Tag: Biopic

REVIEW: ‘Blue Moon’ is an enchanting look at a tortured artist

Raise a glass of Blue Moon to this one, because its charm earns a toast.

A film mostly in a single location, “Blue Moon” centers on lyricist Lorenz Hart (Ethan Hawke), a musician known for hits on Broadway and the song that shares the film’s name. Hart begins the film at the opening night for the production of “Oklahoma” before going to a nearby lounge where an after-show party will be taking place.

While there, he begins speaking with others at the establishment, from the bartender Eddie (Bobby Cannavale) to American author E.B. White. As the night progresses, he shares his vision of where music should go, his creative clashes with former partner Richard Rodgers (Andrew Scott) and his infatuation with a young woman he made a connection with, Elizabeth (Margaret Qualley).

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REVIEW: Angelina Jolie is at her absolute best in ‘Maria’

For the third time in a decade, director Pablo Larraín has helmed a biographical film about a complex woman, and like the other two, it’s one of the year’s best.

Larraín previously directed 2016’s “Jackie” about Jacqueline Kennedy Onassis and 2021’s “Spencer” which centered on Princess Diana. His latest is about the opera singer Maria Callas (Angelina Jolie), though it takes place mainly after her illustrious career.

The movie focuses on the last week of the singer’s life, and explores how she was reflective of a career that she lost. Over time, her voice began to fail her, which caused her to leave her profession, and later her health began declining as well. The film is about the culmination of this, with her still at times trying to sing, while looking at the past and dealing with health issues.

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REVIEW: Superb cast lifts ‘A Complete Unknown’

Hey, they finally made a movie about the guy teased at the end of “Inside Llewyn Davis!”

That guy, of course, is Bob Dylan (Timothee Chalamet), who gets the big screen biopic treatment thanks to director James Mangold. While not showing the entire decade, “A Complete Unknown” follows Dylan’s life through most of the 60s, showing his musical evolution in a changing world.

The film picks up in 1961 with the Minnesota musician arriving in New York City. Dylan made the trip to the Big Apple to visit a musical hero of his, Woody Guthrie (Scoot McNairy), who’s suffering from Huntington’s disease. While meeting Guthrie at a hospital, he also runs into fellow folk singer Pete Seeger (Edward Norton), who helps Dylan launch his career.

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REVIEW: Chaotic ‘Saturday Night’ has plenty of ups and downs

An episode of “SNL” usually includes its likable cast performing a plethora of sketches, some good and some bad, for a fairly average experience. In that sense, this movie is pretty similar

A dramatic comedy, “Saturday Night” takes place inside Rockefeller Plaza in New York as producer Lorne Michaels (Gabriel LaBelle) prepares to get his new live television show ready for broadcast. Unfortunately, things aren’t going entirely well and NBC doesn’t have much faith in the show.

It’s already considered a long shot, as it’s populated by unknown comedians like Chevy Chase (Cory Michael Smith), Dan Aykroyd (Dylan O’Brien) and John Belushi (Matt Wood). The situation is made worse by mishaps on set. However, Lorne remains committed to make sure “Saturday Night” goes live.

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REVIEW: Top tier performances power ‘The Apprentice’

In a vacuum, releasing a biopic about a well-known figure isn’t that big of a deal. But we’re certainly not in a vacuum right now.

This film indeed is about the Republican candidate for president Donald Trump, who’s seeking a second term in office. However, the movie is set decades before he entered the realm of politics. The picture begins in 1973 with a 27-year-old Trump who has a vision for development, but few prospects.

Portrayed by Sebastian Stan, Trump is working with his father Fred’s (Martin Donovan) real estate company, but wants to develop his own buildings, too. His journey gets a jumpstart when he meets and befriends attorney Roy Cohn (Jeremy Strong), who becomes a mentor to Trump, showing him how to build his own path in life, regardless of the consequences.

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REVIEW: ‘Piece by Piece’ is a fun, though standard, hip hop journey

Ten years ago, directors Phil Lord and Christopher Miller introduced the world to the concept of a narrative LEGO movie. Now, Morgan Neville has come along to show he can make a documentary with the animated blocks, too.

“Piece by Piece” uses the same animation style that was seen in previous LEGO films, to tell the story of musician Pharrell Williams. The picture tells his story with the format of a biographical documentary, taking the viewer through his life with recreations of concerts and talking head interviews.

Through this, the audience gets to see how he grew up in Virginia, fell in love with music, started making his own songs and became a sensation.

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REVIEW: Back out of watching ‘Back to Black’

Amy Winehouse should be remembered for her musical talents and ability to create songs people love. Unfortunately, this biopic decided to focus nearly entirely on her controversies and struggles.

The film picks up with Winehouse, portrayed by Marisa Abela, just before she records her first studio album, “Frank.” The audience learns about her family life, her love of music and how her demo tape has opened a doorway to success.

Following the release of “Frank,” Winehouse begins building her music career and at the same time, starts a relationship with her future husband Blake (Jack O’Connell). From there, the film dramatizes her struggles with alcoholism and addiction, as well as how she pushed forward to make her second and final album, “Back to Black.”

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REVIEW: ‘Bob Marley: One Love’ is a lackluster biopic

Bob Marley was a cultural icon with a great influence on music, and he deserves a much better biopic.

“One Love” is set during the mid-to-late 70s during a time of upheaval in Jamaica as the 1976 election approaches. With tensions high in the nation, musician Bob Marley (Kingsley Ben-Adir) plans a concert to promote peace in the country. However, before he can do so, an assassination attempt is made on his life.

The film then follows Marley as he and his band relocate to England to record new albums, including the hit record “Exodus.” As he continues to create music, Marley is also eager to get his message out and desires to return to Jamaica for another concert attempt.

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REVIEW: Despite strong filmmaking, ‘Ferrari’ is largely unfocused

Sometimes even the most meticulously-made movies fall short.

That’s the case with director Michael Mann’s new biographical film centered on Italian car-maker Enzo Ferrari (Adam Driver). The movie is set in 1957, with Ferrari gearing up for the annual Mile Miglia, or Thousand Miles. The Italian race event is another opportunity to show off his brand.

While this is happening, Ferrari’s company is  is in a difficult situation financially. To turn things around, a suggestion is made to merge  with another company, but it’s complicated because Ferrari’s estranged wife Laura (Penelope Cruz) owns half the shares. Their relationship has been strained since their son’s death and is even more so lately as Ferrari is having an affair.

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REVIEW: ‘Nyad’ sinks more than it swims

Elizabeth Chai Vasarhelyi and Jimmy Chin are known for their documentaries chronicling individuals who do incredible physical feats. Maybe they should have just done a documentary with this subject, too.

The duo’s latest film is a narrative feature centered on distance swimmer Diana Nyad. In the late 70s, Nyad (Annette Bening) participated in several open water attempts, swimming around the island of Manhattan and from the Bahamas to Florida.

What she wasn’t able to do at that time, though, was conquer a swim from Cuba to Florida. The film picks up with Nyad in the early 2010s, now in her 60s, with a fiery desire to try the swim again. The movie chronicles her attempts with help from her coach and friend Bonnie (Jodie Foster).

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