” but the titular character barely gets to shine in her own movie.

Dakota Johnson stars as Cassie Webb in this new film set in 2003 with loose ties to the “Spider-Man” mythos. Webb is a paramedic in New York City in her 30s who grew up in foster care as her mom died in Peru studying a rare spider species.

The film picks up with Cassie as she begins to have visions of the future on a regular basis. Her most important vision comes when she sees three girls in danger of being attacked by a person with superhuman abilities. From there, she sets out to protect the girls who are destined to do heroic things in the future.

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REVIEW: I met the real agent ‘Argylle,’ I wish I hadn’t

“Argylle” is a film that could have spent more time on the drawing board, because on the big screen, it’s just wasting other peoples’ time.

In the film, Argylle is the titular character of a spy novel series written by the introverted Elly Conway (Bryce Dallas Howard). The author is working on her latest book, but is running into a bit of writer’s block.

A bigger problem comes along in the form of a group of men trying to capture Elly, though, as the books she’s written have actually been rather prophetic when it comes to real world espionage. Her only protection is a secret agent, Aidan (Sam Rockwell), who defends Elly and leads her to where she can uncover the truth about the real Argylle.

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