REVIEW: ‘Caught Stealing’ has more cinematic crimes than just theft

“Caught Stealing” involved the filmmaking contributions of several great talents, making it ultimately unfortunate that the movie ends up a disappointment.

Set in the late 1990s, the movie centers on Hank Thompson (Austin Butler). Once a promising Major League Baseball prospect, Hank’s life took a bad turn and he now works at a neighborhood bar to get by. Work follows him home, too, as he drinks regularly.

Hank’s home is also adjacent to a British punk rock neighbor named Russ (Matt Smith), who has left the apartment for a trip back to the U.K. Unfortunately, Russ was involved in illegal activity and criminal elements looking for the Brit come across Hank, which spirals into a dangerous situation for the bartender.

Continue reading “REVIEW: ‘Caught Stealing’ has more cinematic crimes than just theft”

REVIEW: Modern western ‘East of Wall’ is ambitious, yet flawed

The Dakotas are a place of ruggedness and natural beauty. In this film, we get a first-hand glimpse into life there from the people who call it home.

The movie centers on a real family who own a horse ranch in South Dakota. The matriarch is Tabatha Zimiga, who plays herself in the picture. She lives on the ranch with several of her own children, and because there are many kids in need, has a few other teenagers staying there as well.

The film picks up with Tabatha stressed, as she’s recently become a widow and faces financial difficulties. Her business, which involves selling horses, is still going steady, but getting by on her own with mouths to feed is a struggle. Since the death of her late spouse, her relationship with her daughter Porshia is also strained.

Continue reading “REVIEW: Modern western ‘East of Wall’ is ambitious, yet flawed”

REVIEW: Lee’s ‘Highest 2 Lowest’ succeeds largely on cast, style

Denzel Washington’s son gets kidnapped in this movie, and here, he doesn’t have his Equalizer skills to rely on for a rescue.

In the film, based on 1963’s “High and Low” by Japanese director Akira Kurosawa, Washington stars as David King. A music mogul, King is head of a major label and has built a reputation of having the best ears in the business. Eventually, his status draws the attention of a kidnapper, who abducts his son.

In the process, the abductor also kidnapped the son of one of King’s workers and friends, Paul (Jeffrey Wright). The man who committed the crime demands ransom, and in a flash, young lives, millions of dollars and his music empire are at stake.

Continue reading “REVIEW: Lee’s ‘Highest 2 Lowest’ succeeds largely on cast, style”

REVIEW: ‘Nobody 2’ entertains, but lacks spark of original

He may play a nobody, but Bob Odenkirk has become quite the action star with these two flicks.

Odenkirk once again stars as Hutch, a normal guy who appears to be a simple suburban family man, but actually has a lengthy past as an elite government operative. He’s returned to that line of work after some time away, while still trying to keep up his family life in a good place.

Unfortunately, like in the first movie, Hutch has found himself to be in somewhat of a rut. Looking for a way to spend more time with his family and reconnect, he decides to take a vacation to a water park he went to in his youth. However, like usual, danger seems to follow him around.

Continue reading “REVIEW: ‘Nobody 2’ entertains, but lacks spark of original”

REVIEW: ‘Weapons’ builds tension well, but loses way in second half

After writing and directing 2022’s “Barbarian,” Zach Cregger is back with another suspenseful flick that will keep you guessing.

His latest picture is “Weapons,” which centers on the mysterious disappearance of 17 children from their homes in the middle of the night. The children were all from the same classroom at a school in a small Pennsylvania town, and there are no leads to their whereabouts, other than that they all left at the same time.

The situation puts a negative light on the teacher of the class, Justine (Julia Garner), who much of the town puts some blame on for the disappearance. As Justine struggles with the situation, the film explores what she goes through, and how the incident is impacting other citizens as well.

Continue reading “REVIEW: ‘Weapons’ builds tension well, but loses way in second half”

REVIEW: ‘Freakier Friday’ suffers from repetition but charms with heart

The first “Freaky Friday” isn’t that old, right? It’s only been… 22 years?!

