REVIEW: ‘Amsterdam’ collapses as plot becomes convoluted

Director David O. Russell’s latest film shows he still hasn’t managed to recapture the spark that he had with 2012’s “Silver Linings Playbook.”

In O. Russell’s new feature, which he also wrote, Christian Bale stars as Burt Berendsen. A veteran of World War I where he lost an eye, Burt is a doctor working in New York City, where he often crosses paths with friend and lawyer Harold Woodman (John David Washington).

The movie picks up with the two men being hired by a woman to investigate the mysterious death of her father. Things go wrong, though, when the woman dies and they are framed for her murder. To clear their name, they start an investigation into what’s going on, and get help from a woman named Valerie (Margot Robbie), who they met in Europe during WWI.

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REVIEW: ‘Bros’ is a winner thanks to sharp humor and genuine heart

Romantic comedies can often be predictable but if they make you care about the relationship and make people laugh, it’s a success.

“Bros” does just that, and more.

In the film, Bobby (Billy Eichner) is a successful podcast host and is on the leadership team working toward opening a museum dedicated to LGBTQ+ history. While his career is going well, though, his love life isn’t all that active, as he’s reluctant toward long term relationships.

That is until he meets Aaron (Luke Macfarlane), who he hits it off really well with. Aaron, another person with little luck in romance and hesitancy toward commitment, also really comes to like Bobby. The two begin dating, but they have to overcome some of their previous concepts on love to make their relationship work.

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REVIEW: ‘See How They Run’ succeeds on strong humor

More Saoirse Ronan mystery movies, please.

In director Tom George’s feature film debut, Ronan portrays Constable Stalker, a young officer on the force, who is assisting Inspector Stoppard (Sam Rockewell) on a murder case. The victim in the case is Leo Kopernick (Adrien Brody), a film director who was set to helm the adaptation of Agatha Christie’s “The Mousetrap.”

As it just so happens, there are plenty of suspects who had a dislike for Leo, and the investigators’ case soon becomes an Agatha Christie-like whodunit. The two protagonists have to work quickly, too, as the murderer remains a danger to others involved in the production.

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REVIEW: Smith’s ‘Clerks III’ has moments, but remains a misfire

Talk about coming full circle.

After a 16-year break, the Clerks Randal (Jeff Anderson) and Dante (Brian O’Halloran) are back on the screen, right back where we left them. The friends still own the Quick Stop store, while the adjacent video store has become a marijuana dispensary run by Jay (Jason Mewes) and Silent Bob (Kevin Smith).

The opens with the clerks doing their usual antics, until Randal suddenly collapses, which ends up being the result of a heart attack. While he does survive, it leaves him wanting to do something with his life, and he chooses to make a movie about the experiences of working at a convenience store.

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REVIEW: Nobody needs to see ‘Bodies Bodies Bodies’

Not sure I would really classify this movie as a horror film. Although, the thought of watching it again is horrifying.

“Bodies Bodies Bodies” picks up with the character Bee (Maria Bakalova) accompanying her girlfriend Sophie (Amandla Stenberg) to a weekend get together. The event is taking place at the home of David (Pete Davidson), Sophia’s longtime friend.

Sophie’s arrival is a bit awkward, though, as she hasn’t seen David, or her other friends, in quite some time.To help lighten the mood, they decide to play a murder mystery game called “Bodies Bodies Bodies.” However, things take a drastic turn when someone actually ends up dead.

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REVIEW: Don’t punch your ticket for ‘Bullet Train’

Stop this train, I want to get off.

Director David Leitch’s “Bullet Train” stars Brad Pitt as an assassin whose code name is Ladybug. The film picks up with him getting on a train with a mission that only includes recovering a brief case that two other men have in their possession.

Those two passengers are also hit men, who simply go by Lemon (Brian Tyree Henry) and Tangerine (Aaron Taylor-Johnson). Ladybug, who constantly notes how he has bad luck in life, ends up learning that there’s much more going on than he first thought and that the mission is increasingly dangerous.

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REVIEW: ‘I Love My Dad’ is an uncomfortable comedy (in the best way)

This film produces, perhaps, the most second-hand embarassment of any movie out there.

Patton Oswalt’s Chuck in “I Love My Dad” is a father whose relationship with his son Franklin (James Morosini) has broken down over the years. Chuck has missed too many of Franklin’s life events, and it’s fractured goodwill between the two.

It gets to the point where Franklin is so fed up that he shuts down communication between them, blocking Chuck on his cell phone and social media. As a way to still get in contact with Franklin, Chuck decides to make a fake profile of a woman named Becca (Claudia Sulewski). The two are once again talking, but unfortunately, Franklin falls in love with the Becca persona.

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REVIEW: ‘Vengeance’ is an impressive look at true crime podcasting

Being a fan of true crime podcasts isn’t a necessity to enjoy this film, but it doesn’t hurt.

B.J. Novak, who wrote and directed “Vengeance,” stars as Ben, a writer at the New Yorker and an aspiring podcaster. One night after a failed pitch for a new podcast, he finds out a woman he had a short fling with died in Texas.

The woman’s brother convinces Ben to come to the Lone Star State not only for the funeral, but to look into her death, as it seemed suspicious. Ben decides to use this as a chance to create a podcast based on the woman’s death, and the concept of vengeance, as the brother is seeking it.

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REVIEW: Post college struggles well portrayed in ‘Cha Cha Real Smooth’

No, this isn’t a behind the music look at the song that was drilled into your head during high school dances.

Andrew (Cooper Raiff) has just graduated from Tulane University in “Cha Cha Real Smooth” and is hoping to visit his girlfriend in Barcelona before the end of the summer, but still seems a bit lost. Not long after returning home, he goes to a bar mitzvah with his younger brother David (Evan Assante) and meets Domino (Dakota Johnson) and her daughter Lola (Vanessa Burghardt).

Andrew ends up being a hit at the party, with people liking how he was able to get people out on the dance floor and have fun. He’s then hired as a party starter for other bar mitzvahs. As he continues to work at the bar mitzvah events, he begins to get closer to Domino, gives advice to his brother who has a crush, and connects with Lola, who has autism, all while navigating what’s next in life.

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REVIEW: ‘The Phantom of the Open’ is a below average biopic

Some sports biopics inspire, others make you laugh, and there are those that do both.

“Phantom of the Open,” unfortunately, isn’t such a film.

The movie tells the true story of Maurice Flitcroft (Mark Rylance) a middle class shipping worker in an English port town. Upon hearing that the company he works for may be downsizing in the years to come, he begins considering what else he can do in life.

After a night of watching golf on TV, he decides to try his luck at the sport, entering the 1976 Open Championship. The only problem is Flitcroft is a complete amateur entering a professional competition. Despite this, he goes forward with support from his family.

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