Tag: Review

REVIEW: ’28 Years Later’ is an exhausting follow-up

What does this film have in common with its predecessor and 2013’s “The Purge?” Read on to find out!

After directing 2002’s “28 Days Later” and sitting out of its 2007 sequel, Danny Boyle has returned to helm the third movie in the series, “28 Years Later.” As the name implies, this takes place nearly three decades after the rage virus spread throughout the British Isles. Fortunately for the rest of the world, it has been contained to the islands.

Communities still exist on those islands, though, with enclosed towns on smaller islands loosely connected to the mainland. Only a few venture onto the mainland to scout and scavenge, such as Jamie (Aaron Taylor-Johnson). On his most recent trip, he brings his son, Spike (Alfie Williams), who’s come of age to participate.

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REVIEW: Action waltz in ‘Ballerina’ doesn’t surpass other ‘Wick’ films

What if a girl from the John Wick universe was put through the Black Widow program from the Marvel universe? You might just get a protagonist like the one in “Ballerina.”

Ana de Armas stars as Eve in this “Wick” spin-off. An orphan, Eve is trained by an assassin tribe called the Ruska Roma after the death of her father. Ruska Roma operates by developing girls to be both capable assassins and skilled ballerina dancers when they get older.

Eve grows to become such an assassin, and never lets go of the memory of how her father was killed. After one of her missions, she finds a clue about the group possibly behind it, and decides to follow-through on revenge, even without approval from her superior.

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REVIEW: Live ‘Dragon’ finds mild success with animated playbook

After six years, the dragon Toothless returns to the big screen looking much like he did in the animated film from 2019. The world around him, though, is much different.

The latest “How to Train Your Dragon” film is a remake of the 2010 animated feature. Like its cartoon counterpart, the picture centers on the young, awkward Viking Hiccup (Mason Thames), who doesn’t have the same battle prowess of his father, Chief Stoick (Gerard Butler).

But he makes up for it with his inventiveness, which he uses to one day catch one of the dragons attacking his village. He can’t bring himself to slay the dragon when push comes to shove, though, and instead decides to learn about the creature and train it.

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REVIEW: Celine Song’s sophomore effort ‘Materialists’ disappoints

A film from A24, written and directed Celine Song who helmed the wonderful “Past Lives” from 2023? On paper it looks like a slam dunk. Unfortunately, that’s not quite the case.

In Song’s second feature film, Dakota Johnson stars as a matchmaker in New York City named Lucy. She works for a company that specializes in setting up dates between similar people. Basically, it’s an in person dating app, but the app is a human match manager with an office.

Work is going well enough, but Lucy herself has been single for a while. That changes, though, when she meets the charming and understanding Harry (Pedro Pascal), and the two start dating. At the same time, she meets up and starts talking with former boyfriend John (Chris Evans).

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REVIEW: ‘Karate Kid’ legacy lives on with solid new entry, ‘Legends’

This movie has a lot of cliches and more cheese than the pizzas prominently featured throughout, and damn if it can’t win a person over.

The latest film in the franchise features a new titular Kid. This time around its Li Fong (Ben Wang), a former student of kung fu teacher Mr. Han (Jackie Chan) from the 2010 film. Li now finds himself a new resident of New York City after moving there with his mother.

After moving, Li makes friends with a pizzeria owner, Victor (Joshua Jackson) and his daughter, Mia (Sadie Stanley). Li came to NYC vowing not to fight again after a family tragedy, but when Victor is injured and in need of money, he decides to enter a martial arts competition. Mr. Han comes to help train the student, and enlists karate expert Daniel LaRusso (Ralph Macchio) to assist.

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REVIEW: ‘Mission Impossible’ saga mostly ends on high note

Just a few years after we said goodbye to Daniel Craig as James Bond, we close the chapter on another super spy who goes on missions for the United States.

The eighth, and seemingly final “Mission: Impossible,” takes place a couple months after the conclusion of the seventh installment. The AI defense system known as The Entity is infiltrating several nations’ nuclear programs and setting the stage for potential atomic disaster.

IMF Agent Ethan Hunt (Tom Cruise) has a key capable of opening a door to technology which could lead to the shut down of the Entity. However, many obstacles, from the villainous Gabriel Martinelli (Esai Morales) to his own government stand in the way of him and his team.

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REVIEW: ‘Snow White’ is an aggressively mediocre remake

Hi ho, hi ho, a walk through the uncanny valley we go.

The latest adaptation of the “Snow White” story and the most recent in a string of live action remakes of classic Disney animated features stars Rachel Zegler in the titular role. After the loss of her mother, Snow White, a princess, sees her father get remarried to a mysterious woman (Gal Gadot).

A short time later, Snow White’s father disappears and is assumed dead, allowing the woman to assume power as queen, to which she uses to become an authoritarian ruler. Seeing her stepdaughter as a threat, the Queen sets out to have Snow White killed, but the princess escapes and on the outskirts of the kingdom, meets new friends and allies.

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REVIEW: Soderbergh’s ‘Black Bag’ is a satisfactory spy flick

Talk about a power couple.

In the latest film from director Steven Soderbergh, Michael Fassbender and Cate Blanchett play a married couple who both work in British Intelligence as elite spies. At the outset of the film, Fassbender’s character George is informed that a secret piece of tech has been leaked and one of the suspects behind it is his wife, Kathryn.

George accepts the mission to investigate where the leak is coming from, committing to including his wife in his search, though he is skeptical. The film follows as he plays a careful game of keeping Kathryn close while also looking into her own spy work which has been labeled as classified or “black bagged.”

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REVIEW: ‘Last Breath’ is deep on suspense, shallow elsewhere

This film is somewhat paradoxical in that it gets about as low as you can go in terms of depth, but isn’t exactly deep.

In 2019 director Alex Parkinson released the documentary “Last Breath.” The film centered on an incident where a deep-sea diver tasked with repairing pipes was nearly lost when his umbilical cable snapped and he was left on the ocean floor. Parkinson has now followed that up with a feature length narrative film.

The movie showcases how Chris Lemons (Finn Cole) was cut off from the air supply on the seabed and ran out of oxygen. It also shows fellow divers Duncan (Woody Harrelson) and David (Simu Liu), as well as ship Captain Andre (Cliff Curtis) and repair supervisor Craig (Mark Bonnar) making rescue attempts.

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REVIEW: ‘Mickey 17’ is a clumsy creation from Bong Joon-ho

Bong Joon-ho’s follow-up to “Parasite” is unfortunately, no awards contender.

The latest from the South Korean filmmaker is a dark sci-fi action-comedy centered on the character Mickey Barnes (Robert Pattinson). Needing to flee Earth because of a loan shark, Mickey boarded a spacecraft to a new planet, and took a job known as Expendable, where he does repairs in awful conditions.

In the case of death, his memories and personality has been downloaded, and his body can be recreated, allowing him to live on. The movie picks up with Mickey now on body 17 and surviving a dangerous incident where he should have died. As a result, an 18th Mickey is made. In doing so, their combined presence alters the course of the future for the a space colony.

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