REVIEW: ‘Amsterdam’ collapses as plot becomes convoluted

Director David O. Russell’s latest film shows he still hasn’t managed to recapture the spark that he had with 2012’s “Silver Linings Playbook.”

In O. Russell’s new feature, which he also wrote, Christian Bale stars as Burt Berendsen. A veteran of World War I where he lost an eye, Burt is a doctor working in New York City, where he often crosses paths with friend and lawyer Harold Woodman (John David Washington).

The movie picks up with the two men being hired by a woman to investigate the mysterious death of her father. Things go wrong, though, when the woman dies and they are framed for her murder. To clear their name, they start an investigation into what’s going on, and get help from a woman named Valerie (Margot Robbie), who they met in Europe during WWI.

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REVIEW: ‘Bros’ is a winner thanks to sharp humor and genuine heart

Romantic comedies can often be predictable but if they make you care about the relationship and make people laugh, it’s a success.

“Bros” does just that, and more.

In the film, Bobby (Billy Eichner) is a successful podcast host and is on the leadership team working toward opening a museum dedicated to LGBTQ+ history. While his career is going well, though, his love life isn’t all that active, as he’s reluctant toward long term relationships.

That is until he meets Aaron (Luke Macfarlane), who he hits it off really well with. Aaron, another person with little luck in romance and hesitancy toward commitment, also really comes to like Bobby. The two begin dating, but they have to overcome some of their previous concepts on love to make their relationship work.

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REVIEW: Jumbled second half damages derivative ‘Don’t Worry Darling’

After helming the teen comedy “Booksmart” in her directorial debut, Olivia Wilde took a leap to the thriller genre in her sophomore effort.

While some of “Don’t Worry Darling” is effective, though, Wilde’s latest film doesn’t stick the landing very well.

Florence Pugh stars as Alice, a 1950s housewife who lives with her husband Jack (Harry Styles) in a small town in the southwestern United States. The town has been set up for workers who seem to work at a secretive government facility, and their families.

Alice and Jack have a comfortable life, with plenty of amenities and luxury to enjoy. Everything seems great, but Alice begins to notice some strange happenings and struggles with the restrictions around town, leading to a mystery unraveling.

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REVIEW: ‘See How They Run’ succeeds on strong humor

More Saoirse Ronan mystery movies, please.

In director Tom George’s feature film debut, Ronan portrays Constable Stalker, a young officer on the force, who is assisting Inspector Stoppard (Sam Rockewell) on a murder case. The victim in the case is Leo Kopernick (Adrien Brody), a film director who was set to helm the adaptation of Agatha Christie’s “The Mousetrap.”

As it just so happens, there are plenty of suspects who had a dislike for Leo, and the investigators’ case soon becomes an Agatha Christie-like whodunit. The two protagonists have to work quickly, too, as the murderer remains a danger to others involved in the production.

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REVIEW: Getting to know ‘Pearl’ is amusing and frightening

The beginning of Pearl’s path from sweet farm girl to the woman she became in the film “X” is on full, technicolor display in this prequel.

Taking place in 1918, “Pearl” follows the titular character, played by Mia Goth, as she descends into madness. There are a few factors pushing her there, but the main one is her mother, Ruth (Tandi Wright).

Ruth is a domineering woman, never showing compassion to her daughter and instead deriding her for wanting something beyond the farm life. That something is a career in dance, but as time gets closer to an audition that could give Pearl an escape, things begin to happen that awaken a darkness in the character.

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REVIEW: Smith’s ‘Clerks III’ has moments, but remains a misfire

Talk about coming full circle.

After a 16-year break, the Clerks Randal (Jeff Anderson) and Dante (Brian O’Halloran) are back on the screen, right back where we left them. The friends still own the Quick Stop store, while the adjacent video store has become a marijuana dispensary run by Jay (Jason Mewes) and Silent Bob (Kevin Smith).

The opens with the clerks doing their usual antics, until Randal suddenly collapses, which ends up being the result of a heart attack. While he does survive, it leaves him wanting to do something with his life, and he chooses to make a movie about the experiences of working at a convenience store.

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REVIEW: Quiet thriller ‘God’s Country’ features a captivating character journey

The loneliness and isolation that comes with living in the country is certainly well represented in this picture.

Thandiwe Newton stars as Sandra in the feature directed and written by Julian Higgins. A college professor, Sandra is a woman who has just lost her mother and now lives alone in rural Montana.

The movie picks up with her one day noticing a red truck on her property, owned by two hunters. She asks them to stop coming onto her property, but they refuse. Their willingness to continue begins an escalation between the characters that pushes Sandra to her limits.

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REVIEW: ‘Barbarian’ successfully brings horror to the Airbnb scene

Ah, Detroit. Home of the Red Wings, thick square pizza and, according to this movie, cavernous, dungeon-like basements.

Tess (Georgina Campbell) is in Detroit for a job interview and, rather than rent a hotel room, she decided to stay at an Airbnb. She successfully arrives at the location, but, to her surprise, it’s already occupied by another individual, Keith (Bill Skarsgard).

As it turns out, both Tess and Keith managed to rent the same property through different websites. With a storm raging outside and few vacancies around, Keith suggests Tess stay at the house and they work things out the next day. Tess agrees, but right from the start, she notices strange things about the home.

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REVIEW: Toss this ‘Invitation,’ the event isn’t worth going

“The Invitation” is a film with a rather entertaining finale. It’s just a shame an audience has to sit through a whole lot of nothing to get there.

Nathalie Emmanuel stars as Evie in this supposed horror picture. The film picks up with the aspiring artist and catering server learning more about her ancestry, and, as it turns out, she is related to a wealthy family in England and decides to meet-up with her newly discovered cousin, Oliver (Hugh Skinner).

Oliver extends an invitation to Evie to meet more of her relatives at a wedding event being held at an estate belonging to Walter (Thomas Doherty), a longtime family friend. While a bit nervous about all the new developments, Evie decides to travel to England for the wedding. However, just as she starts to settle in, Evie begins noticing some creepy things.

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REVIEW: Elba and B-movie excitement salvage ‘Beast’

Some of Idris Elba’s characters in his career would probably stand a good chance beating a lion, such as the sword-wielder Heimdall from the “Thor” series or the sharpshooter Bloodsport from “Suicide Squad.”

Unfortunately for his character in “Beast,” Elba plays just a regular guy who has to protect his family from a big cat in Africa. He portrays Dr. Nate Samuels in the film, father of Norah (Leah Jeffries) and Meredith (Iyana Halley).

Nate is trying to rebuild his relationship with his daughters in “Beast,” after the two girls lost their mother and felt their dad wasn’t around enough. Nate’s plan is to bring the family on a tour of a wildlife reserve where his friend Martin (Sharlto Copley) works. Things are going well enough until they are attacked by a vicious lion and are placed in a battle for survival.

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