Matthew Liedke

REVIEW: While not a masterpiece, ‘Maestro’ remains a strong biopic

Bradley Cooper has returned to the directing chair and once again put together a film revolving around a musician.

Unlike “A Star is Born,” though, his latest picture is about a real person. “Maestro” is a biographical film about Leonard Bernstein, who Cooper also portrays. Bernstein had an illustrious career as a composer and conductor in various capacities, including film and orchestras.

While the movie covers his professional background, though, the movie is much more centered on his relationship with his wife, Felicia Montealegre Bernstein (Carey Mulligan). The film shows how they became a couple and how their marriage was strained by Leonard’s work and his affairs.

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REVIEW: ‘Dream Scenario’ is wonderfully creative and comedic

Meeting Nicolas Cage would probably be a cool experience, but having it be during a dream could be a bit much if it’s anything like this film.

That’s the situation many people have to go through in the movie “Dream Scenario,” though, where Cage plays Paul, a man who ends up appearing in random peoples’ dreams. A college professor, Paul’s appearances in dreams begin with his own family, then to his students, followed by the general populace.

Paul has been struggling lately, not able to move his career forward, so at first he welcomes the new popularity. However, it begins to be an overwhelming experience. Additionally, while he at first did nothing in the dreams, people who see Paul in their sleep begin having terrifying nightmares, which turns him into an antagonist for many.

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REVIEW: ‘Anatomy of a Fall’ is mostly engaging, but also overlong

The title “Anatomy of a Fall” may imply this movie is all about a person’s death, but this foreign film analyzes much more.

Taking place in southeast France, “Anatomy of a Fall” opens with the death of Samuel Maleski (Samuel Theis), who appears to have been killed by a fall from one of his home’s top floors. An autopsy, though, finds he suffered an injury before he hit the ground.

This puts suspicion on Samuels’s wife Sandra (Sandra Huller), and after some investigation, she is arrested and brought to trial. The film then explores the cause of the death through the trail, as well as a marriage that was fracturing long before the inciting incident.

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REVIEW: Excessive depravity doesn’t salvage ‘Saltburn’

“Saltburn” is an appropriate title for this flick, because things get really salty, and then some.

Set in 2006, “Saltburn” opens at Oxford University where young student Oliver Quick (Barry Keoghan) is just beginning to attend on a scholarship. He initially struggles to fit in among many wealthier peers, but manages to eventually befriend another student, Felix (Jacob Elordi).

After forming a friendship, Felix invites Oliver to spend the summer at his family’s mansion, titled Saltburn. There, Oliver experiences parties, sex, drugs and all of the other things available to the rich. However, the setting becomes tense as Oliver begins showing darker tendencies.

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REVIEW: Disney drops the ball with forgettable ‘Wish’

And I thought “Strange World” was underwhelming.

“Wish” is the latest animated feature from Disney and centers on Asha (Ariana DeBose), a young woman who lives in the kingdom Rosas, which is ruled by king and sorcerer Magnifico (Chris Pine). The land’s ruler has garnered a lot of support by taking wishes from his subjects and keeping them safe until he can later grant them.

Asha’s main goal is to become Magnifico’s apprentice, but during her interview process, she finds out Magnifico has rather nefarious motives with the wishes. Disillusioned, she makes her own wish on a star, and it actually works as a magical star does come down to help. With the aid of the star, Asha sets out to set things right in the kingdom.

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REVIEW: ‘May December’ is a successful dramatization of a dark story

You know that meme with the dog who’s sitting in a burning building, drinking coffee and saying “this is fine,” even though everything clearly isn’t? The characters in this movie seem to have that mentality.

“May December,” the latest film from director Todd Haynes, takes inspiration from the case of Mary Kay Letourneau, a teacher who raped her 12-year-old, sixth grade student, Vili Fualaau, and later gave birth to his child. The two were eventually married after her prison sentence.

Those individuals were the basis for Julianne Moore’s Gracie and Charles Melton’s Joe. The film takes place many years after the affair between the married couple began, and centers on an actress, Elizabeth (Natalie Portman), who is visiting Gracie and Joe to prepare for her portrayal of the former in an independent film. Continue reading “REVIEW: ‘May December’ is a successful dramatization of a dark story”

REVIEW: ‘Napoleon’ is a considerable, but incomplete portrait of French ruler

Ambition is something leaders of nations should have. However, when that ambition is only self-serving, it can end in disaster, as Ridley Scott’s “Napoleon” shows.

The film picks up right in the midst of the French Revolution, with Napoleon Bonaparte (Joaquin Phoenix), then an army officer, in attendance for the beheading of Queen Marie Antoinette. From there, the film follows how he built popularity with military accomplishments and used political maneuvers to gain power in France.

The film then explores his military campaigns as Emperor of France while also dramatizing his relationship with his wife Josephine (Vanessa Kirby).

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REVIEW: Slasher fans will be thankful for Thanksgiving’

The Macy’s parade, turkey, football, and this year, a slasher movie.

In this new seasonal horror flick, inspired by a fake trailer made for the 2007 “Grindhouse” films, a killer is on the loose in a small Massachusetts town. The slayings get underway a year after a deadly riot broke out at the local super market during a massive Black Friday deal.

In the present, whoever is doing the killings appears to be going after those who were responsible for the riot. That puts a target on the back of Jessica (Nell Verlaque), a high schooler and daughter of the store owner, who was there that night with her friends.

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REVIEW: ‘The Killer’ is a brisk, finely crafted thriller

Director David Fincher has made another solid film on Netflix. Now here’s hoping he makes a third season of “Mindhunter” for the streaming service.

Let’s stick with his latest film, though. With “The Killer,” Fincher returns to the thriller genre, and gives audiences insight into the mind of an expert assassin. Playing the main character, who is only referred to as the Killer, is Michael Fassbender.

The film follows the character returning home from a job only to find someone close to him has been attacked. Knowing the perpetrators are still out there and could potentially strike again, the Killer sets out to eliminate the threats.

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REVIEW: Coppola’s ‘Priscilla’ is a poignant, eloquently made film

Similar movies have come out close to each other before, à la “Armageddon” and “Deep Impact.” Usually they aren’t two award contending dramas, though. But here we are with “Elvis” in 2022 and “Priscilla” in 2023.

In the titular role is Cailee Spaeny, who portrays Priscilla from her teenage years living in Germany to when she ended her marriage to Elvis Presley (Jacob Elordi). The movie dramatizes how the two met, Priscilla moving to the Graceland mansion, the extended courtship and eventual deterioration of the relationship.

In addition to exploring the relationship, director and writer Sofia Coppola follows Priscilla’s personal journey of having to go through high school and enter adulthood in such a situation.

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