Tag: Comedy

REVIEW: ‘Rental Family’ succeeds thanks to Fraser and sincere writing

Who would have guessed we’d have two films this year with a guy pretending to be a member of a family? It’s like “Deep Impact” and “Armageddon” again.

OK, in reality, unlike “Roofman” with Channing Tatum, the lead character in this movie isn’t a criminal on the run. Instead, Brendan Fraser stars as actor Phillip Vandarploeug. Once able to get steady work in Japan, acting in commercials and TV, Phillip’s job prospects have dried up.

Looking to keep his career rolling, he decides to take a gig with a different type of agency. Rather than acting in media productions, the company he starts working for has him portray relatives of family members. Skeptical at first, Phillip begins to build connections in the role.

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REVIEW: ‘Is This Thing On’ mostly works, though doesn’t stick landing

Maybe it’s just me, but I feel if Will Arnett wasn’t available for this flick, Jason Sudeikis probably could have filled in well enough.

Anyway, Arnett lends his talent in this flick to play Alex Novak, a man whose marriage appears to be coming to a complete end. Alex agreed to separate from his wife Tess (Laura Dern), and a divorce appears to be on the horizon.

With his relationship likely over, and subsequent strain on being a dad to his two boys, Alex finds himself struggling to process the situation. He finds a way to channel his thoughts, though, in going to an open mic night and giving stand-up comedy a try. Fortunately for him, it ends up working fairly well.

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REVIEW: ‘Blue Moon’ is an enchanting look at a tortured artist

Raise a glass of Blue Moon to this one, because its charm earns a toast.

A film mostly in a single location, “Blue Moon” centers on lyricist Lorenz Hart (Ethan Hawke), a musician known for hits on Broadway and the song that shares the film’s name. Hart begins the film at the opening night for the production of “Oklahoma” before going to a nearby lounge where an after-show party will be taking place.

While there, he begins speaking with others at the establishment, from the bartender Eddie (Bobby Cannavale) to American author E.B. White. As the night progresses, he shares his vision of where music should go, his creative clashes with former partner Richard Rodgers (Andrew Scott) and his infatuation with a young woman he made a connection with, Elizabeth (Margaret Qualley).

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REVIEW: ‘Roofman’ reaches some heights, but doesn’t top genre

As is the case with many films ripped from the headlines, truth is often stranger than fiction.

The latest example is “Roofman,” which dramatizes events in 2004 when a prison inmate escaped the penitentiary and hid for several months in a Charlotte Toys “R” Us.” We’re introduced to that inmate, Jeffrey (Channing Tatum), during his original crime spree.

Desperate for money, Jeffery’s scheme was breaking in to fast-food restaurants from the roof before grabbing the cash and making his getaway. After his prison escape, the film follows how he befriended those around him when not in the toy store, and started a relationship with an employee, Leigh (Kirsten Dunst).

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REVIEW: ‘Freakier Friday’ suffers from repetition but charms with heart

The first “Freaky Friday” isn’t that old, right? It’s only been… 22 years?!

Yes, that film with Jamie Lee Curtis and Lindsay Lohan was released more than two decades ago, and now, we get the sequel. Both actresses return for the follow-up, with Lohan again playing Anna, who now has a daughter of her own, Harper (Julia Butters). Curtis, meanwhile, is back as the helpful grandma, Tess.

The movie picks up with Anna having met a new love interest in Eric (Manny Jacinto), and after a courtship, the two decide to get married. That’s much to the chagrin of Harper and Eric’s daughter, Lily (Sophia Hammons), as the two future siblings don’t get along. Things only get more complicated when the four women in the family all switch bodies at a pre-wedding party.

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REVIEW: ‘The Naked Gun’ fires off plenty of good comedy

Frank Drebin is back. Only it’s not Frank Drebin. And it’s not Leslie Nielsen.

In this installment of “The Naked Gun” franchise, released more than three decades after the third movie from the original trilogy, Liam Neeson stars as Lt. Frank Drebin Jr. The son of the Police Squad legend, Drebin Jr. has followed in his father’s footsteps, becoming a detective himself.

The film picks up with Drebin Jr. investigating the mysterious death of a man at the behest of his sister, Beth (Pamela Anderson). Drebin Jr., discovering a link between the death and a bank heist, begins digging, and it puts him on a collision course with a tech company CEO with a major scheme.

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REVIEW: ‘My Dead Friend Zoe’ doesn’t commit to its bit, to its detriment

The war movie genre benefits overall from films that show the impacts of foreign conflicts back home. This is one of those films, but unfortunately, it’s not one of the category’s best.

“My Dead Friend Zoe” centers on U.S. Army veteran Merit (Sonequa Martin-Green), who’s back home in the United States after serving in Afghanistan. Lately, life has been hard for her, as she’s run into some trouble with the law, and forced to attend group therapy sessions because of trauma, though she can’t bring herself to speak about her experiences.

That trauma revolves around her friend Zoe, who passed away. However, she still sees Zoe often as a ghost who she speaks with regularly. Her life only gets more complicated when she is asked to take care of her estranged grandfather who has early Alzheimer’s. Continue reading “REVIEW: ‘My Dead Friend Zoe’ doesn’t commit to its bit, to its detriment”

REVIEW: Celine Song’s sophomore effort ‘Materialists’ disappoints

A film from A24, written and directed Celine Song who helmed the wonderful “Past Lives” from 2023? On paper it looks like a slam dunk. Unfortunately, that’s not quite the case.

In Song’s second feature film, Dakota Johnson stars as a matchmaker in New York City named Lucy. She works for a company that specializes in setting up dates between similar people. Basically, it’s an in person dating app, but the app is a human match manager with an office.

Work is going well enough, but Lucy herself has been single for a while. That changes, though, when she meets the charming and understanding Harry (Pedro Pascal), and the two start dating. At the same time, she meets up and starts talking with former boyfriend John (Chris Evans).

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REVIEW: Wes offers style and substance again in ‘Phoenician Scheme’

Michael Cera’s career has been hitting a pretty good stride in the last few years, starring in solid flicks like “Gloria Bell,” “Barbie” and “Dream Scenario.”

That positive streak continues in his latest appearance, playing a key role in Wes Anderson’s new project. Cera co-stars in the film as Bjorn, alongside Mia Threapleton as Liesl and Benicio del Toro as Korda. The movie centers on Korda, who’s a powerful industrialist staking his empire on an infrastructure project in Phoenicia.

Making it a reality is tricky. Kordo has enemies against him and obstacles to overcome. To navigate the situation, he sets up his daughter, Liesl, to be heir to his throne in case of his demise, and brings her and Bjorn on a wide-reaching journey to make the scheme a reality.

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REVIEW: ‘Mickey 17’ is a clumsy creation from Bong Joon-ho

Bong Joon-ho’s follow-up to “Parasite” is unfortunately, no awards contender.

The latest from the South Korean filmmaker is a dark sci-fi action-comedy centered on the character Mickey Barnes (Robert Pattinson). Needing to flee Earth because of a loan shark, Mickey boarded a spacecraft to a new planet, and took a job known as Expendable, where he does repairs in awful conditions.

In the case of death, his memories and personality has been downloaded, and his body can be recreated, allowing him to live on. The movie picks up with Mickey now on body 17 and surviving a dangerous incident where he should have died. As a result, an 18th Mickey is made. In doing so, their combined presence alters the course of the future for the a space colony.

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