REVIEW: ‘Irresistible’ is irritating

I have a lot of respect for Jon Stewart. He made me laugh on a nightly basis with his show. But wow does he get local politics wrong.

Stewart writes and directs this feature starring Steve Carell as a political strategist for the Democratic Party named Gary Zimmer. Gary works out of Washington D.C. and mainly focuses on national races. After having a successful career, though, Gary is left rather down following the election of 2016 which was disastrous for Democrats.

He gets a spark of hope, though, when he sees a viral video of a man in rural Wisconsin making an impassioned speech about protecting benefits, such as SNAP. The man, who’s also a veteran, is viewed as the perfect Democrat to win in a more rural area of the country, and Gary decides to help him win a race for the small Wisconsin town’s mayoral seat. However, this also draws the attention of the national Republican party, and it sets up a big time political match in a small town not used to the Washington tactics.

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REVIEW: ‘You Should Have Left’ squanders potential

There are interesting concepts at play in “You Should Have Left,” but sadly, it doesn’t result in a great film.

Directed and written by David Koepp, “You Should Have Left” stars Kevin Bacon as Theo, a man who is planning to go on vacation with his wife Susanna (Amanda Seyfried) and her daughter Ella (Avery Essex). The vacation home they choose is a rather modern looking one in a rural area of Wales.

At first, it seems like the perfect spot to get away, with the house being spacious and the beautiful countryside out the window. However, as time goes on, details about Theo’s past and current relationship issues cause strain. On top of that, strange things start occurring in the seemingly perfect house.

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REVIEW: ‘7500’ offers thrills in close quarters

All of “7500” takes place within the small confines of a cockpit. Considering this film was made for just $5 million, doing so probably kept costs down. It also brought the tension up.

The film stars Joseph Gordon-Levitt as Tobias, a co-pilot for a German airliner just leaving the airport. Joining Tobias in the cockpit is the Captain Michael (Carlo Kitzlinger), who’s the older, more experienced of the two. Meanwhile, working as a flight attendant is Tobias’ girlfriend Gökce (Aylin Tezel).

Tobias is a little stressed, as he and Gökce are house-hunting, but otherwise it seems like a routine flight. That is until the airplane is subject to a hijacking attempt. Tobias manages to keep the hijackers out of the cockpit and announce Code 7500 to air traffic controllers to let them know of the situation, but the terrorists begin taking hostages, making the situation tense.

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REVIEW: ‘Da 5 Bloods’ falters due to storytelling

Maybe Spike Lee should have used a five-part mini-series to tell the story of “Da 5 Bloods.”

This film, released recently on Netflix, is about four veterans who return to Vietnam decades after they fought in the war. The men who go to the country include Paul (Delroy Lindo), Otis (Clarke Peters), Eddie (Norm Lewis) and Melvin (Isiah Whitlock Jr.).

They journeyed to the country for two primary reasons. One is to return to the place where their friend and fellow soldier Norman (Chadwick Boseman) died to collect his remains and bring them back to the States. The other reason is to collect gold they found and buried there when they were soldiers. Joining them on this journey is Paul’s estranged son David (Jonathan Majors).

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REVIEW: ‘The Assistant’ is a superb film

This is a movie with fewer words than others, but it has a lot to say.

The movie follows the main character Jane (Julia Garner) as she goes about her day at work in a New York City film production company. Jane is one of three assistants working for the company’s boss, and she’s clearly at the bottom of the totem pole.

Along with working in a rather thankless job, Jane also begins to notice signs of sexual abuse taking place in the office. What’s worse is that many of her coworkers seem to have a level of awareness, but are largely staying quiet about the whole thing.

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REVIEW: ‘The High Note’ doesn’t earn a high score

This movie may be called “The High Note,” but it never does anything to elevate itself above other flicks in the genre.

The movie stars Dakota Johnson as Maggie, a young woman who works as an assistant to Grace (Tracee Ellis Ross). Grace is a music legend who’s had plenty of hits over her great career. However, lately, her manager Jack (O’Shea “Ice Cube” Jackson) and others want her to start scaling back, doing just best hits albums and singing at events in Las Vegas. Grace believes she can still make new, great songs, though, and since she produces music at an amateur level as a hobby, Maggie wants to help.

Meanwhile, Maggie also meets David (Kelvin Harrison Jr.) in the first act. David is a guy who seems to have a ton of musical potential, but appears completely content with doing small shows and simple gigs. Because of his potential, though, Maggie decides to try and help David create an album, too.

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REVIEW: ‘Scoob’ doesn’t have full charm of classic series, but still satisfies

The latest big screen adaptation of “Scooby Doo” isn’t flawless, but it was a refreshing cinematic experience after those terrible live action pictures from the 2000s.

The first minutes of “Scoob” serve as an origin story, showing how Shaggy (Will Forte) met his dog and best friend Scooby Doo (Frank Welker). A short time later, they meet three other kids, Fred (Zac Efron), Daphne (Amanda Seyfried) and Velma (Gina Rodriguez). After the group uncovers a plot involving a fake haunted house, they continue hanging out and become Mystery Inc.

The movie then shifts to the present day where the crew is finding more success, but Shaggy and Scooby are feeling left out. When the two get separated from the other three, they get roped into a mission to save the world by the hero Blue Falcon (Mark Wahlberg) and his robot dog Dynomutt (Ken Jeong). Eventually, the combined Blue Falcon squad and Mystery crew have to team up to take down the villain Dick Dastardly.

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REVIEW: ‘Portrait of a Lady on Fire’ burns bright with quality

Like the very paintings featured in this movie, “Portrait of a Lady on Fire” is a true work of art.

Noemie Merlant portrays Marianne in this film, a young woman who arrives in a secluded area of France to work on a portrait for a family. Marianne soon learns that a woman, (played by Valeria Golino and only known as The Countess), her employer, wants a portrait of her daughter Heloise (Adele Haenel), who’s arranged to be married.

Heloise, though, has no interest in going through with the marriage and refuses to pose for a portrait. In an effort to connect with her, Marianne begins to take walks in the scenic coastal areas of France with Heloise and the two begin to connect. From there, the relationship only grows as the two understand each other more and a romance blossoms.

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Theater visits, reviews to stop for social distancing

While the COVID-19 coronavirus has yet to come to Bemidji, Minn., the city where I reside, it has reached Minnesota. As a result, I’d like to be careful during this time and do some social distancing, and that means no more trips to the movie theater.

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REVIEW: Moss, special effects boost ‘Invisible Man’

No Dark Universe, no problem.

After the shared cinematic universe idea for Universal’s famous movie monsters crashed, plans were reworked to have more independent, individual films. The first one up is “The Invisible Man,” written and directed by Leigh Whannell. The movie stars Elisabeth Moss as Cecilia, a woman who just left her abusive boyfriend.

Cecilia is shaken from the relationship and is left with anxiety, fearing that her ex, Adrian, (Oliver Jackson-Cohen) will come after her. However, she soon learns that Adrian has supposedly committed suicide. Just as she begins trying to rebuild her life, though, Cecilia begins to feel stalked and terrorized by an unseen force, which she believes is Adrian.

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