Tag: Review

REVIEW: ‘Scoob’ doesn’t have full charm of classic series, but still satisfies

The latest big screen adaptation of “Scooby Doo” isn’t flawless, but it was a refreshing cinematic experience after those terrible live action pictures from the 2000s.

The first minutes of “Scoob” serve as an origin story, showing how Shaggy (Will Forte) met his dog and best friend Scooby Doo (Frank Welker). A short time later, they meet three other kids, Fred (Zac Efron), Daphne (Amanda Seyfried) and Velma (Gina Rodriguez). After the group uncovers a plot involving a fake haunted house, they continue hanging out and become Mystery Inc.

The movie then shifts to the present day where the crew is finding more success, but Shaggy and Scooby are feeling left out. When the two get separated from the other three, they get roped into a mission to save the world by the hero Blue Falcon (Mark Wahlberg) and his robot dog Dynomutt (Ken Jeong). Eventually, the combined Blue Falcon squad and Mystery crew have to team up to take down the villain Dick Dastardly.

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REVIEW: ‘Portrait of a Lady on Fire’ burns bright with quality

Like the very paintings featured in this movie, “Portrait of a Lady on Fire” is a true work of art.

Noemie Merlant portrays Marianne in this film, a young woman who arrives in a secluded area of France to work on a portrait for a family. Marianne soon learns that a woman, (played by Valeria Golino and only known as The Countess), her employer, wants a portrait of her daughter Heloise (Adele Haenel), who’s arranged to be married.

Heloise, though, has no interest in going through with the marriage and refuses to pose for a portrait. In an effort to connect with her, Marianne begins to take walks in the scenic coastal areas of France with Heloise and the two begin to connect. From there, the relationship only grows as the two understand each other more and a romance blossoms.

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Theater visits, reviews to stop for social distancing

While the COVID-19 coronavirus has yet to come to Bemidji, Minn., the city where I reside, it has reached Minnesota. As a result, I’d like to be careful during this time and do some social distancing, and that means no more trips to the movie theater.

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REVIEW: Moss, special effects boost ‘Invisible Man’

No Dark Universe, no problem.

After the shared cinematic universe idea for Universal’s famous movie monsters crashed, plans were reworked to have more independent, individual films. The first one up is “The Invisible Man,” written and directed by Leigh Whannell. The movie stars Elisabeth Moss as Cecilia, a woman who just left her abusive boyfriend.

Cecilia is shaken from the relationship and is left with anxiety, fearing that her ex, Adrian, (Oliver Jackson-Cohen) will come after her. However, she soon learns that Adrian has supposedly committed suicide. Just as she begins trying to rebuild her life, though, Cecilia begins to feel stalked and terrorized by an unseen force, which she believes is Adrian.

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REVIEW: By-the-books ‘Upside’ has its moments

“Upside” is a film with both ups and downs, leaving the overall quality of this film about friendship somewhere in the middle.

The film follows the story of Dell Scott (Kevin Hart), a man out on parole, estranged from his family and looking for a new job. In his search, he crosses paths with Philip (Bryan Cranston), a billionaire who became disabled in an accident and is in need of a life auxiliary.

In a state of depression and with little care to who works for him, Philip decides to hire Dell. Despite both being unenthusiastic about the situation, the two eventually form a friendship which is explored through the rest of the picture.

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REVIEW: ‘Mary Poppins Returns’ without the magic

What a disappointment.

After several decades, the character Mary Poppins has finally returned to the big screen. The new film with the iconic character takes place several years after the original, but follows some of the main characters. The Banks siblings, Jane (Emily Mortimer) and Michael (Ben Whishaw), are now grown and Michael has children of their own.

However, times are tough again for the family, as Michael’s wife has passed away and bills are piling up. In fact, Michael’s financial troubles lead to the possibility of him losing the house. Because of all the difficulties, Poppins (Emily Blunt) arrives again to help get things back on track.

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REVIEW: Inconsistent tone causes ‘Mule’ to crash

“The Mule” was a rather perplexing experience. Mainly because the tone was all over the place for so much of the picture.

Earl Stone, played by Clint Eastwood, is the main character of “The Mule.” He’s an older gentleman who had a successful career as a gardener. However, with the rise of the internet his business fell to pieces and his commitment to his job meant he was alienated from his family.

Wanting to still support his family, though, despite being pushed away for his absences, Earl looks for ways to find money and through a chance encounter, becomes a mule for a Mexican drug cartel. Because he’s a simple, nice old man who just likes listening to old tunes and follows the law, Earl actually becomes the perfect drug smuggler. However, the cartel operation as a whole comes under investigation by a federal agent named Colin Bates (Bradley Cooper).

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REVIEW: ‘Mortal Engines’ is a poor attempt at building a new fantasy series

A steampunk world with some fantasy and Hugo Weaving to boot? This should have been a fairly entertaining ride. Unfortunately, that wasn’t the case with this adaptation.

“Mortal Engines” is set several hundred years in the future where human civilization was devastated following mass explosions. The story picks up with large sections of humanity living in mobile cities that move from place to place, some with more power than others.

The main focus of the story is on Hester Shaw (Hera Hilmar), who’s seeking revenge against Thaddeus Valentine (Weaving), the head researcher for the (now) mobile city of London, who’s trying to harness the power of old technology from the pinnacle of human civilization. In her adventure, Hester meets Tom (Robert Sheehan), a young museum worker who ends up tagging along.

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REVIEW: ‘Spider-Verse’ is a fine entry to the webslinging series

Just to recap, in about 16 years, we’ve had a “Spider-Man” trilogy, a two-movie “Spider-Man” reboot, another “Spider-Man” reboot with a sequel on the way, and now an animated feature that is completely separate from everything we’ve seen before. Quite the history.

As previously stated, this latest adaptation of the comic book is completely animated and is set in a world where Spider-Man has been a longtime hero and even became a celebrity. The film’s focus, though, is on the character Miles Morales (Shameik Moore), a teenager who is just starting a private school, but still enjoys getting into mischief.

On one of those occasions, Miles is bitten by a radio-active spider, just like the actual Spider-Man. Later, the two actually meet by chance when Miles comes across some villains who are trying out a device that can open portals to other dimensions. One thing leads to another and a whole group of Spider-Man superheroes from other worlds appear. As one might guess, they all have to work together to foil the villains’ plot.

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REVIEW: While ‘Ralph Breaks the Internet’ has its moments, the movie stumbles too much

The streak, unfortunately, is over.

For roughly a decade, I gave movies made by Disney’s animation studio very high marks, usually a 4/5 or higher, and regularly included them in my top 10 lists at the end of the year. However, “Ralph Breaks the Internet,” which certainly isn’t bad per se, has ended that consistency, as it’s simply mediocre.

More on that in a moment, but let’s look into what this sequel is all about. Unlike this summer’s “Incredibles 2,” which picked up immediately after the first, “Ralph breaks the Internet” is set in the present time and acknowledges the six years that have passed since the original picture, released in 2012.

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