The Critics’ Choice Awards, organized by the Broadcast Film Critics Association, announced their nominations Monday, with “The Favourite” leading the pack.
From Fox Searchlight and director Yorgos Lanthimos, “The Favourite” picked up a whopping 14 nominations including Best Picture. Following that film was “Black Panther” with 12 noms and “First Man” with 10.
Continue reading “Monday Movie Report: Critics make their choices”
The American Film Institute announced its annual honorees Tuesday, listing what it considered the best movies of the year.
Continue reading “Special Movie Report: American Film Institute announces 2018 honors”
I knew Peter Farrelly directed this picture going in, but it still seemed strange seeing the name of the person who helmed movies like “The Heartbreak Kid” and “Hall Pass” attached during the end credits.
“Green Book” is titled after a sort of brochure used decades ago in the Jim Crow era which listed hospitality businesses that were safe and/or open to African Americans, mainly in the southeastern United States. The movie follows a lower-middle class Italian nightclub bouncer-turned driver named Tony (Viggo Mortensen), whose latest job is driving Dr. Don Shirley (Maherhsala Ali), an African American pianist.
Continue reading “REVIEW: While its heart is in the right place, ‘Green Book’ is largely average”
Please let “Creed III” start with Adonis Creed fighting John Cena for charity.
Yes, that’s a joke, but one can’t help but feel the “Creed” saga is on the same trajectory as the original “Rocky” series. In all fairness, though, the latest picture in the Balboa Cinematic Universe is pretty good.
Continue reading “REVIEW: Sports and drama collide for a good film in ‘Creed II’”
Award season is in full swing.
Last night the Independent Filmmaker Project’s Gotham Awards, which exclusively honors indie movies and low-budget productions took place. Today, meanwhile, the National Board of Review of Motion Pictures organization announced its best picks in film from 2018.
Continue reading “Special Movie Report: Gotham Awards, National Board of Review honors announced”
I can certainly forgive Melissa McCarthy for “The Happytime Murders” thanks to her work here.
“Can You Ever Forgive Me” is a movie taking place in the early 1990s. The film follows Lee Israel (McCarthy), an author whose main focus are biographical books. Unfortunately, the line of work hasn’t exactly produced much in earnings.
Behind on rent, and with not much new income, she decides to sell an old letter by another writer. Upon doing so, she learns that it warrants some good money. As a result, she comes up with a scheme to forge these types of letters and sell them to the highest bidder. The process is successful initially but her work ends up leaving a paper trail for law enforcement.
Continue reading “REVIEW: ‘Can You Ever Forgive Me’ is a fantastic dramedy”
Viggo Mortensen, whose latest work in the new movie “Green Book” is getting noticed this award season, will be honored at the Santa Barbara International Film Festival.
Taking place from Jan. 30-Feb. 9, the fest will give its American Riviera award to Mortensen. The festival’s website states that the award is given for outstanding achievement in American Film.
Continue reading “Monday Movie Report: Mortensen, Jackman and Close earn fest honors”
The difficult struggles of addiction, and the impacts it has on family members, are explored heavily in this movie starring Steve Carell and Timothee Chalamet.
Carell plays David Sheff, a father whose son Nic (Chalamet) is addicted to methamphetamine and other drugs. The movie begins with David identifying his son’s issues and looking at the solutions that are on the table.
However, despite continued efforts, the addiction remains a problem for Nic, and the situation puts continuous strain on both main characters, as well as their relationship.
Continue reading “REVIEW: ‘Beautiful Boy’ emotionally captures the struggles of addiction”
The horrific, despicable practice of gay conversion “therapy” is depicted in this film, based on the true story of Garrard Conley, who wrote a memoir with the same name.
The film tells a version of the true story through the character Jared (Lucas Hedges). The son of a Baptist preacher, Jared is a young man who just after starting college is forced to go to a gay conversion establishment.
The movie opens with Jared starting his time at the conversion facility, and from there, showcases a series of flashbacks where it details how Jared was forcibly outed and why his parents Marshall (Russell Crowe) and Nancy (Nicole Kidman) reacted the way they did.
Continue reading “REVIEW: ‘Boy Erased’ is a powerful look at a tragic subject”
A trio of women going through grief are quickly forced into action in this new heist flick.
“Widows” takes place in an area of Chicago and follows a group of women, Veronica (Viola Davis), Linda (Michelle Rodriguez) and Alice (Elizabeth Debicki). At the movie’s onset, the three have never met each other, but their husbands all work closely. However, their work includes pulling off criminal heists.
The film picks up with one of these jobs, helmed by Veronica’s husband Harry (Liam Neeson), going wrong and the whole crew getting killed. Not only does this put the three women in the grieving process, but the job their husbands attempted has left a sort of trail, putting them in danger. As a result, they decide to go through with a plan originally written up by Harry and pull off the heist to begin new lives.
Continue reading “REVIEW: ‘Widows’ is a disappointing time at the theater.”
Matthew Liedke on Film 