REVIEW: A walk in ‘Beale Street’ is worth taking

No matter what neighborhood you grew up in, you will leave this movie knowing how it feels to live on Beale Street.

“If Beale Street Could Talk” follows the story of a young woman named Tish (Kiki Layne) and her boyfriend Alonzo (Stephan James), who’s sitting in jail because a police officer suspected him as the assailant in a rape case.

As the movie goes on, Tish is coming to terms with the fact that Alonzo was wrongly accused while also learning that she’s become pregnant. Over the course of the picture, Tish goes through the stages of her pregnancy while also trying to clear Alonzo’s name, with the help of her family.

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REVIEW: Go ahead and skip a trip to ‘Marwen’

AKA “Action Figure Women of the OSS.”

“Welcome to Marwen” follows the story of Mark Hogancamp (Steve Carell), a man who was brutally attacked one night while out having a drink. The attack not only resulted in physical damage, but mental wounds as well, with Hogancamp losing most of his memories.

As a way to cope with the strains of his injuries, as well as his post traumatic stress disorder, Hogancamp finds comfort in the art-form of constructing a series of miniatures and photographing them. However, with the legal matters still taking place, Hogancamp must will himself to go to court and confront his assailants. Meanwhile, he also meets a new, kind neighbor in Nicol (Leslie Mann).

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REVIEW: ‘Mary Poppins Returns’ without the magic

What a disappointment.

After several decades, the character Mary Poppins has finally returned to the big screen. The new film with the iconic character takes place several years after the original, but follows some of the main characters. The Banks siblings, Jane (Emily Mortimer) and Michael (Ben Whishaw), are now grown and Michael has children of their own.

However, times are tough again for the family, as Michael’s wife has passed away and bills are piling up. In fact, Michael’s financial troubles lead to the possibility of him losing the house. Because of all the difficulties, Poppins (Emily Blunt) arrives again to help get things back on track.

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REVIEW: Inconsistent tone causes ‘Mule’ to crash

“The Mule” was a rather perplexing experience. Mainly because the tone was all over the place for so much of the picture.

Earl Stone, played by Clint Eastwood, is the main character of “The Mule.” He’s an older gentleman who had a successful career as a gardener. However, with the rise of the internet his business fell to pieces and his commitment to his job meant he was alienated from his family.

Wanting to still support his family, though, despite being pushed away for his absences, Earl looks for ways to find money and through a chance encounter, becomes a mule for a Mexican drug cartel. Because he’s a simple, nice old man who just likes listening to old tunes and follows the law, Earl actually becomes the perfect drug smuggler. However, the cartel operation as a whole comes under investigation by a federal agent named Colin Bates (Bradley Cooper).

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REVIEW: ‘Mortal Engines’ is a poor attempt at building a new fantasy series

A steampunk world with some fantasy and Hugo Weaving to boot? This should have been a fairly entertaining ride. Unfortunately, that wasn’t the case with this adaptation.

“Mortal Engines” is set several hundred years in the future where human civilization was devastated following mass explosions. The story picks up with large sections of humanity living in mobile cities that move from place to place, some with more power than others.

The main focus of the story is on Hester Shaw (Hera Hilmar), who’s seeking revenge against Thaddeus Valentine (Weaving), the head researcher for the (now) mobile city of London, who’s trying to harness the power of old technology from the pinnacle of human civilization. In her adventure, Hester meets Tom (Robert Sheehan), a young museum worker who ends up tagging along.

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REVIEW: ‘Spider-Verse’ is a fine entry to the webslinging series

Just to recap, in about 16 years, we’ve had a “Spider-Man” trilogy, a two-movie “Spider-Man” reboot, another “Spider-Man” reboot with a sequel on the way, and now an animated feature that is completely separate from everything we’ve seen before. Quite the history.

As previously stated, this latest adaptation of the comic book is completely animated and is set in a world where Spider-Man has been a longtime hero and even became a celebrity. The film’s focus, though, is on the character Miles Morales (Shameik Moore), a teenager who is just starting a private school, but still enjoys getting into mischief.

On one of those occasions, Miles is bitten by a radio-active spider, just like the actual Spider-Man. Later, the two actually meet by chance when Miles comes across some villains who are trying out a device that can open portals to other dimensions. One thing leads to another and a whole group of Spider-Man superheroes from other worlds appear. As one might guess, they all have to work together to foil the villains’ plot.

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REVIEW: While its heart is in the right place, ‘Green Book’ is largely average

I knew Peter Farrelly directed this picture going in, but it still seemed strange seeing the name of the person who helmed movies like “The Heartbreak Kid” and “Hall Pass” attached during the end credits.

“Green Book” is titled after a sort of brochure used decades ago in the Jim Crow era which listed hospitality businesses that were safe and/or open to African Americans, mainly in the southeastern United States. The movie follows a lower-middle class Italian nightclub bouncer-turned driver named Tony (Viggo Mortensen), whose latest job is driving Dr. Don Shirley (Maherhsala Ali), an African American pianist.

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REVIEW: Sports and drama collide for a good film in ‘Creed II’

Please let “Creed III” start with Adonis Creed fighting John Cena for charity.

Yes, that’s a joke, but one can’t help but feel the “Creed” saga is on the same trajectory as the original “Rocky” series. In all fairness, though, the latest picture in the Balboa Cinematic Universe is pretty good.

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REVIEW: While ‘Ralph Breaks the Internet’ has its moments, the movie stumbles too much

The streak, unfortunately, is over.

For roughly a decade, I gave movies made by Disney’s animation studio very high marks, usually a 4/5 or higher, and regularly included them in my top 10 lists at the end of the year. However, “Ralph Breaks the Internet,” which certainly isn’t bad per se, has ended that consistency, as it’s simply mediocre.

More on that in a moment, but let’s look into what this sequel is all about. Unlike this summer’s “Incredibles 2,” which picked up immediately after the first, “Ralph breaks the Internet” is set in the present time and acknowledges the six years that have passed since the original picture, released in 2012.

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REVIEW: ‘Beautiful Boy’ emotionally captures the struggles of addiction

The difficult struggles of addiction, and the impacts it has on family members, are explored heavily in this movie starring Steve Carell and Timothee Chalamet.

Carell plays David Sheff, a father whose son Nic (Chalamet) is addicted to methamphetamine and other drugs. The movie begins with David identifying his son’s issues and looking at the solutions that are on the table.

However, despite continued efforts, the addiction remains a problem for Nic, and the situation puts continuous strain on both main characters, as well as their relationship.

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