Yes, that film with Jamie Lee Curtis and Lindsay Lohan was released more than two decades ago, and now, we get the sequel. Both actresses return for the follow-up, with Lohan again playing Anna, who now has a daughter of her own, Harper (Julia Butters). Curtis, meanwhile, is back as the helpful grandma, Tess.

The movie picks up with Anna having met a new love interest in Eric (Manny Jacinto), and after a courtship, the two decide to get married. That’s much to the chagrin of Harper and Eric’s daughter, Lily (Sophia Hammons), as the two future siblings don’t get along. Things only get more complicated when the four women in the family all switch bodies at a pre-wedding party.

Continue reading “REVIEW: ‘Freakier Friday’ suffers from repetition but charms with heart”

REVIEW: ‘Sorry, Baby’ is a stirring dramatic debut from Eva Victor

“Sorry, Baby” is a film told in a non-linear fashion, and it’s fitting, as dealing with awful situations life throws at you is never a straightforward process.

In addition to writing and directing duties, Eva Victor also stars in this picture as Agnes. In the movie’s opening, the audience learns that Agnes is a college literature professor teaching at her alma mater. Early in the film, Agnes appears to be getting on with life as well as she can, but also seems to be dealing with some turmoil.

The picture then digs into her past, showing previous years, and it’s revealed that Agnes was sexually assaulted while in college. The movie explores how in the time after, she tried to move forward both on her own and in communicating with others.

Continue reading “REVIEW: ‘Sorry, Baby’ is a stirring dramatic debut from Eva Victor”

REVIEW: ‘The Naked Gun’ fires off plenty of good comedy

Frank Drebin is back. Only it’s not Frank Drebin. And it’s not Leslie Nielsen.

In this installment of “The Naked Gun” franchise, released more than three decades after the third movie from the original trilogy, Liam Neeson stars as Lt. Frank Drebin Jr. The son of the Police Squad legend, Drebin Jr. has followed in his father’s footsteps, becoming a detective himself.

The film picks up with Drebin Jr. investigating the mysterious death of a man at the behest of his sister, Beth (Pamela Anderson). Drebin Jr., discovering a link between the death and a bank heist, begins digging, and it puts him on a collision course with a tech company CEO with a major scheme.

Continue reading “REVIEW: ‘The Naked Gun’ fires off plenty of good comedy”

REVIEW: First step for ‘Fantastic Four’ is fine, but not phenomenal

A “Fantastic Four” movie where Dr. Doom isn’t the main antagonist? That’s allowed?

Apparently it is, because good ole Victor isn’t the big bad of “First Steps.” Instead, the family of heroes including Reed Richards (Pedro Pascal), his wife Sue (Vanessa Kirby), brother-in-law Johnny (Joseph Quinn), and colleague Ben Grimm (Ebon Moss-Bachrach) face something from the depths of space.

Having picked up their powers a few years ago, the four have become celebrities, known for their contribution to science and several heroic moments. Things are going well, but that’s about to change. In addition to Sue getting pregnant with a potentially super-powered child, a planet-eating threat known as Galactus is on its way to Earth.

Continue reading “REVIEW: First step for ‘Fantastic Four’ is fine, but not phenomenal”

REVIEW: Ari Aster’s ‘Eddington’ is absolutely abysmal

This year’s slate from A24 has been unsatisfactory so far, to say the least.

The latest movie from the studio, which has released many films that have populated my top 10 lists over the last decade, is set in 2020, a year we all remember but would rather forget. As the name implies, the picture is set in the town of Eddington, New Mexico where a mayoral race is underway.

The favorite is incumbent Ted Garcia (Pedro Pascal), but he soon gets a challenge from the county sheriff, Joe Cross (Joaquin Phoenix). In addition to being at odds already with Garcia for past issues, Cross is motivated to run by his many disagreements with the handling of the coronavirus pandemic. Eventually, the race starts to turn ugly.

Continue reading “REVIEW: Ari Aster’s ‘Eddington’ is absolutely abysmal”