REVIEW: ‘Harder they Fall’ is full of western fun

Those who loved the scene in Django Unchained where a shootout had a 2Pac song playing over it should find a lot of enjoyment in this Netflix feature.

The protagonist of “They Fall” is Nat Love (Jonathan Majors), an outlaw who saw his parents killed in front of him as a young boy. Since then, he’s made it a priority to take out the people responsible, and by the time the movie gets underway, there’s just one left.

That individual is the dangerous criminal Rufus Buck (Idris Elba), who at the beginning of the film is imprisoned. However, during a train stick-up, Rufus is released. With news of Buck’s release spreading, Nat decides to go after the criminal and his gang with a group of outlaws he’s friends with.

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REVIEW: ‘CODA’ delivers with humor and plenty of heart

Sometimes a movie comes along and reinvigerates a person’s appreciation for a genre.

That’s what “CODA” has done for coming of age/teen drama films.

The title of the movie is an acryonym, meaning Child of Deaf Adults. The main character is Ruby (Emilia Jones), a teenager whose parents Frank (Troy Kotsur) Jackie (Marlee Matlin), as well as her brother Leo (Daniel Durant) are all deaf. On top of attending school, Ruby helps in the family fishing business, working on the boat and acting as a sign language interpretor for sales.

During her time at home, Ruby is a music lover and she expresses this on the boat with her singing. This inspires her to take up choir in her senior year of high school, where the film picks up. The movie then follows how she has to balance her job and her singing lessons, as well as her family’s reaction to her doing something they can’t enjoy or enage with.

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REVIEW: ‘Antlers’ succeeds as a horror but let down by drama

It’s almost deer season in Minnesota, but those expecting a movie about hunting with “Antlers” should look elsewhere.

Instead this film is a horror about a mythical beast known as a Wendigo. The main character in “Antlers” is Julia (Keri Russell), an elementary school teacher who recently moved back to a rural Oregon town, where her brother is the sheriff.

Early on in the movie, Julia notices one of her students, Lucas (Jeremy Thomas) has been rather troubled. It turns out Lucas is having issues because his father was attacked in an abandoned factory recently by a shadowed figure and now appears to be changing into something monstrous.

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REVIEW: Underneath the sheen of great visuals, ‘Dune’ is a dull experience

This marks the second time the book “Dune” has been adapted into a feature film, with the first attempt coming out in 1984.

Having never heard of either the book or the 84 movie, I walked into this experience with a fresh perspective.

The film’s main character is Paul (Timothee Chalamet), a young man who’s heir to the throne of House Atreides. The house is one of several noble families who control planets and hold most of the power in the cosmos, second only to an unseen emperor.

The film opens with House Atreides, under the leadership of Duke Leto (Oscar Isaac), preparing to take control of the planet Arrakis, which was previously ruled by the rival House Harkonnen. The planet is one giant desert with dangerous conditions and even more dangerous inhabitants.

It’s not just the Arrakis inhabitants Atreies has to worry about, though, as there are other forces working against the house, too.

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REVIEW: Scott’s ‘Last Duel’ is a dull, callous film

Ridley Scott’s historical epics have been rather disappointing, with 2014’s “Exodus: Gods and Kings” and 2010’s “Robin Hood” missing the mark.

Sadly, Scott’s latest effort, “The Last Duel,” doesn’t get in the win column.

“The Last Duel” is set in France during the 1300s and follows three characters, two of them being the knight Jean de Carrouges (Matt Damon) and the squire Jacques Le Gris (Adam Driver), who served on the battlefield together. The third lead character is Marguerite de Carrouges (Jodie Comer), Jean’s wife.

As fellow warriors on the battlefield, Jean and Jacques not only have respect between each other, but a friendship as well. The friendship begins to strain, though, as Jacques begins enforcing rules set by the local Count Pierre d’Alencon (Ben Affleck), which Jean finds unfair. The situation reaches a boiling point when Marguerite accuses Jacques of rape. As a result, the two warriors are set on a path toward a deadly showdown.

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REVIEW: ‘Halloween Kills’ crushes momentum from 2018 installment

Lightning struck in 2018, with that year’s “Halloween” feature, as it was a return to form for the long-running franchise.

Unfortunately, it appears to have been just a lightning in a bottle scenario.

The movie picks up just minutes after the end of the 2018 picture. Despite the efforts of Laurie Strode (Jamie Lee Curtis) and her family, the killer Michael Myers survived the trap set for him and is back on the loose.

As Myers emerges from the fire started in the first picture, reports of his actions begin spreading throughout the town. Many of those who learn of Michael’s actions had run ins with the killer when he first attacked in 1978. Intending to bring an end to Myers, they decide to take the law into their own hands, causing even more chaos in the city of Haddonfield.

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REVIEW: For a good Bond adventure, find time for ‘No Time to Die’

Daniel Craig’s run as James Bond started way back in 2006, during  my senior year in high school.

After many years, drawn out by an MGM bankruptcy, directorial changes and the coronavirus pandemic, we’ve finally reached the end of the road.

“No Time to Die” takes place following the events of 2015’s “Spectre.” The evil mastermind Ernst Blofeld (Christoph Waltz) is jailed, while James Bond (Daniel Craig) and his romantic partner Madeleine Swann (Lea Seydoux) are now enjoying retirement from the spy business.

Bond’s past end up catching up with the couple, though, forcing the two to split up. In the meantime, a new threat emerges and it forces Bond to get back in action for another mission.

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REVIEW: Eastwood’s ‘Cry Macho’ is a misfire

Clint Eastwood is once again sporting a cowboy hat in his latest movie, but this one doesn’t take place in the old west.

In “Cry Macho,” Eastwood portrays Mike Milo, a retired rodeo star and horse breeder who was just cut from his job. His former boss Howard Polk (Dwight Yoakam) hires him for a different job at the movie’s outset, though.

Polk’s son, Rafo (Eduardo Minett) lives in Mexico and is allegedly being abused. Mike’s job is to bring Rafo back to the United States, so the father and son can reunite. While reluctant, Mike takes the job, meets Rafo and the two go on a journey from Mexico City to the U.S. border.

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REVIEW: ‘The Card Counter’ is a terrific slow-burn in a fast setting

Paul Schrader is back with another pessimistic film that earns a positive score.

Oscar Isaac stars as William Tell in “The Card Counter,” a man who after serving a prison sentence, lives on the road traveling from casino to casino. Tell is able to count cards and is strong poker player, but he never tries to make more than he needs to survive. It soon becomes clear that he’s troubled by something in his past.

Tell’s life begins to change, though, when he meets Cirk (Tye Sheridan), the college-age son of a soldier he knew while serving. Around the same time, he meets a woman named La Linda, who convinces him to begin playing professionally under her management.

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REVIEW: Movie about cons has plenty of cons, but still entertains

A bottle film with plenty of bullets is usually good for entertaining audiences, but the quality can really vary.

“Copshop” is a situation where the film does entertain, but the quality is a bit on the lower end.

Alexis Louder stars as Valerie Young in “Copshop,” a rookie officer who works at a rural police station. One night on patrol, Young arrests a man named Teddy Murretto (Frank Grillo), who is placed in a holding cell. Not long after, other officers from the station arrest a drunk driver known as Bob Viddick (Gerard Butler).

It turns out, Teddy and Bob know each other. After working for the mob, Teddy was looking for a way out and went to the authorities. Bob, meanwhile, is a hitman. Now, the two are both at the same station and Young is forced to do some quick thinking as another gunman comes to the station, also looking for the hit on Teddy.

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