REVIEW: ‘Those Who Wish Me Dead’ brings big sky thrills

Angelina Jolie has taken a break from playing Maleficent to return to the action genre.

This time, though, she plays a character with survival skills, rather than being a master martial artist or super spy.

In “Those Who Wish Me Dead,” Jolie portrays Hannah, an elite firefighter in Montana who’s trying to get over a traumatic event that took place about a year ago. Because of the experience, Hannah is taken off the frontlines and instead is stationed at a fire lookout tower.

Meanwhile, a father and his son Connor (Finn Little) go on the run. The father, Owen (Jake Weber), is an accountant mixed in a situation where he could potentially expose several financial scandals and therefore has a hit on him. Those looking to take Owen out do succeed, but Connor escapes. After doing so, he runs into Hannah, who takes on the task of protecting him.

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REVIEW: Good direction from Ritchie makes ‘Wrath of Man’ work

Many revenge movies are straightforward in their approach, so any time a good director can come along with some flair to elevate things, it’s a plus.

That’s the case here with “Wrath of Man.”

The film centers on Patrick Hill (Jason Statham) who simply goes by “H.” Appearing to be just an everyman, H begins working for an armored vehicle company, mainly under the supervision of a man whose nickname is Bullet (Holt McCallany).

His first several days there are routine, but one day a truck he’s in is stopped by a gang of thieves. It’s no problem for H, though, who takes out the criminals with great skill and precision. It soon comes to light that H is working at the company for a specific reason and has revenge on his mind.

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REVIEW: Outside of the action, ‘Mortal Kombat’ falls flat

If there’s one thing this movie has in common with other “Mortal Kombat” films, it’s Raiden basically not fighting at all despite being a playable character in the games.

So this is another Hollywood shot at adapting the “Mortal Kombat” game franchise after an alright attempt in the 90s, which was followed by an abysmal sequel. In this latest attempt, the main character is Cole Young (Lewis Tan). Not actually featured in the game, Cole is an original character who gets by as a fighter who’s all about offense with very little defense.

One night after taking another loss, he’s attacked by a warrior well known as Sub Zero (Joe Taslim), who’s hunting him and other great fighters from Earth. Sub Zero is doing this under the orders of the evil Shang Tsung (Chin Han), who wants to eliminate Earth’s best warriors to carve an easy path to a 10th Mortal Kombat Tournament victory, which would allow his realm to conquer the world.

To fight back, Cole is brought into a group with other Earth fighters who are determined to stop Tsung.

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REVIEW: There’s not much for the audience to win in ‘Godzilla vs Kong’

More than a decade has passed since “Cloverfield” was released in 2008. Since then we’ve had another new monster tale in “Pacific Rim” and some returning stars such as when Godzilla returned in 2014.

Finally, this year, two of the most famous movie monsters went toe-to-toe. It’s a shame that all these years later, this film featuring the fight is on the lower end of recent movies in the genre.

As the title of this film clearly implies, the giant lizard with atomic breath Godzilla takes on the mega ape Kong. The movie takes place in the Monsterverse, where Kong has lived secluded on Skull Island, while Godzilla has become more well known, having defeated Ghidorah in 2019’s “Godzilla: King of the Monsters.”

In this film, Nathan Lind (Alexander Skarsgard) is recruited by a company to bring Kong to the Hollow Earth, which exists beneath the Earth’s surface. Nathan is informed that doing so could lead titans such as Kong and Godzilla to live in the Hollow Earth area and prevent more destruction on the surface.

To pull off the mission, Dr. Ilene Andrews (Rebecca Hall), who studies Kong, is brought in to help. They begin moving Kong toward the entrance to the Hollow Earth in Antarctica. However, Kong’s presence outside of Skull Island draws Godzilla’s attention and the two end up meeting with a desire to determine which titan is king.

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REVIEW: ‘Nobody’ is a total blast

Bob Odenkirk may not have the look of an action hero, especially at the start of this movie. But he sure does prove that he fits the role over this film.

Odenkirk plays Hutch in “Nobody,” a family man with a wife and two kids who works a typical 8-5 job. As the film opens, the audience finds Hutch in a dull routine of taking the bus to work, getting through a shift, coming home and having to deal with a marriage that’s faltering.

We find out early on, though, that before having a straightforward, middle class life, Hutch had ties to the government. It becomes apparent after a home invasion that Hutch didn’t just work for the government, he was actually an elite operative. Wanting to unleash some anger after the home break in, Hutch decides to go out one night and conduct some vigilante justice. However, in doing so, he just happens to piss off a Russian mob leader. Continue reading “REVIEW: ‘Nobody’ is a total blast”

REVIEW: Generic story causes ‘Chaos Walking’ to crash

Yes, it’s a generic young adult science fiction film, but this time, wait for it, it has actors from Marvel and “Star Wars!”

