Matthew Liedke

REVIEW: Despite strong filmmaking, ‘Zone of Interest’ loses momentum

During the Nuremberg Trials, Rudolf Höss admitted that well over a million people were killed while he was commandant at Auschwitz. As this film shows, he had no issue maintaining a regular life next door.

Set in 1943, “The Zone of Interest” follows Höss (Christian Friedel) not inside the infamous camp, but rather at home with his family. While he was in charge of the camp, his residence was right beside it, only separated by a high concrete wall.

As the film demonstrates, the proximity to a place of extermination did not hinder the Höss family from living an average life, where the patriarch went off to work in the morning while his wife tended to the children and kept busy with a garden. They did all of this all while hearing the sounds from the camp.

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REVIEW: ‘Iron Claw’ is mostly effective in showing family drama and trauma

Wrestling may be theatrical and scripted, but the physical and mental toll is very real, as this film shows.

“The Iron Claw” tells the story of the Von Erich family, which has produced multiple generations of professional wrestlers. The origins of wrestling in the family go back to its patriarch, Fritz (Holt McCallany), who was a professional in the 50s and 60s. In addition to his career, Fritz became the father to several sons.

Once his time in the ring was done, he decided to push wrestling on his kids, Kevin (Zac Efron), Kerry (Jeremy Allen White), David (Harris Dickinson) and Mike (Stanley Simons). Fritz doesn’t just stop at tough physical training, though, as he also uses manipulation and pushes his sons too far, leading to tragic consequences.

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Ten Worst Films of 2023

The past year was one where I didn’t see as many films as usual and that meant missing out on a few releases.

For better or for worse, these included pictures such as “The Flash” and “Indiana Jones: The Dial of Destiny,” among others. I still saw plenty of flicks, though, and as usual, some of them were a chore to sit through.

Here are the roughest films that were released in 2023 that I experienced.

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REVIEW: Snyder’s ‘Rebel Moon’ is a soulless sci-fi slog

This film was “Rebel Moon – Part One,” so a Part Two is surely on the way. Netflix can keep it, one was enough.

“Rebel Moon,” directed by Zack Snyder, unsurprisingly starts on a moon. More specifically, it’s a remote moon populated by small farming villages. One of those villages is where Kora (Sofia Boutella), a former soldier, is residing for a more peaceful life.

That life is upended, though, when a ship from the militaristic galactic empire arrives and demands the villagers produce rations for its army as its in the midst of a conflict with rebels. With a threat of violence if the demand is not met, a village farmer partners with Kora to find warriors throughout the galaxy to defend the community.

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REVIEW: ‘Poor Things’ is positively weird and wonderful

When director Yorgos Lanthimos makes a film, you can usually expect it will make a person laugh, think and be taken aback. “Poor Things” is another example, and it’s also pretty damn good.

Willem Dafoe portrays scientist and surgeon Dr. Godwin Baxter in the film. Early on in the movie, we learn that the latest experiment by Dr. Baxter, a sort of Frankenstein-like mad scientist, was the resurrection of a young woman who had jumped off a bridge.

To do so, Baxter utilizes a brain that he recovered from the baby that the woman was pregnant with and calls the revived being Bella (Emma Stone). The experiment results in Bella getting a crash course in living, as her intelligence rapidly develops while she’s learning about life experiences and the world around her.

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REVIEW: ‘Aquaman’ sequel is generic superhero CGI slop

At last, we have come to the final chapter in the DCEU.

“The Lost Kingdom,” takes place few years after Aquaman, AKA Arthur Curry (Jason Momoa), became king of Atlantis and prevented a war between the ocean and surface worlds. Now a husband to Mera (Amber Heard) and father to a baby son, Arthur is trying to find a good balance between being a monarch and a dad.

At the same time, a threat emerges in the form of an old enemy, Black Manta (Yahya Abdul-Mateen). After losing to Arthur in part 1, Manta is out for revenge and plans to do so with an evil trident. To stop the villain, Arthur partners with his brother, Orm (Patrick Wilson), who he defeated for the throne.

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REVIEW: ‘Nimona’ is an awesome animated adventure

Production issues nearly sidelined this film. Thank goodness it was revived and released on Netflix.

“Nimona” is set in a kingdom where the past meets the future. While the kingdom has all the makings of a medieval state in function, the movie is set in a high-tech world, with knights using hovercraft and advance technology.

The movie centers on one such knight, Ballister (Riz Ahmed), who finds himself framed for killing the queen of the kingdom. He meets an unlikely ally, though, in an unruly shapeshifter named Nimona (Chloe Grace Moretz) who has been shunned by the society at large for her abilities.

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REVIEW: Inconsistencies causes ‘All of us Strangers’ to struggle

Sometimes you want so badly to enjoy a movie, and it just doesn’t work out. Enter “All of Us Strangers.”

The character Adam (Andrew Scott) is at the center of this U.K.-based drama. A writer who resides in London, Adam is in a melancholy state at the start of the film as he finds himself reflecting on the death of his parents who passed away when he was young.

When visiting his childhood home one day, though, by unexplained circumstances, Adam sees his parents as they were just before they died. As he’s reconnecting with his parents, he also meets a new resident in his apartment building who he starts a relationship with.

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REVIEW: ‘The Boy and the Heron’ is a fine film about healing

The mind of Hayao Miyazaki continues to be a wonderfully mystical place.

He’s shared some more of his magical vision with his latest animated fantasy feature, “The Boy and the Heron.” The film, set during World War II, centers on a pre-teen boy, Mahito, who is struggling mentally and emotionally after the death of his mother in a fire.

The film picks up with the protagonist’s father recently getting remarried to the sister of his late wife, Mahito’s aunt Natsuko. Mahito is resistant to moving on and accepting the new reality, but when he discovers a path to a magical world, he’s thrust into an adventure where he has to learn to live and trust again, as well as embrace his family.

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REVIEW: ‘Wonka’ prequel has plenty of magic and whimsey

Everyone has to start somewhere, even great chocolatiers like Willard Wilbur Wonka.

The latest film to feature the candy-maker shows that start, with the character being portrayed by Timothée Chalamet. After having traveled the world to discover new flavors, a young Wonka arrives in a European port town known for its Galeries Gourmet district, where the world’s top candy stores are located.

Hoping to join the elite status, Wonka sets out to sell his chocolate in the area, but he soon learns that the other owners see him as a threat and are dead set on stopping his career. To make matters worse, he becomes majorly indebted to a pair of innkeepers. The silver lining, though, is the situation leads him to meeting others who are willing to help him with both problems.

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