Tag: Horror

REVIEW: ‘The Substance’ shocks, thrills and satirizes

French women are on a roll with body horror films lately with Julia Ducournau helming “Titane” in 2021 and CoralIe Fargeat crafting this flick in 2024.

The newer picture, “The Substance,” centers on actress and aerobics instructor Elisabeth Sparkle (Demi Moore). Once a major player in the Hollywood scene, Sparkle’s career has faded a bit over the years and things get worse when she finds out her time as host of a morning aerobics show is coming to an end.

Through a series of events, though, she comes in possession of a serum that claims to create a younger, more beautiful version of the person she is. She ends up taking it and it works, creating another version of herself to live through (Margaret Qualley). However, as time goes on, the needed balance between her two selves begins to deteriorate.

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REVIEW: Gothically gorgeous ‘Nosferatu’ is good, not quite great

The last month of 2024 brought us a new tale with the classic vampire Dracu… oh, excuse me. A new tale with the classic vampire Count Orlok.

More than 100 years after the release of the legendary German horror film, a new “Nosferatu” is in cinemas. Like the original from 1922, this remake centers on the married couple Thomas (Nicholas Hoult) and Ellen (Lily-Rose Depp) Hutter. The movie picks up with Thomas, a real estate agent, being sent to Transylvania for a sale.

There, Thomas meets Count Orlock (Bill Skarsgard), a nobleman (and secret vampire) who’s seeking a relocation to the German city where the Hutters reside. His reason for wanting to do so is a sort of mental connection the vampire has with Ellen.

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REVIEW: ‘Heretic’ has moderate suspense, though Grant shines

Hugh Grant has entered a villain phase with this and “Dungeons and Dragons,” and I’m all here for it.

In this film, Grant portrays Mr. Reed, a man who appears like a fine fellow at the movie’s outset. Early on, he’s visited by Mormon missionaries Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East), and welcomes them into his home to discuss their religion.

To make them feel at ease, he expresses interest in their religion and claims his wife is in the back baking a pie for them to enjoy. However, it soon becomes clear that everything is a ruse, as Mr. Reed traps the two women in his home and is prepared to test their faith in dark ways.

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REVIEW: ‘Smile 2’ shows this concept can only go so far

Sequels to good horror movies can sometimes be tricky to pull off, depending on the concept behind the scares. Unfortunately, despite a solid effort, “Smile 2” doesn’t stick the landing.

The film picks up just six days after the end of the 2022 film, with the smile spirit being passed on from the police officer from the original to a drug dealer. That individual just so happens to be the supplier to a major pop music star named Skye Riley (Naomi Scott), who’s taking pain meds for a lingering injury.

The bad news for Skye is she meets up with her dealer just as he is killed by the smile entity, passing it on to her. As a result, her preparation for a new musical tour turns into a nightmare.

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Adventures in B-Movie Horror 2024: Coast to Coast

This year’s Adventure in B-Movies was a tale of two cities.

The three movies watched for the 2024 edition took place in the nation’s largest metros on both coasts, New York City and Los Angeles. Yes, terror and mayhem take the Big Apple and the City of Angels by storm this year, to varying degrees.

The first two films have an Empire State of mind, while the third shows some California love. So, let’s dive in.

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REVIEW: ‘Alien Romulus’ successfully returns series to its roots

As much as I like Michael Fassbender, I’m glad he was nowhere near this “Alien” entry after the last two.

Set between 1979’s “Alien” and 1986’s “Aliens,” “Romulus begins on a space colony called Jackson’s Star where the protagonist Rain (Cailee Spaeny) resides with her surrogate android brother Andy (David Jonsson). Life for the two is difficult, as they do grueling work on a harsh mining colony to pay a debt.

They get a chance to leave, though, when they join with a group of friends on a sort of escape mission that involves getting some equipment from a defunct space station. It’s necessary to go there as it will allow them to make a long space voyage, but unfortunately, a certain life-form is waiting for them.

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REVIEW: As a thriller, ‘Longlegs’ is laudable, but not quite legendary

Sometimes Nicolas Cage plays a character who’s just a little off. That’s not the case here, because the character he portrays in “Longlegs” is completely off.

In this film, Cage plays a serial killer known as Longlegs who’s been on the loose for decades. To help catch him after a recent family massacre, the head of Oregon’s FBI office brings in Agent Lee Harker (Maika Monroe). 

Awkward in social situations but completely dedicated to her profession, Harker begins the case with vigor, going over every clue, including letters left by Longlegs. Eventually, she’s able to decode them, but they only lead to more mysteries and memories from her own past.

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REVIEW: After strong start, ‘Maxxxine’ loses moxie in third act

After a trip to the past in “Pearl,” the “X” series has gone back to the present, which for the franchise’s characters, is the 1980s.

“MaXXXine” is set in 1985, with its titular character trying to make it in Hollywood after the events of the film “X,” which took place in 1979. With the stage name Maxine Minx, the protagonist (Mia Goth) is an adult film star who gets a chance at the studio system via a role in a horror flick.

It’s a dangerous time for women in Los Angeles, though, as the Night Stalker murders have recently been taking place. It only gets more dangerous for Maxine, when a mysterious person with knowledge of 79 begins stalking her, leaving dead bodies in their wake.

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REVIEW: Vampiric flick ‘Abigail’ is just average

Spring is apparently the new spooky season because this vampire flick is the latest in a string of horror releases over the last few weeks.

The most recent in the genre to hit theaters stars Melissa Barrera as Joey, one of six criminals looking to pull off a kidnapping for ransom. The job is to abduct a young ballet dancer, Abigail (Alisha Weir), who’s the daughter of a wealthy and powerful, but mysterious figure.

Others on the team include former detective Frank (Dan Stevens), a hacker in Sammy (Kathryn Newton), a getaway driver named Dean (Angus Cloud), weapons expert Rickles (Will Catlett) and a mob enforcer with Peter (Kevin Durand). However, what they don’t know is that they’ve kidnapped a vampire.

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REVIEW: ‘The First Omen’ is fine, but not phenomenal

There are a few directions a classic horror film can go to build a franchise. One is a series of sequels, another is a remake, and a third option is a prequel. “The Omen” has already done the first two, so a prequel it is.

“The First Omen” is set in 1971, five years before the events of the original 1976 film. The movie centers on Margaret Daino (Nell Tiger Free), an American woman who arrives in Italy to take her vows and become a nun. While she’s initially eager about the opportunity, she slowly becomes wary.

She starts to see suspicious and disturbing things taking place at the religious orphanage and church she lives at, and it becomes more frequent. Her fears are only heightened when she receives a dire warning from the priest Father Brennan (Ralph Ineson).

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