Tag: Drama

REVIEW: ‘September 5’ fires on nearly every cylinder

Two decades after playing the editor of a print outlet in 2003’s “Shattered Glass,” Peter Sarsgaard has returned to journalism cinema, now leading a broadcast team.

Like the aforementioned film, Sarsgaard plays a real-life figure here, this time Roone Arledge. News isn’t Arledge’s first focus, though, as his main priority is helming ABC Sports’ coverage of the 1972 Olympics in Munich, Germany.

Arledge and control room producer Geoffrey Mason (John Magaro) are forced to take up the news mantle, though, as the 1972 terrorist attack begins to unfold. Over the course of the next several hours, the ABC team has to adjust and adapt on the fly to cover the increasingly dangerous situation.

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REVIEW: ‘Juror No. 2’ offers sufficient courthouse tension

Clint Eastwood’s films often have the protagonist in precarious situations and his new movie is no different.

Eastwood’s latest has Nicholas Hoult starring as Justin Kemp, a man in quite the conundrum. At first glance, things seem fine for Justin, as he’s in a happy marriage with a pregnant wife and a good job who’s simply called up for jury duty. The problem is the case he ends up assigned to.

Justin has to be a juror on a murder case involving domestic violence which resulted in the death of a woman, with the defendant in the case being her boyfriend (Gabriel Basso). However, around the time of the woman’s death, Justin was driving home on a rainy night and hit something with his car.

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REVIEW: ‘Gladiator II’ retreads familiar ground, but has great action

Once again, I am entertained by a “Gladiator,” Maybe not as moved, though.

“Gladiator II” is set 16 years after the original film from 2000 concluded. Rome is now ruled by a corrupt pair of twins who have let the city state fall into a mess as they enjoy luxuries made possible by ongoing expansion of their empire.

Meanwhile, a warrior, Hanno (Paul Mescal) is captured while fighting for his city in North Africa from a successful Roman invasion. After losing his wife in the battle, he sets his sights on revenge against a Roman general, and gets an opportunity to do so by fighting his way through the Gladiator system.

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REVIEW: ‘A Real Pain’ is a real disappointment

If you ever wanted to see Roman Roy from “Succession” hang out with Mark Zuckerberg, but without the money, this is sort of the movie for you.

No, that’s not quite accurate, although the film does star Kieran Culkin from the hit HBO series and “The Social Network’s” Jesse Eisenberg. In this film they play two cousins, David (Eisenberg) and Benji (Culkin), who are visiting Poland to learn about their grandmother’s home town, and experience surviving the Holocaust.

To do so, they join a historical tour through various towns in the country with several other interested people and a knowledgeable guide. During their time on the tour, they not only have their eyes opened about family history, but what’s been happening in their own lives, too.

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REVIEW: Funny. Provocative. Intense. ‘Anora.’

So, this film is sort of like “Pretty Woman,” if things went really off the rails, and Richard Gere was Russian.

Well, there are actually quite a few more differences all things considered. In “Anora,” Mikey Madison stars as the titular character who makes a living as a stripper and escort. Her day-to-day routine of working at a Manhattan club is interrupted when she’s hired by Ivan (Mark Eydelshteyn), the son of a wealthy Russian oligarch.

Initially hired for her escort services, Ivan later continues to pay Anora, or Ani as she likes to be called, to be his live-in girlfriend. After spending more time together, he ends up marrying the young woman. However, Anora’s new life in luxury is threatened when Ivan’s family finds out, and are furious at the news.

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REVIEW: ‘Conclave’ is an engrossing look into Vatican governance

Come for the papal politics, stay for the drama.

“Conclave” was directed by Edward Berger who helmed the Oscar-nominated film “All Quiet on the Western Front” in 2022. Set in present days, the film centers on the death of a fictional Pope and the subsequent voting process to choose a successor.

Leading the process is Cardinal Thomas Lawrence (Ralph Fiennes), who oversees the rules and schedule. Over the course of several days, Lawrence is roped into several ongoing political situations as Cardinals Bellini (Stanley Tucci), Tremblay (John Lithgow) and Tedesco (Sergio Castellitto) vie for power.

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REVIEW: Chaotic ‘Saturday Night’ has plenty of ups and downs

An episode of “SNL” usually includes its likable cast performing a plethora of sketches, some good and some bad, for a fairly average experience. In that sense, this movie is pretty similar

A dramatic comedy, “Saturday Night” takes place inside Rockefeller Plaza in New York as producer Lorne Michaels (Gabriel LaBelle) prepares to get his new live television show ready for broadcast. Unfortunately, things aren’t going entirely well and NBC doesn’t have much faith in the show.

It’s already considered a long shot, as it’s populated by unknown comedians like Chevy Chase (Cory Michael Smith), Dan Aykroyd (Dylan O’Brien) and John Belushi (Matt Wood). The situation is made worse by mishaps on set. However, Lorne remains committed to make sure “Saturday Night” goes live.

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REVIEW: Top tier performances power ‘The Apprentice’

In a vacuum, releasing a biopic about a well-known figure isn’t that big of a deal. But we’re certainly not in a vacuum right now.

This film indeed is about the Republican candidate for president Donald Trump, who’s seeking a second term in office. However, the movie is set decades before he entered the realm of politics. The picture begins in 1973 with a 27-year-old Trump who has a vision for development, but few prospects.

Portrayed by Sebastian Stan, Trump is working with his father Fred’s (Martin Donovan) real estate company, but wants to develop his own buildings, too. His journey gets a jumpstart when he meets and befriends attorney Roy Cohn (Jeremy Strong), who becomes a mentor to Trump, showing him how to build his own path in life, regardless of the consequences.

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REVIEW: ‘The Outrun’ is fine, Ronan is superb

In the past decade, Saoirse Ronan has established herself as one of the best actresses of her generation and she’s proven that’s true once again.

“The Outrun” is a drama inspired by the 2016 memoir of the same name written by Amy Liptrot. The central character in the film based on Liptrot is Rona (Ronan), a young woman who has fallen to rock bottom. Once a biology graduate student in London, Rona became an alcoholic, upending her life.

Her addiction deteriorated her relationships, her academic career and her path for the future. The film finds her trying to rehabilitate, moving back with her parents in the rural Northern Isles of Scotland in order to do so. The path forward, though, is a difficult one.

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REVIEW: ‘Megalopolis’ is a mega misstep for Coppola

Director Francis Ford Coppola’s latest film was an ambitious project, huge in scope and scale. Unfortunately, it’s also a bit of an unmitigated disaster

“Megalopolis” is a film that blends political drama and science fiction. The movie is set in the sprawling city of New Rome, the epicenter of the American Republic. Outwardly, it has all the looks of New York City, but inside, it has aesthetics and fashion reminiscent of ancient Rome.

The film centers on Cesar Catilina (Adam Driver), an architect hoping to build a biomechanical utopia via new technology. He’s challenged, though, by Mayor Cicero (Giancarlo Esposito), and his cousin Clodio (Shia LaBeouf). Though he has support from his uncle Crassus III (Jon Voight).

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