Category: Reviews

REVIEW: ‘Rosemead’ is a well-made, distressing picture

A frightening spiral of events, inspired by a true situation, unfold in this drama with a noteworthy performance from Lucy Liu.

In “Rosemead,” Liu stars as Irene, a woman with a terminal cancer diagnosis whose son, Joe (Lawrence Shou), is also facing major issues. A high school student, Joe has struggled with his mental health since the death of his father.

Because of those struggles, Joe has visited a mental health professional and was diagnosed with schizophrenia. As the film goes on, Joe’s mental health deteriorates, resulting in disturbing behavior, putting Irene in a difficult position with her limited resources and worsening cancer.

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REVIEW: ‘Avatar: Fire and Ash’ advances story in repetitive fashion

There’s a spot in the filing cabinet at the Department of Redundancy Department for this film’s script.

“Avatar: Fire and Ash” once again brings audiences to the moon world of Pandora. Set not long after the events of the second film, the latest “Avatar” picks up with Jake Sully (Sam Worthington) and his family still living along the ocean with the water tribe.

While they managed to repel an offensive in the last film, there’s stress for Jake, who knows the humans are still working to not only exploit the world’s resources, but wipe out more Na’vi. Plus, Jake is being hunted by Col. Quaritch (Stephen Lang), who has partnered with an antagonistic Na’vi tribe to go after the Sully family.

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Movie misses of 2025 that I missed

Every year has its share of hits and misses at the theater, and while I try to see everything Hollywood sends to audiences, sometimes there’s a few that slip through the cracks.

Wanting to make sure I give 2025 a fair shake, I’ve decided to go back and look at some of the less-than-well received flicks of the year. I figure I’ll give everything their shot before the end of the year. So here are Hollywood misses in 2025 that I missed.

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REVIEW: ‘Z2’ has more adventure, but lacks sharpness of first

If all else fails with this movie, at least Nick and Judy shippers will be mostly happy. That includes me by the way.

Fortunately, not much does fail in the “Zootopia” sequel, though it’s not quite as strong as its wonderful predecessor from 2016. This film actually takes place quite soon after the events of the original movie, with Nick Wilde (Jason Bateman) and Judy Hopps (Ginnifer Goodwin) just beginning to work together.

In an attempt to break their next big case, the two have ended up causing some havoc which has upset the brass. As a result, the two are on thin ice. To make matters worse, they get involved in the heist of a book, with the main culprit, a snake named Gary (Ke Huy Quan), claiming it’s for a righteous cause.

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REVIEW: ‘KP Demon Hunters’ has infectious energy despite pedestrian story

K-Pop is entertaining enough by itself, but throw in some glowing weapons and action, and things really get dialed to 11.

That’s the case with this new animated flick from Sony. Released on Netflix, “K-Pop Demon Hunters” follows a trio of singers who moonlight as fierce warriors. Rumi (Arden Cho), Mira (May Hong) and Zoey (Ji-young Yoo) make up a wildly popular group who regularly sell-out concerts.

At the same time, they spend time ridding the world of demons who threaten to steal souls from the unsuspecting public. The three have gotten exceptionally good at both of their jobs. However, a new threat arises in the form of a group of demons who take the form of a boy K-Pop group, which begins siphoning their fans for a nefarious plot.

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REVIEW: ‘Rental Family’ succeeds thanks to Fraser and sincere writing

Who would have guessed we’d have two films this year with a guy pretending to be a member of a family? It’s like “Deep Impact” and “Armageddon” again.

OK, in reality, unlike “Roofman” with Channing Tatum, the lead character in this movie isn’t a criminal on the run. Instead, Brendan Fraser stars as actor Phillip Vandarploeug. Once able to get steady work in Japan, acting in commercials and TV, Phillip’s job prospects have dried up.

Looking to keep his career rolling, he decides to take a gig with a different type of agency. Rather than acting in media productions, the company he starts working for has him portray relatives of family members. Skeptical at first, Phillip begins to build connections in the role.

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REVIEW: Visually stunning ‘Train Dreams’ fails to fully connect

“Train Dreams” is a film that, in theory, should be one a viewer can fully embrace. In practice, though, it’s another story.

Speaking of story, the one at play here revolves around Robert (Joel Edgerton). A laborer in Idaho, Robert finds himself getting work in the timber and railroad industries starting in the 1910s. It’s around this time he also meets Gladys (Felicity Jones), who he begins a relationship with and later marries.

The film follows his time at home, as he builds a life with Gladys and the two have a child. The audience also gets to see his days at work, where he meets others from across the country who’ve come to the forested terrain to earn a living.

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REVIEW: ‘Sentimental Value’ is a gripping, powerful family drama

Art, family and generational experiences spectacularly collide in this multilingual picture.

“Sentimental Value” centers on a pair of sisters, Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas), who are navigating life after the death of their mother. During this time, they’re approached by their estranged father, Gustav (Stellan Skarsgard), a celebrated director who left the family when the two women were kids.

Gustav is looking to make a new film after a hiatus in his career, and also wants to reconnect with his daughters. In particular, he wants Nora, a stage actress, to star in his new project. However, after she turns him down, he hires a film actress, Rachel (Elle Fanning), to take the lead role.

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REVIEW: Energized ‘Wicked’ sequel largely enthralls

Broadway buzz is back on the big screen with a second round of “Wicked,” and the experience in the sequel surpasses that of the first.

“For Good” picks up a short while after the events of “Wicked.” Elphaba (Cynthia Erivo) is working to disrupt the actions of Oz (Jeff Goldblum), who she’s found out has no magic at his disposal. In response, He and his associate, Madame Morrible (Michelle Yeoh) are slamming her with propaganda, labeling her the Wicked Witch of the West.

Glinda (Ariana Grande), meanwhile, has been put forward as Glinda the Good, with Oz presenting her as a positive witch to rally around against Elphaba’s efforts. While the two are pitted against each other, though, their friendship remains. Yet its strained as the situation in the realm grow more dire under the leadership of Oz and Morrible.

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REVIEW: ‘Frankenstein’ is a gothically gorgeous creation

Guillermo del Toro was made for this.

The latest movie from the visionary director is right up his alley, from the story itself to the aesthetic. The film is of course an adaptation of the 1818 Mary Shelley novel. In del Toro’s take, Oscar Isaac portrays Baron Victor Frankenstein. The movie picks up with the doctor in the cold wilderness of the North Pole. There, he’s found by a Danish Naval crew from a nearby ship.

It’s to the captain of that ship (Lars Mikkelsen) that he tells his story. He describes how he had a vision of stopping death after his mother’s passing, which led him into a career of medicine and science. Then from there, how it led him to bringing the Creature (Jacob Elordi) to life Continue reading “REVIEW: ‘Frankenstein’ is a gothically gorgeous creation”