REVIEW: ‘The Rhythm Section’ is far offbeat

Revenge movies don’t need to be this complicated.

The “Rhythm Section” is about a woman named Stephanie (Blake Lively), who lost her entire family in a plane crash. Since the tragedy, she fell into a world of drugs and prostitution. However, she learns from an investigative journalist that the plane crash was actually orchestrated.

With that knowledge, Stephanie seeks help from a former MI6 agent named B. After some pleading, B agrees to train her and prepare her for revenge on those who planted the bomb on the plane.

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REVIEW: ‘Birds of Prey’ is fun, but doesn’t soar high enough

There’s a feeling with this movie that the creative team said ‘we have Harley Quinn, let’s just slap a movie together around that character and it will all work itself out.’

Unfortunately, that doesn’t really happen here.

“Birds of Prey” picks up after the events of the 2016 movie “Suicide Squad” and audiences soon learn that Quinn (Margot Robbie) is no longer together with the criminal mastermind Joker. She’s not exactly able to enjoy her new single life right away, though, as Quinn soon learns that there’s a lot of people, whether it be random individuals or hardened criminals, who want her dead. Now that Joker isn’t with her anymore, those forces have a clear path to Harley.

One of those criminals is Roman Sionis (Ewan McGregor), who also goes by Black Mask. As Black Mask’s feud with Quinn develops, other characters are drawn in, including a detective named Renee (Rosie Perez), a mysterious assassin in Huntress (Mary Elizabeth Winstead), and a dangerous singer trained in combat who goes by Black Canary (Jurnee Smollett-Bell). Eventually these figures all become tied in a web that leads back to a young pickpocket named Cassandra (Ella Jay Basco), who stole a jewel that everyone in Gotham is after.

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REVIEW: Underneath the glitz and glamour, ‘The Gentlemen’ is empty

Few movies get as smug and full of itself as director Guy Ritchie’s new feature “The Gentlemen.”

The movie stars Matthew McConaughey as Mickey Pearson. Mickey is the kingpin of a crime organization that grows marijuana in the United Kingdom on land owned by wealthy British citizens. After building his empire up, though, Mickey is looking to get out of the “business” and settle down.

To do so, Mickey is holding meetings with Matthew (Jeremy Strong), a wealthy interested party. However, one night, a tabloid journalist named Fletcher (Hugh Grant) introduces information to Mickey’s right hand man Ray (Charlie Hunnam) that could throw a wrench in the situation.

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REVIEW: ‘Gretel & Hansel’ burned by poor story, character execution

It’s so disappointing when a movie is close to winning you over and doesn’t.

The most recent example is “Gretel & Hansel.”

The film is inspired by the classic dark fairy tale, although this one takes liberties. As the story goes, the two young protagonists Gretel (Sophia Lillis) and Hansel (Samuel Leakey) are forced to venture out into the woods on their own and fend for themselves.

As one would expect, they stumble upon a welcoming structure with plenty of food and a kind woman (Alice Krige) willing to share. However, there’s of course something more nefarious going on.

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REVIEW: ‘The Turning’ never turns into a good movie

Oh January, you have such a way with horror movies.

“The Turning” is one of the latest scary pictures to get released in the first month of the year, with the type of quality one would expect. It stars Mackenzie Davis as Kate, a young teacher who’s hired to be a tutor for a little, wealthy girl who lives with her brother and their caretaker at a large estate. Since the death of their parents, the girl Flora (Brooklynn Prince) and brother Miles (Finn Wolfhard) don’t get out much.

Despite their social skills being poor, especially with Miles, Kate decides to stick with the job and tries to have a positive impact. However, her teaching Flora and attempts to extend an olive branch to the rebellious Miles are made difficult from an apparent paranormal entity in the mansion.

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REVIEW: ‘Bad Boys For Life’ is a forgettable sequel

For more than a decade, “Bad Boys For Life” was more like “Bad Boys in Development Hell.” While the third movie in the series has finally arrived, though, it isn’t exactly worth the wait.

“Bad Boys 3,” as it should’ve been called, picks up with Marcus (Martin Lawrence) and Mike (Will Smith) still working in the Miami Police Department. However, Marcus is preparing for a well-deserved retirement. Mike isn’t all too happy with the news, but before either of them can hash the subject out further, a new threat enters the picture.

A Mexican family is looking to take revenge on a group of individuals in Miami responsible for taking down a crime empire. One of those individuals just happens to be Mike. As a result, Mike and Marcus once again have to team up against dangerous criminals.

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REVIEW: ‘1917’ takes viewers on a harrowing tour of World War I

“1917:” (Or, the unexpected virtue of one continuous take).

This World War I film, directed by Sam Mendes, tells the story of Corporals Blake (Dean-Charles Chapman) and Schofield (George MacKay), who’re sent on a mission to call off a major attack on retreating German soldiers. The two protagonists are ordered to do so because the German forces are actually baiting the Allies into a trap.

To deliver the message, Blake and Schofield must cross a still active war-zone and the areas of France turned into a wasteland by the heavy trench warfare. The film is shot with one continuous take, following the characters all the way on their journey.

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REVIEW: ‘Uncut Gems’ is an unrelenting experience

Adrenaline. Anxiety. Intense. All of these words are accurate when describing “Uncut Gems.

Adam Sandler stars as Howard Ratner in this high octane film about gambling, crime, addiction and, to an extent, survival. Howard operates a jewelry store in New York City and lives life a mile a minute. On top of his business, where he often meets with big spenders like athletes, Howard is also addicted to gambling, and is constantly making bets, and side bets for that matter.

His actions haven’t made people too happy, though. His dealings have put tremendous strain on his family and it has also made several people angry, because he owes a lot of money. At the start of the movie he learns that he might just have a big break, though, as he gets a big new gem shipment, as well as a new rich customer in Kevin Garnett.

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REVIEW: ‘Little Women’ is positively wonderful

There’s already been six adaptations of “Little Women,” so why not add another one to the list?

Actually making a new one was a good choice, because it turns out to be one of the greater book adaptations and one of 2019’s finest films.

Like other adaptations, “Little Women” follows the stories of Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and Beth (Eliza Scanlen). They live in Massachusetts during the Civil War with their mother Margaret (Laura Dern) while their father is off fighting for the Union Army.

The picture explores their lives as teenagers living together as well as their time as young adults, where they’re off on their own adventures. For example, Jo, is working to become a steady author, while Amy is an aspiring painter in Europe.

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REVIEW: ‘Cats’ is crazy, but its music is catchy

Cats are not dogs. This is information the movie really wants an audience to know, so much so that Judi Dench turns directly to the camera to say it. That’s just one of the lessons one will learn over the course of the cinematic experience that is “Cats.” It truly is something to behold.

Based on the stage play of the same name, “Cats” is set in London and follows a group of felines who love to sing and dance. The main character we’re introduced at the start is Victoria (Francesca Hayward), who’s introduced to the Jellicle cats. The Jellicle cats all have their own traits, quirks, and even personalized songs that they sing.

Victoria meeting with the Jellicle cats happens to be a meeting of destiny, as it turns out it’s the night of the Jellicle ball, where a single cat is chosen to have their life thoroughly improved. Over the course of the film, different cats sing and perform with the hope of being the one.

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