Category: Reviews

REVIEW: Inconsistent tone causes ‘Mule’ to crash

“The Mule” was a rather perplexing experience. Mainly because the tone was all over the place for so much of the picture.

Earl Stone, played by Clint Eastwood, is the main character of “The Mule.” He’s an older gentleman who had a successful career as a gardener. However, with the rise of the internet his business fell to pieces and his commitment to his job meant he was alienated from his family.

Wanting to still support his family, though, despite being pushed away for his absences, Earl looks for ways to find money and through a chance encounter, becomes a mule for a Mexican drug cartel. Because he’s a simple, nice old man who just likes listening to old tunes and follows the law, Earl actually becomes the perfect drug smuggler. However, the cartel operation as a whole comes under investigation by a federal agent named Colin Bates (Bradley Cooper).

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REVIEW: ‘Mortal Engines’ is a poor attempt at building a new fantasy series

A steampunk world with some fantasy and Hugo Weaving to boot? This should have been a fairly entertaining ride. Unfortunately, that wasn’t the case with this adaptation.

“Mortal Engines” is set several hundred years in the future where human civilization was devastated following mass explosions. The story picks up with large sections of humanity living in mobile cities that move from place to place, some with more power than others.

The main focus of the story is on Hester Shaw (Hera Hilmar), who’s seeking revenge against Thaddeus Valentine (Weaving), the head researcher for the (now) mobile city of London, who’s trying to harness the power of old technology from the pinnacle of human civilization. In her adventure, Hester meets Tom (Robert Sheehan), a young museum worker who ends up tagging along.

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REVIEW: ‘Spider-Verse’ is a fine entry to the webslinging series

Just to recap, in about 16 years, we’ve had a “Spider-Man” trilogy, a two-movie “Spider-Man” reboot, another “Spider-Man” reboot with a sequel on the way, and now an animated feature that is completely separate from everything we’ve seen before. Quite the history.

As previously stated, this latest adaptation of the comic book is completely animated and is set in a world where Spider-Man has been a longtime hero and even became a celebrity. The film’s focus, though, is on the character Miles Morales (Shameik Moore), a teenager who is just starting a private school, but still enjoys getting into mischief.

On one of those occasions, Miles is bitten by a radio-active spider, just like the actual Spider-Man. Later, the two actually meet by chance when Miles comes across some villains who are trying out a device that can open portals to other dimensions. One thing leads to another and a whole group of Spider-Man superheroes from other worlds appear. As one might guess, they all have to work together to foil the villains’ plot.

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REVIEW: While its heart is in the right place, ‘Green Book’ is largely average

I knew Peter Farrelly directed this picture going in, but it still seemed strange seeing the name of the person who helmed movies like “The Heartbreak Kid” and “Hall Pass” attached during the end credits.

“Green Book” is titled after a sort of brochure used decades ago in the Jim Crow era which listed hospitality businesses that were safe and/or open to African Americans, mainly in the southeastern United States. The movie follows a lower-middle class Italian nightclub bouncer-turned driver named Tony (Viggo Mortensen), whose latest job is driving Dr. Don Shirley (Maherhsala Ali), an African American pianist.

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REVIEW: Sports and drama collide for a good film in ‘Creed II’

Please let “Creed III” start with Adonis Creed fighting John Cena for charity.

Yes, that’s a joke, but one can’t help but feel the “Creed” saga is on the same trajectory as the original “Rocky” series. In all fairness, though, the latest picture in the Balboa Cinematic Universe is pretty good.

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REVIEW: While ‘Ralph Breaks the Internet’ has its moments, the movie stumbles too much

The streak, unfortunately, is over.

For roughly a decade, I gave movies made by Disney’s animation studio very high marks, usually a 4/5 or higher, and regularly included them in my top 10 lists at the end of the year. However, “Ralph Breaks the Internet,” which certainly isn’t bad per se, has ended that consistency, as it’s simply mediocre.

More on that in a moment, but let’s look into what this sequel is all about. Unlike this summer’s “Incredibles 2,” which picked up immediately after the first, “Ralph breaks the Internet” is set in the present time and acknowledges the six years that have passed since the original picture, released in 2012.

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REVIEW: ‘Can You Ever Forgive Me’ is a fantastic dramedy

I can certainly forgive Melissa McCarthy for “The Happytime Murders” thanks to her work here.

“Can You Ever Forgive Me” is a movie taking place in the early 1990s. The film follows Lee Israel (McCarthy), an author whose main focus are biographical books. Unfortunately, the line of work hasn’t exactly produced much in earnings.

Behind on rent, and with not much new income, she decides to sell an old letter by another writer. Upon doing so, she learns that it warrants some good money. As a result, she comes up with a scheme to forge these types of letters and sell them to the highest bidder. The process is successful initially but her work ends up leaving a paper trail for law enforcement.

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REVIEW: ‘Beautiful Boy’ emotionally captures the struggles of addiction

The difficult struggles of addiction, and the impacts it has on family members, are explored heavily in this movie starring Steve Carell and Timothee Chalamet.

Carell plays David Sheff, a father whose son Nic (Chalamet) is addicted to methamphetamine and other drugs. The movie begins with David identifying his son’s issues and looking at the solutions that are on the table.

However, despite continued efforts, the addiction remains a problem for Nic, and the situation puts continuous strain on both main characters, as well as their relationship.

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REVIEW: ‘Boy Erased’ is a powerful look at a tragic subject

The horrific, despicable practice of gay conversion “therapy” is depicted in this film, based on the true story of Garrard Conley, who wrote a memoir with the same name.

The film tells a version of the true story through the character Jared (Lucas Hedges). The son of a Baptist preacher, Jared is a young man who just after starting college is forced to go to a gay conversion establishment.

The movie opens with Jared starting his time at the conversion facility, and from there, showcases a series of flashbacks where it details how Jared was forcibly outed and why his parents Marshall (Russell Crowe) and Nancy (Nicole Kidman) reacted the way they did.

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REVIEW: ‘Widows’ is a disappointing time at the theater.

A trio of women going through grief are quickly forced into action in this new heist flick.

“Widows” takes place in an area of Chicago and follows a group of women, Veronica (Viola Davis), Linda (Michelle Rodriguez) and Alice (Elizabeth Debicki). At the movie’s onset, the three have never met each other, but their husbands all work closely. However, their work includes pulling off criminal heists.

The film picks up with one of these jobs, helmed by Veronica’s husband Harry (Liam Neeson), going wrong and the whole crew getting killed. Not only does this put the three women in the grieving process, but the job their husbands attempted has left a sort of trail, putting them in danger. As a result, they decide to go through with a plan originally written up by Harry and pull off the heist to begin new lives.

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