Tag: Historic

REVIEW: ‘September 5’ fires on nearly every cylinder

Two decades after playing the editor of a print outlet in 2003’s “Shattered Glass,” Peter Sarsgaard has returned to journalism cinema, now leading a broadcast team.

Like the aforementioned film, Sarsgaard plays a real-life figure here, this time Roone Arledge. News isn’t Arledge’s first focus, though, as his main priority is helming ABC Sports’ coverage of the 1972 Olympics in Munich, Germany.

Arledge and control room producer Geoffrey Mason (John Magaro) are forced to take up the news mantle, though, as the 1972 terrorist attack begins to unfold. Over the course of the next several hours, the ABC team has to adjust and adapt on the fly to cover the increasingly dangerous situation.

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REVIEW: ‘Gladiator II’ retreads familiar ground, but has great action

Once again, I am entertained by a “Gladiator,” Maybe not as moved, though.

“Gladiator II” is set 16 years after the original film from 2000 concluded. Rome is now ruled by a corrupt pair of twins who have let the city state fall into a mess as they enjoy luxuries made possible by ongoing expansion of their empire.

Meanwhile, a warrior, Hanno (Paul Mescal) is captured while fighting for his city in North Africa from a successful Roman invasion. After losing his wife in the battle, he sets his sights on revenge against a Roman general, and gets an opportunity to do so by fighting his way through the Gladiator system.

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REVIEW: Chaotic ‘Saturday Night’ has plenty of ups and downs

An episode of “SNL” usually includes its likable cast performing a plethora of sketches, some good and some bad, for a fairly average experience. In that sense, this movie is pretty similar

A dramatic comedy, “Saturday Night” takes place inside Rockefeller Plaza in New York as producer Lorne Michaels (Gabriel LaBelle) prepares to get his new live television show ready for broadcast. Unfortunately, things aren’t going entirely well and NBC doesn’t have much faith in the show.

It’s already considered a long shot, as it’s populated by unknown comedians like Chevy Chase (Cory Michael Smith), Dan Aykroyd (Dylan O’Brien) and John Belushi (Matt Wood). The situation is made worse by mishaps on set. However, Lorne remains committed to make sure “Saturday Night” goes live.

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REVIEW: Mildly amusing ‘Fly Me to the Moon’ never fully takes off

Scarlett Johansson makes it two in a row with space-themed films, following up her appearance in 2023’s “Asteroid City” with this summer’s “Fly Me to the Moon.”

This time around, Johansson plays an advertising ace named Kelly. Because of her record of success in marketing, Kelly is recruited by a mysterious government agent named Moe Berkus (Woody Harrelson) to bolster the public’s perception of NASA.

It comes at a time when NASA is looking to forge ahead on its Moon mission, despite losing the loss of public interest. Kelly starts turning that around, much to the chagrin of by-the-books launch director Cole (Channing Tatum). However, Kelly starts winning him over, too.

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REVIEW: ‘One Life’ earns credit for dramatizing extraordinary effort

The World War II era was a period with many stories of bravely doing what’s right, on and off the battlefield. This film centers on one of the latter stories.

Anthony Hopkins portrays British man Nicholas Winton, who’s cleaning out paperwork in his home office and finds several old documents that he’s kept over the years. The documents are from his time with a British committee tasked with evacuating refugees from Czechoslovakia.

The film then goes back to a younger Winton in the late 1930s where he is portrayed by Johnny Flynn. The movie shows the effort by Winton and others in the committee who worked night and day to get political refugees and Jewish children out of the area as the German invasion grew closer.

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REVIEW: Despite strong filmmaking, ‘Ferrari’ is largely unfocused

Sometimes even the most meticulously-made movies fall short.

That’s the case with director Michael Mann’s new biographical film centered on Italian car-maker Enzo Ferrari (Adam Driver). The movie is set in 1957, with Ferrari gearing up for the annual Mile Miglia, or Thousand Miles. The Italian race event is another opportunity to show off his brand.

While this is happening, Ferrari’s company is  is in a difficult situation financially. To turn things around, a suggestion is made to merge  with another company, but it’s complicated because Ferrari’s estranged wife Laura (Penelope Cruz) owns half the shares. Their relationship has been strained since their son’s death and is even more so lately as Ferrari is having an affair.

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REVIEW: Story of ‘Rustin’ is important, but told without cinematic flair

Sometimes a film comes along that does something positive by shining a light on a hidden figure, but doesn’t do so in extraordinary fashion.

This movie is an example. It tells the story of Bayard Rustin (Colman Domingo), who was the lead organizer for the March on Washington in 1963. The event is now most well known for Dr. Martin Luther King Jr.’s “I Have a Dream” speech and a subsequent meeting with President John F. Kennedy.

Getting to those historic moments took an immense amount of planning and mobilization, though, and Rustin was at the center of it all. The film dramatizes this, as well as Rustin’s experience as a gay man during a time where he had to keep his relationships hidden.

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REVIEW: Despite strong filmmaking, ‘Zone of Interest’ loses momentum

During the Nuremberg Trials, Rudolf Höss admitted that well over a million people were killed while he was commandant at Auschwitz. As this film shows, he had no issue maintaining a regular life next door.

Set in 1943, “The Zone of Interest” follows Höss (Christian Friedel) not inside the infamous camp, but rather at home with his family. While he was in charge of the camp, his residence was right beside it, only separated by a high concrete wall.

As the film demonstrates, the proximity to a place of extermination did not hinder the Höss family from living an average life, where the patriarch went off to work in the morning while his wife tended to the children and kept busy with a garden. They did all of this all while hearing the sounds from the camp.

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REVIEW: While not a masterpiece, ‘Maestro’ remains a strong biopic

Bradley Cooper has returned to the directing chair and once again put together a film revolving around a musician.

Unlike “A Star is Born,” though, his latest picture is about a real person. “Maestro” is a biographical film about Leonard Bernstein, who Cooper also portrays. Bernstein had an illustrious career as a composer and conductor in various capacities, including film and orchestras.

While the movie covers his professional background, though, the movie is much more centered on his relationship with his wife, Felicia Montealegre Bernstein (Carey Mulligan). The film shows how they became a couple and how their marriage was strained by Leonard’s work and his affairs.

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REVIEW: ‘Napoleon’ is a considerable, but incomplete portrait of French ruler

Ambition is something leaders of nations should have. However, when that ambition is only self-serving, it can end in disaster, as Ridley Scott’s “Napoleon” shows.

The film picks up right in the midst of the French Revolution, with Napoleon Bonaparte (Joaquin Phoenix), then an army officer, in attendance for the beheading of Queen Marie Antoinette. From there, the film follows how he built popularity with military accomplishments and used political maneuvers to gain power in France.

The film then explores his military campaigns as Emperor of France while also dramatizing his relationship with his wife Josephine (Vanessa Kirby).

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