Tag: Pixar

REVIEW: Pixar’s alien adventure ‘Elio’ mostly succeeds, despite drawbacks

The protagonist of this film would have loved listening to Art Bell’s “Coast to Coast AM” in the 1990s.

That’s because the titular Elio (Yonas Kibreab) is a UFO fanatic who doesn’t just want to make first contact. The 11-year-old has aspirations of being abducted and meeting aliens from out of this world. His motivation is deeper than just a fascination with visitors, though.

Elio, tragically, lost his parents at a young age and his relationship with his new guardian, his aunt Olga (Zoe Saldana), has been strained. Eventually, Elio’s wish is granted and he’s taken aboard an alien ship, with the extraterrestrials believing he’s an ambassador for Earth. He goes along with the ruse, but he may be in over his head.

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REVIEW: Family follow-up ‘Inside Out 2’ mostly succeeds

“Inside Out 2,” AKA the third film in Pixar’s coming-of-age trilogy after “Luca” and “Turning Red.”

This animated sequel picks up about a year after the events of the first film, released in 2015. Riley is now 13, she’s enjoying hockey, about to enter high school and her emotions seem to be in a good place. The film picks up with her being recruited to a hockey camp after her JV squad wins a title.

That’s where things go haywire in Riley’s mind, as new emotions, including Anxiety (Maya Hawke), Envy (Ayo Edebiri), Embarrassment (Paul Walter Hauser) and Ennui (Adele Exarchopoulos) suddenly show up. Worried about Riley’s future, Anxiety takes the lead from Joy (Amy Poehler) and ends up making the hockey camp into an emotional roller coaster.

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REVIEW: Pixar’s ‘Elemental’ is a miss for the studio

Pixar movies can often turn on the water works or leave a person fired up when the credits roll. Surprisingly and disappointingly, “Elemental” doesn’t do either.

The studio’s latest film, “Elemental,” is set in a sprawling metropolis inhabited by beings made of air, water, plants and fire. Most of the different elements stick to their own kind, though, especially the fire people, who are the most recent immigrants to the city and reside in a more dilapidated part of town.

In their community, though, residents have found success, such as Ember (Leah Lewis) and her parents who operate a small convenience shop that she plans to take over. That plan hits a road block, though, when a water being named Wade who works for the city lets Ember know the shop isn’t up to code. However, in a twist of fate, the meeting actually brings the two together.

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REVIEW: ‘Turning Red’ absolutely rocks

Pixar has went back-to-back with great coming of age films, following up last year’s “Luca” with this superb animated feature.

Domee Shi, who helmed the Academy Award-winning short film “Bao”from 2018, directed and co-wrote this Pixar film. The movie is set in Toronto during 2002 and centers on Mei (Rosalie Chiang), a straight-A student who works hard to meet the high standards set by her mother (Sandra Oh).

At the same time, Mei is also a typical 13-year-old. She hangs out with a group of best friends and they enjoy boy bands and have crushes. She has a pretty good balance going on, but that begins to change when a mystical family spell that passes generation-to-generation turns her into a giant red panda.

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REVIEW: Pixar’s ‘Luca’ is a winner

Pixar has another great movie on its resume.

The latest film from the Disney-owned studio takes place in and around a small town on the Italian Riviera. The titular character, voiced by Jacob Tremblay, is a young humanoid sea creature who lives beneath the waves with his mother (Maya Rudolph), father (Jim Gaffigan) and grandma (Sandy Martin). The family has a strict rule about not visiting the surface, as humans have been known to be dangerous, but Luca is fascinated by the world above.

At the film’s start, Luca is given a chance to explore the Italian turf when he meets another “sea monster,” Alberto (Jack Dylan Grazer). The duo become fast friends and, with growing frustration toward his parents’ rules, Luca decides to travel to the Italian village with Alberto, in human disguise. There, they become friends with a girl named Giulia (Emma Berman), who wants to enter a local triathlon.

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REVIEW: ‘Soul’ is mostly a sour experience

Pete Docter is no stranger to emotional animated features, having directed “Up” and “Inside Out.” He makes another attempt at one in his latest picture, “Soul.”

Jamie Foxx voices Joe in “Soul,” a middle-aged jazz artist and part-time music teacher. One day as he’s about to get a gig he’s been waiting for, he accidentally falls down a manhole. As a result, Joe has an out-of-body experience where his soul travels to a gateway to what’s called the Great Beyond.

Opting not to go, he instead takes another path. There he ends up in the Great Before, where souls form before going to Earth. Not long after his arrival, he meets a stubborn soul named 22 (Tina Fey), who doesn’t find Earth too appealing. The two end up having to work together as the plot develops, though.

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REVIEW: ‘Onward’ offers a dull quest

This movie is all about magic, but doesn’t necessarily have that Pixar magic.

Tom Holland voices Ian in “Onward,” a young elf living in a world that, despite fantasy and magic elements existing, has become like our own modern society. A high schooler, Ian lives with his mom Laurel (Julia Louis-Dreyfus) and his older brother Barley (Chris Pratt) who hasn’t exactly found his way in life.

Ian’s father Wilden passed away before he was born, something that weighs heavily on him. When he turns 16, though, he receives a staff for his birthday and finds a spell to bring back his dad for one day. He starts the spell, but is only able to bring his dad’s legs back. Knowing they only have a day, Ian and Barley decide to go on a quest to find a way to complete the spell.

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Best of the Decade: Animation

This is a series called “Best of the Decade.” It’s a list including 10 movies that I found to be the best in a specific genre from 2010-2019.

A Disney resurgence and solid work from other studios meant that the past 10 years had a lot to offer when it came to animated features. Here are my favorites. Also I’m doing 11 for this because this is my list and I’ll do what I want with it.

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SPECIAL Movie Report: Recapping 2019 D23

The Mouse House dominated the headlines in the film industry Saturday as its D23 Expo event continued. Disney, which owns the rights to Pixar, LucasFilm and Marvel Studios unveiled several upcoming projects and showed off highlights from pictures soon to be released.

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REVIEW: ‘Toy Story 4’ doesn’t fly like predecessors, but still falls with style

I’ll admit, when I first heard a new “Toy Story” was in production, I was skeptical, considering “Toy Story 3” was such a solid end to the trilogy. Fortunately, Pixar did some solid work with this fourth feature.

The latest film picks up seemingly not too long after the end of part three. The original gang, for example, have adapted pretty well to life with Bonnie’s other toys. That is, except for Woody (Tom Hanks). Woody appears to be involved less and less in times of play, and as a result, is getting little anxious.

However, when Bonnie creates a new toy from some materials, mainly a spork, named Forky (Tony Hale),  Woody finds some purpose. Forky appears to be confused, thinking himself more akin to trash than a toy, but Woody is set on protecting him and keeping him around, as Forky has become Bonnie’s favorite. The work gets more difficult, though, when during a family trip, Forky escapes in a small town near a carnival. Woody sets off on an adventure immediately to save Forky, and fortunately, he gets some help from the long lost Bo Peep (Annie Potts).

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