REVIEW: Alexander Payne’s ‘The Holdovers’ is a funny, emotional winner

This just in, Paul Giamatti continues to be a national treasure.

The Golden Globe winner and Oscar nominee portrays Paul Hunham in “The Holdovers.” A teacher at a private boys high school in the 1970s, Paul has earned himself a reputation as a notoriously tough teacher and not the most pleasant to chat with.

Unfortunately for some students who have to stay at the school during the holiday break, they have to spend their days with Paul, who’s the designated the chaperone. One student in particular, Angus (Dominic Sessa) has to spend an extended time there. But as time goes on, he finds himself bonding with both Paul and the school’s head cook Mary (Da’Vine Joy Randolph)

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REVIEW: ‘Barbie’ has plenty to like, not enough to love

“Barbie” has everything you’d expect from a movie about the popular Mattel toy, from pink houses to parties on the beach. Oh, plus an existential crisis and explorations of feminist concepts.

As expected, there are many Barbies in the flick, but the one at the center of the picture is a sort of classic take on the doll. To that end, Margot Robbie’s character is often referred to as “Stereotypical Barbie.” At the start of the film, she, and every other Barbie, live happily in Barbieland, a matriarchal utopia.

For Barbie, though, this begins to change when she suddenly has thoughts and feelings she didn’t have before, revolving around imperfections and death. It shakes her so much that she sets out to figure out what the problem is, and that leads her to venture into the real world. She’s not alone on the quest, either, as “Beach Ken” (Ryan Gosling), tags along.

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REVIEW: ‘Asteroid City’ is a fine addition to Anderson’s filmography

Another Wes Anderson movie. Come for the quirks, stay for the feels.

The latest film from the auteur director is a few layers deep. The movie showcases a television broadcast of the play “Asteroid City,” and through that broadcast, the audience is also able to see behind-the-scenes of that production.

In the play itself, Jason Schwartzman plays the character Augie Steenbeck, whose son Woodrow (Jake Ryan) is attending an event celebrating teens who excel at science. During the event, the small rural town, known for being next to a crater where a meteor struck, is visited by an extra-terrestrial. Through this event, the audience learns more about the characters in the play, as well as the cast and crew of the production.

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REVIEW: Lawrence helps ‘No Hard Feelings’ punch above its weight

It’s nice to see a straightforward, R-rated comedy on the big screen again, and it certainly helps that this one features an Academy Award winner.

That Oscar recipient is of course Jennifer Lawrence, who plays the character Maddie in “No Hard Feelings.” Short on cash and wanting to prevent her late mother’s house from being taken by the bank, Maddie is trying to make money as an Uber driver. Unfortunately, she wakes up one morning to see her car being repossessed.

Needing a new ride, she follows up on a Craigslist ad from two parents offering a car in return for dating their shy, awkward son Percy (Andrew Barth Feldman), who’s going to Princeton in the fall. Maddie initially balks at the idea, but ends up going for it out of desperation. At first, she just reluctantly agrees, but as time goes on, Maddie starts bonding with Percy.

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REVIEW: It doesn’t hurt to watch ‘You Hurt My Feelings’

The many complexities that exist in a relationship, even a loving one, come up in this smart dramatic comedy.

“You Hurt My Feelings,” written and directed by Nicole Holofcener, stars Julia Louis-Dreyfus as Beth. The film opens with Beth, an author and writing-class teacher, feeling somewhat discouraged. Despite her efforts over the last several months, her latest novel just isn’t getting a great response from her agent.

That feeling only grows when she overhears her husband Don (Tobias Menzies) saying to another person that he doesn’t like her new book, despite saying otherwise to her face. The rest of the movie explores how this impacts their relationship and the people around them.

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REVIEW: Re-invented ‘Renfield’ entertains

Maybe this should’ve been the movie to launch the Dark Universe. Renfield should meet Elisabeth Moss’ character from “Invisible Man” in the sequel, honestly.

“Renfield” picks up in the present day, decades after the titular character became a servant to Dracula (Nicolas Cage). The former attorney, who tried to pull off a land deal with the vampire, now lives a life where he has superhuman abilities, but has to use his powers to get humans for the Count to feed on.

Growing tired of the life he has, he decides to join a relationship therapy group not only to vent, but also track down the abusive partners to give to Dracula. In one attempt, though, he crosses the dangerous Lobo crime family. This puts a target on Renfield’s back, and at the same time, Dracula becomes angry with him because the vampire senses disloyalty.

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REVIEW: Poor execution buries ‘Cocaine Bear’s’ potential

I think a more entertaining movie about a forest animal high on cocaine would be one focused on a moose, but this was inspired by a true story so it is what it is.

As the title suggests, there’s cocaine in the movie, lots of it. More specifically, it’s cocaine that’s dumped from a smuggling plane over a forest in Georgia, where it’s then ingested by a black bear.

Knowing the cocaine needs to be recovered, a mob boss sends his fixer Daveed (O’Shea Jackson Jr.) and his son Eddie (Alden Ehrenreich) to pick up the drugs. Meanwhile, Sari (Keri Russell) is a mother whose daughter skipped school to go to the forest with a friend. Sari goes in the forest to look for her daughter and, like Eddie and Daveed, come across the dangerous cocaine Bear.

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REVIEW: ‘Triangle of Sadness’ succeeds on strong satire, despite plot issues

One would have always guessed a movie set on a ship with “triangle” in the title would take place in the Bermuda Triangle, but here we are.

“Triangle of Sadness” instead takes place in less paranormal, but still dangerous waters. The film centers on a successful couple, the model Carl (Harris Dickinson) and influencer Yaya (Charibi Dean) who are invited aboard a luxurious superyacht.

They’re joined by many other wealthy individuals who are there to enjoy all of the fancy amenities, as well as the ship’s many staff members. Most of the staff seems fairly dedicated to their job, except the heavy-drinking captain (Woody Harrelson). This ends up becoming a bit of an issue when the yacht runs into heavy seas with big waves.

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REVIEW: ‘Glass Onion’ offers plenty of fun, but light on heart

As “Shrek” taught us, onions have layers, and there are definitely layers in the mystery featured during “Glass Onion.”

Similar to its predecessor, “Knives Out,” detective Benoit Blanc (Daniel Craig) is once again surrounded by wealthy people gathered in one location. This time around, that location is the island of the Glass Onion, which is owned by billionaire Miles Bron (Edward Norton).

Miles invites many of his rich friends, as well as Blanc, to a weekend at the island for a murder mystery game. Things take a twist, though, when someone actually does die during the getaway, and suspicions mount.

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REVIEW: ‘Amsterdam’ collapses as plot becomes convoluted

Director David O. Russell’s latest film shows he still hasn’t managed to recapture the spark that he had with 2012’s “Silver Linings Playbook.”

In O. Russell’s new feature, which he also wrote, Christian Bale stars as Burt Berendsen. A veteran of World War I where he lost an eye, Burt is a doctor working in New York City, where he often crosses paths with friend and lawyer Harold Woodman (John David Washington).

The movie picks up with the two men being hired by a woman to investigate the mysterious death of her father. Things go wrong, though, when the woman dies and they are framed for her murder. To clear their name, they start an investigation into what’s going on, and get help from a woman named Valerie (Margot Robbie), who they met in Europe during WWI.

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