REVIEW: ‘Official Secrets’ endures issues to deliver compelling drama

With the closure of movie theaters because of the coronavirus pandemic, I’m taking a look back at more movies from 2019.

The lead up to the chaotic foreign policy situation that is the Iraq War involved the United States government heavily pressuring the United Nations Security Council.

One of the ways it planned to do so was to gather compromising details about other U.N. diplomats, and potentially use blackmail, to swing any Iraq decision. This was eventually discovered by an employee at the United Kingdom’s Government Communications Headquarters.

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REVIEW: Despite award caliber cast and crew, ‘The Laundromat’ is a loss

With the closure of movie theaters because of the coronavirus pandemic, I’m taking a look back at more movies from 2019.

What a waste. This film has a talented Academy Award winning director, actors who’ve been nominated or won Oscars, Golden Globes and Emmys, including one of the greatest actresses ever. On top of that, it had a rich, fascinating subject matter. Yet the picture as a whole is a complete mess.

Meryl Streep plays Ellen Martin in “The Laundromat,” a woman who loses her husband during a ride on a lake cruise. Following the accident, Ellen speaks with her financial adviser, but she finds issues with how the insurance is being processed.

With something seeming off, Ellen decides to explore what’s going on, and finds out that the insurance company she’s dealing with is linked to entities listed in the Panama Papers. The notorious documents detailing thousands of offshore financial transactions were leaked in 2016.

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REVIEW: ‘Downhill’ enjoyable thanks to mix of drama, dark comedy

“Downhill,” aka, “Marriage Story: On Ice.”

This movie taking place at a ski resort in Austria follows a family of four on vacation. The family includes the parents Billie (Julia Louis Dreyfus) and Pete (Will Ferrell), and their two sons Finn (Julian Grey) and Emerson (Ammon Jacob Ford). The family appears to have some stress from vacation traveling, but seem to be ready for a pleasant trip in Europe.

However, the situation gets rocky when a controlled avalanche to provide more snow on the slopes causes a sequence of events that results in a rift between the married couple. The rest of the trip explores their drama as they navigate the rest of their vacation.

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REVIEW: Underneath the glitz and glamour, ‘The Gentlemen’ is empty

Few movies get as smug and full of itself as director Guy Ritchie’s new feature “The Gentlemen.”

The movie stars Matthew McConaughey as Mickey Pearson. Mickey is the kingpin of a crime organization that grows marijuana in the United Kingdom on land owned by wealthy British citizens. After building his empire up, though, Mickey is looking to get out of the “business” and settle down.

To do so, Mickey is holding meetings with Matthew (Jeremy Strong), a wealthy interested party. However, one night, a tabloid journalist named Fletcher (Hugh Grant) introduces information to Mickey’s right hand man Ray (Charlie Hunnam) that could throw a wrench in the situation.

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REVIEW: ‘1917’ takes viewers on a harrowing tour of World War I

“1917:” (Or, the unexpected virtue of one continuous take).

This World War I film, directed by Sam Mendes, tells the story of Corporals Blake (Dean-Charles Chapman) and Schofield (George MacKay), who’re sent on a mission to call off a major attack on retreating German soldiers. The two protagonists are ordered to do so because the German forces are actually baiting the Allies into a trap.

To deliver the message, Blake and Schofield must cross a still active war-zone and the areas of France turned into a wasteland by the heavy trench warfare. The film is shot with one continuous take, following the characters all the way on their journey.

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REVIEW: ‘Richard Jewell’ is a strong entry in Eastwood’s filmography

News travels fast, and unfortunately it can lead to mishaps, mistakes and early announcements that are later debunked. That’s exactly what happened in “Richard Jewell,” and an innocent person was forced to deal with the negative results.

The movie follows the story of the title character, played here by Paul Walter Hauser. After some introduction scenes, the movie picks up with Jewell working security for AT&T events at the 1996 Summer Olympics in Atlanta. Jewell aspires to one day have a steady job in law enforcement, so he takes his work very seriously, much more so even than his colleagues in the security business. While he receives some jokes about his commitment to a seemingly safe concert area, his concerns, unfortunately, turn out to be valid.

