Tag: Romantic Drama

REVIEW: ‘Big Bold Beautiful Journey’ doesn’t live up to its title

Colin Farrell is back in another romantic fantasy film more than a decade after starring in 2014’s “Winter’s Tale.” Thankfully, this movie is better, but… that’s a really low bar.

Farrell’s latest film features him in a role opposite fellow Academy Award nominee Margot Robbie. In “A Big Bold Beautiful Journey,” both Farrell’s David and Robbie’s Sarah are single and end up mingling at the wedding of a mutual friend.

After the ceremony, Sarah’s rental car breaks down, and she ends up getting a ride from David, who picked up his own vehicle from the same mysterious agency. The car’s GPS then guides the two on a mystical adventure.

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REVIEW: Celine Song’s sophomore effort ‘Materialists’ disappoints

A film from A24, written and directed Celine Song who helmed the wonderful “Past Lives” from 2023? On paper it looks like a slam dunk. Unfortunately, that’s not quite the case.

In Song’s second feature film, Dakota Johnson stars as a matchmaker in New York City named Lucy. She works for a company that specializes in setting up dates between similar people. Basically, it’s an in person dating app, but the app is a human match manager with an office.

Work is going well enough, but Lucy herself has been single for a while. That changes, though, when she meets the charming and understanding Harry (Pedro Pascal), and the two start dating. At the same time, she meets up and starts talking with former boyfriend John (Chris Evans).

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REVIEW: While not Guadagnino’s best, ‘Queer’ is a quality drama

Luca Guadagnino has helmed several well-made romantic dramas over the last few years, and now adds one more to the growing list.

Like other pictures he’s done, Guadagnino’s latest, “Queer,” is inspired by a book. The novel in this case has the same name and is a semi-autobiographical piece by American author William S. Burroughs. In the film, the author is the inspiration for the lead character William Lee (Daniel Craig).

William is a man residing in Mexico City during the 1950s and lives a life of addiction. He is an alcoholic, a heroin user and seeks casual sex regularly. It’s clear he’s looking for some sort of fulfillment in his life, and he may just find it in a new relationship he begins with another man, Eugene (Drew Starkey) early in the film.

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REVIEW: Funny. Provocative. Intense. ‘Anora.’

So, this film is sort of like “Pretty Woman,” if things went really off the rails, and Richard Gere was Russian.

Well, there are actually quite a few more differences all things considered. In “Anora,” Mikey Madison stars as the titular character who makes a living as a stripper and escort. Her day-to-day routine of working at a Manhattan club is interrupted when she’s hired by Ivan (Mark Eydelshteyn), the son of a wealthy Russian oligarch.

Initially hired for her escort services, Ivan later continues to pay Anora, or Ani as she likes to be called, to be his live-in girlfriend. After spending more time together, he ends up marrying the young woman. However, Anora’s new life in luxury is threatened when Ivan’s family finds out, and are furious at the news.

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REVIEW: Steaminess of ‘Challengers’ is a smokescreen for its shallowness

Luca Guadagnino’s last film about cannibalistic monsters featured a more wholesome relationship than this sports drama. Imagine that.

The director’s latest film, “Challengers,” features a trio of central characters, all of whom are tennis players. There’s the pro Art Donaldson (Mike Faist), his wife and coach Tashi (Zendaya), as well as Patrick (Josh O’Connor), who’s trying to revive his career in the sport.

The film is set in the present day, with Art struggling in recent tournaments and Tashi wanting him to compete in a smaller event where he can gain some confidence. There he’s put in competition against Patrick, a former friend and rival. The film then goes through a series of flashbacks showing how the three got to where they are in life and their intertwined relationships.

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REVIEW: Inconsistencies causes ‘All of us Strangers’ to struggle

Sometimes you want so badly to enjoy a movie, and it just doesn’t work out. Enter “All of Us Strangers.”

The character Adam (Andrew Scott) is at the center of this U.K.-based drama. A writer who resides in London, Adam is in a melancholy state at the start of the film as he finds himself reflecting on the death of his parents who passed away when he was young.

When visiting his childhood home one day, though, by unexplained circumstances, Adam sees his parents as they were just before they died. As he’s reconnecting with his parents, he also meets a new resident in his apartment building who he starts a relationship with.

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REVIEW: ‘Past Lives’ is a romantic drama triumph

One of the most common aspects of the human experience is considering how different things could be if one made a different choice or a life event went an alternate way.

In stirring fashion, “Past Lives” writer/director Celine Song explores this concept, that boils down to the simple words “what if.”

The film, inspired by Song’s own life, centers on Nora (Greta Lee), a woman whose story began in South Korea before her family immigrated to Canada when she was a pre-teen. When she was growing up in South Korea, she was close friends with a boy named Hae Sung (Teo Yoo), but the two lost contact.

The two reconnect a dozen years later via social media and begin speaking regularly via Skype, but again are unable to consistently stay in touch as life takes them on different paths. The movie then follows up with the characters in the present day, when Hae Sung is able to visit Nora. who’s now a married writer in New York City.

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REVIEW: Mendes’ ‘Empire of Light’ is a colossal mess of ideas

Director Sam Mendes has made films that offered audiences some magic at the movie theater. His film actually about a movie theater, though, leaves a lot to be desired.

His movie “Empire of Light” stars Olivia Colman as Hilary, a woman working at a historic theater in southern England. Hilary has worked there for some time and has made acquaintances with her fellow staff members, but usually spends her down time alone.

That is until the theater hires Stephen (Michael Ward), a young black man who is trying to go to college, but hasn’t been admitted yet, and in the meantime is working for some money. Hilary and Stephen began spending time together, and eventually form a relationship, but it becomes tested because of personal issues and racial tensions in the country.

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REVIEW: ‘Bones and All’ is a compelling movie about monsters among us

Hannibal Lecter, eat your heart, or I guess someone else’s heart out.

“Bones and All” is a love story, that just happens to include cannibalism. Taylor Russell stars as Maren in the film, a young woman who is an “eater,” a human being who has an insatiable hunger for human flesh. The film picks up with her being left by her father (Andre Holland) who tells her she must live on her own, after he spent years trying to hide what she is.

Maren decides to go on the road and find out about her mother now that her father has left, and along the way meets others like herself, including someone her own age. That person is Lee (Timothee Chalamet), a young man who decides to go along with Maren on her journey, and the two build a connection.

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REVIEW: ‘New Era’ at Downton offers enjoyment, despite shortcomings

I didn’t always know what was going on in the 2019 “Downton Abbey” film since I didn’t watch the series. That was true again here.

However, like its predecessor, it’s still fairly enjoyable.

“New Era” has two main stories unfolding. One revolves around a new film being shot at the Downton estate, where Mary (Michelle Dockery) and Violet (Maggie Smith) are keeping watch of things. While the family is hesitant about the film industry using the building, they allow it as it will provide funding to do needed roof repairs.

Meanwhile, the characters Robert (Hugh Bonneville), Cora (Elizabeth McGovern), Edith (Laura Carmichael), Herbert (Harry Hadden-Patton), Tom (Allen Leech) and Lucy (Tuppence Middleton) travel to southern France to explore a villa Violet inherited. The inheritance was included in the will of a man who Violet met decades ago in her youth.

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