Yeah, that doesn’t help all too much.

“Chaos Walking” is a film taking place on a new planet with an environment and atmosphere a lot like Earth’s. The only major difference is that men, for no specified reason, can have their thoughts on display. Their thoughts and inner monologues can be heard by people close by and some of the memories they have can even be seen. The film revolves around a young man named Todd (Tom Holland), who works on a farm in a small settlement town.

The colony was one of the first groupings of people to land on the new planet. However, because of a conflict with a native species, all of the women in the town died. The area doesn’t stay woman-less for long, though, as a scout named Viola (Daisey Ridley) from a larger ship with the next group of colonies crash lands on the planet.

Upon her discovery, the mayor of the small community (Mads Mikkelsen) sees an opportunity to call Viola’s ship and take it for himself. Feeling a need to protect her, Todd embarks on a journey with Viola, to get her away from the nefarious character and contact the ship first.

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REVIEW: ‘The Marksman’ never hits the bullseye

When I saw Liam Neeson on the big screen fighting a mob in France back in 2009 during my first year reviewing and second year in college, I didn’t know I’d be spending a decade watching him battle all kinds of things.

He’s fought wolves, been an agent in Germany, he took on terrorists as an air marshal, and now all this time later, he’s fighting against a Mexican cartel.

In “The Marksman,” Neeson portrays Jim, a former Marine and rancher who owns property along the Mexican border in Arizona. Because of where his land is, Jim has a radio with him to call the U.S. Border Patrol in case there are crossings. Meanwhile, in Mexico, a young woman and her son are sent on the run from a cartel because her cousin double crossed them.

Her and her boy, Miguel (Jacob Perez), make it across the border, but the cartel quickly catches up, right as they make it across a fence. At the same time, Jim just happens to be there ranching his land. A firefight ensues and the woman passes away, asking Jim to take care of Miguel and get him to Chicago where the rest of their family lives. While reluctant, Jim decides to take on the task and try to make his way to the Windy City with the boy. However, the cartel remains committed to finding both of them.

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REVIEW: ‘Shadow in the Cloud’ soars with fun action

Chloe Grace Moretz’s characters always seem to find themselves in dangerous situations. There’s no exception in “Shadow in the Cloud.”

Moretz plays Maude in “Shadow,” an air officer who boards a bomber in the Pacific Theater of World War II under orders to deliver a package. As soon as she gets on the plane, she’s met with resistance from the bombing crew, but they allow her to fly with them because of her commanding officer’s orders.

Because they didn’t really want her to come on the trip, though, they have her sit in the lower ball turret compartment for the flight. Maude accepts where she’s at and just tries to go along with the ride for a time. However, dangers begin appearing in the skies. Not only are there Japanese fighters in the midst, Maude also soon comes face-to-face with a gremlin creature working to dismantle pieces of the plane.

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REVIEW: ‘Greenland’ gets the disaster genre right

“Greenland” is a movie that would probably be more enjoyable on the big screen. But audiences can still enjoy this flick at home with some (microwaved) popcorn.

The wheel of disasters was spun and it landed on asteroid/comet for this picture. Gerard Butler plays John in “Greenland,” a construction engineer whose marriage has been facing some troubles.

However, he and his wife Allison (Morena Baccarin) are suddenly forced to set aside their issues and stick together to protect their son Nathan (Roger Floyd). This effort, which mainly involves finding a shelter, comes as a comet breaks up over Earth with large pieces expected to wipe out billions.

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REVIEW: Despite spectacle, ‘Mulan’ mostly stumbles

Trying to do two things at once can sometimes be pulled off, but it can also lead to a mess. This “Mulan” film is definitely a situation of the latter.

The film stars Yifei Liu as Mulan, a young woman who doesn’t exactly fit in at her community in rural China. Around the time that she’s getting forced to meet with a matchmaker, another area of China is being invaded by Rouran warriors, led by their commander Bori Khan (Jason Scott Lee) and magical witch, Xianniang (Li Gong).

In response, the Emperor (Jet Li) orders one man from each Chinese family to join the army to defend the nation. Mulan’s father is enlisted, but he has a permanent leg injury and already fought in a previous war. Knowing he would be in danger, Mulan decides to join the war in his place, disguising herself as a man in the process.

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