REVIEW: Hudson’s stunning performance not enough to fully salvage generic ‘Respect’

Aretha Franklin was a powerful force in music and Civil Rights, and this movie certainly touches on both of those aspects.

One just wishes the quality of the film had been above that of a standard biopic.

“Respect” mainly follows Franklin’s (Jennifer Hudson) childhood and roughly the first 10 to 15 years of her career. The film opens with Franklin losing her mother and the impact the death leaves on her.

From there, it follows how music helped Franklin open up again after her mother’s death. Then, the picture focuses on how Franklin went from a lead singer at her father’s (Forest Whitaker) church to a struggling singer, and then finally breaking through to success.

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REVIEW: ‘Suicide Squad’ succeeds under Gunn’s direction

Considering there was another movie released just a few years earlier, I figured they would have come up with another title to set this “Suicide Squad” apart than just adding a “The.”

But it works for Ohio State, so, maybe it’s fine here.

The Suicide Squad” follows a new group of convicts turned mercenaries working for government official Amanda Waller (Viola Davis) for a chance of reducing their sentence. This group includes a pair of top tier elite assassins in Peacemaker (John Cena) and Bloodsport (Idris Elba), as well as a human shark hybrid (voice by Sylvester Stallone), a woman who has a device to control rats (Daniela Melchior) and a man who can shoot colorful energy bolts (David Dastmalchian).

Along for the ride with this Suicide Squad team is their government chaperone Col. Rick Flag (Joel Kinnaman) and the infamous Harley Quinn (Margot Robbie). This time around, the crew is tasked with taking down the dictator of a remote island who has fallen into control of a dangerous scientific research facility.

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REVIEW: ‘Stillwater’ stalls due to poor narrative choices

Films inspired by a true story often take artistic liberties, which is perfectly fine. They better be well executed, though.

In this case, “Stillwater” was inspired by the story of Amanda Knox, an American woman falsely convicted on the charge of murdering a fellow exchange student in Italy. Abigail Breslin portrays Allison in “Stillwater,” an American woman in France who’s been in prison for four years.

Allison was convicted of murdering her roommate and classmate from a French university, although she maintains her innocence. Also convinced of her innocence is her dad, Bill (Matt Damon). The movie picks up with Bill visiting Allison in jail. During his stay, he learns there might be more evidence to prove her innocence and decides to stay, in case a development happens.

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REVIEW: ‘Green Knight’ is a strong, melancholic medieval feature

As an American, I’m not too versed in legends from the British Isles. Fortunately, the themes presented in “The Green Knight” are universal.

Dev Patel stars in the medieval fantasy as Gawain, the nephew of King Arthur. After accepting a challenge one fateful Christmas, Gawain is set on a path where he must go on a quest and face the mysterious Green Knight.

Gawain sets off on the adventure knowing full well that he may likely perish in the journey. However, with greatness at stake, he continues forward with the quest.

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REVIEW: While flawed, ‘Gunpowder Milkshake’ gives audiences a fun experience

The title “Gunpowder Milkshake” makes sense, because like the cold drink, it’s an enjoyable summer treat.

Karen Gillan stars as Sam in “Milkshake,” a young woman who works as an assassin for a mysterious agency known only as The Firm. The agency is helmed by a man named Nathan (Paul Giamatti), who sends Sam out on her assignments.

While her latest mission seems straightforward, though, it turns out to be anything but. Caught in a conflict between two violent faction related to Sam’s assignment is a young girl named Emily (Chloe Coleman). Sam decides to get involved and protect Emily, but it only complicates things as hitmen are sent after her. In response, she looks to get help from her past.

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REVIEW: ‘Snake’ origin film is an eye sore

“G.I. Joe: Retaliation” from 2013 threw out nearly 80% of the characters from 2009’s “G.I. Joe: Rise of Corbra.”

This movie, in turn, throws out  all of those films’ lore and a plethora of characters.

Get rid of what you think you know about Snake Eyes from the previous movies, because this is a completely different universe. In this movie, Henry Golding portrays Snake Eyes, a young man who witnessed his dad getting murdered when he was a kid. The film picks up with him fighting in an underground circuit, making just enough money to get by.

That chapter of his life comes to a close as he’s recruited to the Yakuza because of his fighting ability. That doesn’t last long, though, as he’s not cut out for the job and instead finds himself working alongside a man named Tommy (Andrew Koji).

It turns out Tommy is a member of a secret ninja clan known as the Arashikage and he wants Snake to be a new member. However, his loyalty to the clan becomes challenged when he’s offered information about the man who killed his father.

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REVIEW: ‘Old’ is a middling Shyamalan offering

M. Night Shyamalan is back with another thriller, this time based on a graphic novel.

“Old” is Shyamalan’s adaptation of the novel “Sandcastle.” The film follows several people who’re together on a private beach owned by a resort on a tropical island.

While the cast is large, the movie mainly centers on one family, consisting of Guy (Gael Garcia Bernal), his wife Prisca (Vicky Krieps), and their children Trent (Alex Wolff) and Maddox (Thomasin McKenzie). At first, it seems to be a relaxing getaway, but things turn south fast. After a series of events, the group learns that the area they’re at makes people age at an accelerated rate.

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REVIEW: ‘Space Jam’s’ New Legacy is mostly lousy

Do you love Warner Bros.? And I mean really love Warner Bros.? Then do I have the movie for you.

Warner Bros. has brought back its “Space Jam” concept, this time swapping His Airness with King James. In this film, Lebron James is having trouble connecting with his son Dom (Cedric Joe), who’s more interested in video game design than basketball, something that the NBA star isn’t excited about.

The future hall of famer gets a crash course in video games, though, when he visits the WB studio, which has a proposal for him to star in their movies through a program created by an artificial intelligence named Al G. Rythm (Don Cheadle). When James turns the idea down, Al G. Rythm is upset and decides to bring both Dom and James into the digital realm. where he challenges the NBA player to a game of basketball, against video game characters his son invented.

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REVIEW: Avoid the ‘Escape Room’ sequel

This sequel may feature “champions,” but the film itself isn’t a winner.

The movie takes place not long after the first picture, with survivors of the past escape room game Ben (Logan Miller) and Zoey (Taylor Russell) seeking to take down the group responsible for the torture set-ups. Their mission brings them to New York City, where they end up being lured into another escape room set-up.

There, they meet with others who’ve made it through the escape rooms, Brianna (Indya Moore), Nathan (Thomas Cocquerel), Rachel (Holland Roden) and Theo (Carlito Olivero). Having made it out before, the players are more familiar with how the game works, but it doesn’t make it any easier with the rooms continuing to have deadly components.

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REVIEW: ‘Till Death’ delivers with superb suspense

Director S.K. Dale makes his feature film debut with “Till Death,” and it’s a great first effort.

Megan Fox stars as Emma in “Till Death,” a woman whose marriage to her husband Mark (Eoin Macken) has been deteriorating. On their anniversary, though, it seems like Mark wants to patch things up. Unfortunately, the morning after, it turns out not to be the case.

Mark handcuffs himself to Emma and because of skeletons in his closet, shoots himself. It turns out this is the first part of a larger revenge plot against Emma for an affair. Now, Emma must survive against two hired men trying to get Mark’s fortune, one of whom she knows from an incident in her past.

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