REVIEW: ‘Napoleon’ is a considerable, but incomplete portrait of French ruler

Ambition is something leaders of nations should have. However, when that ambition is only self-serving, it can end in disaster, as Ridley Scott’s “Napoleon” shows.

The film picks up right in the midst of the French Revolution, with Napoleon Bonaparte (Joaquin Phoenix), then an army officer, in attendance for the beheading of Queen Marie Antoinette. From there, the film follows how he built popularity with military accomplishments and used political maneuvers to gain power in France.

The film then explores his military campaigns as Emperor of France while also dramatizing his relationship with his wife Josephine (Vanessa Kirby).

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REVIEW: ‘The Killer’ is a brisk, finely crafted thriller

Director David Fincher has made another solid film on Netflix. Now here’s hoping he makes a third season of “Mindhunter” for the streaming service.

Let’s stick with his latest film, though. With “The Killer,” Fincher returns to the thriller genre, and gives audiences insight into the mind of an expert assassin. Playing the main character, who is only referred to as the Killer, is Michael Fassbender.

The film follows the character returning home from a job only to find someone close to him has been attacked. Knowing the perpetrators are still out there and could potentially strike again, the Killer sets out to eliminate the threats.

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REVIEW: ‘Five Nights at Freddy’s’ squanders fun concept

It’s a tale as old as time, or at least as old as the early 90s. A concept works quite well as a video game, but doesn’t quite translate well to film.

The latest example is “Five Nights at Freddy’s,” a horror game franchise with a lot of popularity that has been made into a movie. The film stars Josh Hutcherson as Mike, who has to spend his nights at Freddy’s, a defunct brand similar to Chuck E Cheese, known for its animatronic mascots.

His stay there is out of desperation, as the security guard role at the dilapidated family restaurant is the only job he can get, and he needs it to continue being a guardian to his sister Abby (Piper Rubio). As Mike soon learns, working at the property can be rather creepy, as it has a dark history that lives on through the seemingly shut down animatronic animals.

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REVIEW: Poor narrative breaks ‘Exorcist: Believer’

Keep those tubular bells ringin’, “The Exorcist” series is back. However, unfortunately, the quality of the original film is not.

In this entry to the franchise, Leslie Odom Jr. plays Victor, a single father whose wife died during child birth due to the 2010 Haiti Earthquake. In the ensuing years, Victor loses his faith, but appears to be doing alright as a dad to his daughter Angela (Lidya Jewett).

His world gets turned upside down, though, when Angela and her friend Katherine (Olivia O’Neill) go missing. They’re eventually found, much to their parents’ relief. As time goes on though, it appears something sinister has latched on to the two girls. Continue reading “REVIEW: Poor narrative breaks ‘Exorcist: Believer’”

REVIEW: Fourth ‘Expendables’ is an empty experience

The Expendables are back… Well, a few of them are. A lot of the cast from previous movies didn’t come back for this one, probably with good reason.

Still helmed by Barney Ross (Sylvester Stallone), the elite group of expendable mercenaries  are still taking on dangerous missions, but their latest adventure might have the highest stakes yet. The team is informed by the CIA that several nuclear weapons have fallen into the wrong hands.

To prevent any bombs from going off, the Expendables are hired to recover them and take out those behind the scheme. As part of the mission, they’re joined by some new mercenaries who offer additional combat skills.

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REVIEW: Latest ‘Equalizer’ offers adequate entertainment

Antoine Fuqua made the “Equalizer” trilogy. I watched the “Equalizer” trilogy. I guess the situation has been… equalized.

So sorry about that.

Denzel Washington returns as Robert McCall in “The Equalizer 3.” This time around, the semi-retired super agent finds himself wrapping up the takedown of a crime syndicate based in Sicily. While he’s successful in his bloody endeavor, he does get himself injured with a shot to the back. Eventually, as he’s leaving the area he falls unconscious.

Fortunately, he’s rescued by a passerby who takes McCall to a doctor in a small coastal village. The doctor cleans Robert’s wounds and helps him recover. During his time there, Robert finds peace in the charming town, but is troubled by the occasional presence of mafia members who harass local business owners.

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REVIEW: ‘Blue Beetle’ is another below average DC outing

“Blue Beetle” was originally slated for a streaming release but was pushed into theaters. All things considered, maybe it should have stayed on the small screen.

Xolo Mariduena stars as Jaime Reyes in the film. A recent college graduate, Jaime returns to his home in Palmera City only to learn that his family’s house is on the brink of repossession. Wanting to help his parents, he looks for work, but only manages to get a cleaning gig at a mansion despite his degree.

That is where meets Jenny Kord (Bruno Marquezine), the niece of the woman (Suasan Sarandon) who runs a large military tech company. The main focus of the company is the Scarab, an alien technology giving the user an advanced armor. Knowing the dangerous implications of the tech, Jenny removes it from the Kord facility and entrusts it to Jaime.

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REVIEW: Vampire flick ‘Last Voyage of the Demeter’ disappoints

There have been many film adaptations of Bram Stoker’s classic novel “Dracula.” Adaptations of a single chapter, though? That’s a new one.

“The Last Voyage of the Demeter” is based on the chapter “The Captain’s Log” from Stoker’s 1897 book. In the film, the Demeter is a ship leaving Bulgaria helmed by Captain Elliot (Liam Cunningham). While the movie is narrated at points by Elliot who gives his thoughts on the development in his log, the film is centered on the character Clemens (Corey Hawkins).

A doctor looking to return to England, Clemens joins the crew of the Demeter which is sailing to Britain on a seemingly routine voyage. Along with the crew, the Demeter is carrying plenty of cargo, including a mysterious crate. As one would expect, the box contains the legendary vampire himself.

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REVIEW: ‘Mutant Mayhem’ is an exciting new spin on the TMNT

Turtle Power is back on the big screen and it’s the best it’s been in a while.

The latest film to feature the four ninja turtles takes place in familiar territory. Leo (Nicolas Cantu), Raph (Brady Noon), Donnie (Micah Abbey) and Mikey (Shamon Brown Jr.) live with their father figure Splinter (Jackie Chan) in the sewers under New York City.

An overprotective father, Splinter taught the four ninjutsu and stealth to keep them safe and out of sight from humans. The insatiable want to live normal teenage lives, though, inspire the turtles to do hero work in order to get recognized. However, doing so might put them in more trouble than they expected.

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REVIEW: ‘Barbie’ has plenty to like, not enough to love

“Barbie” has everything you’d expect from a movie about the popular Mattel toy, from pink houses to parties on the beach. Oh, plus an existential crisis and explorations of feminist concepts.

As expected, there are many Barbies in the flick, but the one at the center of the picture is a sort of classic take on the doll. To that end, Margot Robbie’s character is often referred to as “Stereotypical Barbie.” At the start of the film, she, and every other Barbie, live happily in Barbieland, a matriarchal utopia.

For Barbie, though, this begins to change when she suddenly has thoughts and feelings she didn’t have before, revolving around imperfections and death. It shakes her so much that she sets out to figure out what the problem is, and that leads her to venture into the real world. She’s not alone on the quest, either, as “Beach Ken” (Ryan Gosling), tags along.

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