One night during his shift, he comes across a suspicious backpack that happens to contain an explosive device that had been left there by a terrorist. The film captures the moment the bomb goes off after its discovery and how Jewell was initially seen as a hero for calling it in and reporting it to officers.

Sadly, as history tells us, Jewell was then made a suspect by the Federal Bureau of Investigation, and a media firestorm erupts. In an effort to defend himself, Jewell hires a friend and lawyer from a former job, Watson Bryant (Sam Rockwell) and tries to survive as his life is investigated.

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REVIEW: Strong lead performance doesn’t sustain ‘Harriet’ biopic

The story of Harriet Tubman deserves to be told in an award caliber, fantastic movie. Unfortunately, this isn’t it.

As the title implies, the film follows the adult life of Tubman. Beginning with her time as a slave, the movie introduces the protagonist as Araminta, or Minty as she’s been nicknamed.

After finding out her slave owner won’t free her based on a previous agreement, Araminta opts to leave her current life behind and escape north. Her journey is dangerous and filled with hardship, but eventually, she crosses into the free state of Pennsylvania and finds her way to Philadelphia, where an anti-slavery organization is headquartered.

Upon her arrival, she’s able to choose a new name, and she selects Harriet Tubman. In the ensuing days, Tubman finds employment, a home and a free life. However, knowing that her family and others are still in the slave system of the south, she decides to help them come north. As history tells us, Tubman succeeded and continued her efforts, freeing more slaves from the south. Her work in doing so is shown on screen here.

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REVIEW: Despite great potential, ‘Waves’ sinks because of story execution issues

When there are waves, it usually means the waters aren’t calm, and that certainly becomes the case in this movie.

Directed by Trey Edward Shults, “Waves” is a film taking place in south Florida that follows a family of four. More specifically, though, the movie centers on the son, Tyler (Kelvin Harrison Jr.). Tyler, at the movie’s onset, has a lot going for him. He’s a star athlete in the midst of the wrestling season, he has a loving family and he’s in a good relationship with his girlfriend.

However, as the movie gets going, cracks begin to form in Tyler’s life and these cracks eventually lead to the proverbial dam breaking. The film follows the issues the family goes through in the events that follow.

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REVIEW: ‘Dark Waters’ is a compelling journey into the depths of corporate greed

Actor Mark Ruffalo trades in his green look for a nice suit in his latest film.

In “Dark Waters,” Ruffalo plays Robert Bilott, a corporate defense attorney who works at an office in Cincinnati. At the movie’s beginning, Bilott and the firm he works for has established a solid working relationship with the DuPont company. That good working relationship begins to strain, though, when Bilott meets with a farmer in West Virginia, based on a referral from a family member, and uncovers an environmental disaster threatening livestock.

Upon the discovery, Bilott launches a case against the DuPont company with the hope that he can win a lawsuit and help the farmer, Wilbur (Bill Camp). However, the lawyer uncovers more and more details about DuPont’s “forever” chemicals and learns that the environmental disaster is much worse than initially thought.

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REVIEW: Driver’s lead performance powers ‘The Report’

One of the darkest periods of recent American history comes to light in rather convincing fashion in “The Report.”

The movie stars Adam Driver as Daniel Jones, a staff worker for U.S. Sen. Dianne Feinstein’s (Annette Bening) office, who’s tasked with scoping out the Central Intelligence Agency’s enhanced interrogation program and filing a report that can be made public. Over the course of several years, Jones uncovers much of the CIA’s torture program and brings his findings back to Feinstein.

However, the process isn’t made all too easy because of senior leadership in the CIA, who want to keep the program that was used in the years after Sept. 11 classified. The movie tracks Jones’ efforts as he tries to get the report out, and navigate the politics in the process.

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