Tag: A24

REVIEW: ‘Sorry, Baby’ is a stirring dramatic debut from Eva Victor

“Sorry, Baby” is a film told in a non-linear fashion, and it’s fitting, as dealing with awful situations life throws at you is never a straightforward process.

In addition to writing and directing duties, Eva Victor also stars in this picture as Agnes. In the movie’s opening, the audience learns that Agnes is a college literature professor teaching at her alma mater. Early in the film, Agnes appears to be getting on with life as well as she can, but also seems to be dealing with some turmoil.

The picture then digs into her past, showing previous years, and it’s revealed that Agnes was sexually assaulted while in college. The movie explores how in the time after, she tried to move forward both on her own and in communicating with others.

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REVIEW: ‘Warfare’ falters from lack of depth, insight

War is hell, and that certainly is shown viscerally in this 95-minute feature. If only it did more than that.

“Warfare,” directed and penned by Alex Garland, is based on the account of U.S. Navy Seal Ray Mendoza, who shared his story as a co-writer. The movie is more or less a bottle film. There are a few overhead shots from the perspective of military aircraft and a few scenes set on roads nearby, but the great majority of “Warfare” is in a single house.

It’s 2006, and the U.S. military is engaged in the Battle of Ramadi during the Iraq War. The film centers on a group of Navy SEALS who have set themselves up in an Iraqi home to monitor activity across the street. Unfortunately, they’re soon found out and are quickly pinned down by a large group of Iraqi fighters and have to survive until they can be evacuated.

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REVIEW: While not Guadagnino’s best, ‘Queer’ is a quality drama

Luca Guadagnino has helmed several well-made romantic dramas over the last few years, and now adds one more to the growing list.

Like other pictures he’s done, Guadagnino’s latest, “Queer,” is inspired by a book. The novel in this case has the same name and is a semi-autobiographical piece by American author William S. Burroughs. In the film, the author is the inspiration for the lead character William Lee (Daniel Craig).

William is a man residing in Mexico City during the 1950s and lives a life of addiction. He is an alcoholic, a heroin user and seeks casual sex regularly. It’s clear he’s looking for some sort of fulfillment in his life, and he may just find it in a new relationship he begins with another man, Eugene (Drew Starkey) early in the film.

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REVIEW: ‘Heretic’ has moderate suspense, though Grant shines

Hugh Grant has entered a villain phase with this and “Dungeons and Dragons,” and I’m all here for it.

In this film, Grant portrays Mr. Reed, a man who appears like a fine fellow at the movie’s outset. Early on, he’s visited by Mormon missionaries Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East), and welcomes them into his home to discuss their religion.

To make them feel at ease, he expresses interest in their religion and claims his wife is in the back baking a pie for them to enjoy. However, it soon becomes clear that everything is a ruse, as Mr. Reed traps the two women in his home and is prepared to test their faith in dark ways.

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REVIEW: ‘A Different Man’ succeeds with dark comedy, superb acting

Depressing, awkward, funny, cringey and shocking. They’re all words that can be used to describe “A Different Man,” in a good way.

The movie stars Sebastian Stan as Edward, a man who’s not only struggling to make it as an actor in New York, but also suffering neurofibromatosis. The condition leaves him with tumors that have grown on his face.

However, he manages to enter a trial run for a new procedure that can remove the tumors and completely treat the condition. The treatment ends up working, giving Edward the life he’s always wanted, at least that’s what he thinks.

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REVIEW: ‘Tuesday’ is a turbulent, pretentious disappointment

Didn’t have death appearing as a bird that talks like Caesar from “Planet of the Apes” on the bingo card.

Voiced by Arinze Kene, Death comes in the form of a size-shifting parrot in “Tuesday,” and visits people across Earth in their final moments before they pass away. As the movie gets underway, the bird’s latest task is visiting the terminally ill teenage girl Tuesday (Lola Petticrew).

Tuesday speaks with Death though and the two form a sort of understanding, leading to an arrangement where the girl will be allowed to stay alive until her mother Zora (Julia Louis-Dreyfus) gets home to say goodbye. From there, the film presents a journey all about mortality for the characters.

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REVIEW: ‘Civil War’ entertains but doesn’t quite captivate

If a fascist regime ever rises up in the U.S., rest assured Texas and California will put aside their differences and the 2005 Rose Bowl to take it down.

That at least is the interpretation of writer and director Alex Garland in his new film “Civil War.” The film picks up in the near future with California and Texas, known as the Western Forces, marching toward Washington to topple the dictatorial third-term president portrayed by Nick Offerman.

The film centers on Lee Smith (Kirsten Dunst), an experienced photojournalist who’s been to several areas of conflict, and is now reporting on her country’s own inner turmoil. She’s joined by a Reuters reporter, a veteran journalist for the New York Times and a rookie photographer on the way from New York to D.C. to document the war’s ending.

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REVIEW: ‘Love Lies Bleeding’ is a chaotic blast

“Love Lies Bleeding” is a really accurate title, because this film has all three. It also has a ton of awesomeness.

Kristen Stewart stars as gym manager Lou in “Love Lies Bleeding.” A recluse, Lou seems to just be on cruise control in her life. Jackie (Katy O’Brian), meanwhile, is a woman who’s hitchhiked from Oklahoma to New Mexico, with hopes of competing as a body-builder in Las Vegas.

The two meet and begin a relationship, and fall for each other quickly. However, situations related to their past, present and future put them on a wild collision course with destiny that challenges their love.

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REVIEW: ‘Iron Claw’ is mostly effective in showing family drama and trauma

Wrestling may be theatrical and scripted, but the physical and mental toll is very real, as this film shows.

“The Iron Claw” tells the story of the Von Erich family, which has produced multiple generations of professional wrestlers. The origins of wrestling in the family go back to its patriarch, Fritz (Holt McCallany), who was a professional in the 50s and 60s. In addition to his career, Fritz became the father to several sons.

Once his time in the ring was done, he decided to push wrestling on his kids, Kevin (Zac Efron), Kerry (Jeremy Allen White), David (Harris Dickinson) and Mike (Stanley Simons). Fritz doesn’t just stop at tough physical training, though, as he also uses manipulation and pushes his sons too far, leading to tragic consequences.

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REVIEW: ‘Dream Scenario’ is wonderfully creative and comedic

Meeting Nicolas Cage would probably be a cool experience, but having it be during a dream could be a bit much if it’s anything like this film.

That’s the situation many people have to go through in the movie “Dream Scenario,” though, where Cage plays Paul, a man who ends up appearing in random peoples’ dreams. A college professor, Paul’s appearances in dreams begin with his own family, then to his students, followed by the general populace.

Paul has been struggling lately, not able to move his career forward, so at first he welcomes the new popularity. However, it begins to be an overwhelming experience. Additionally, while he at first did nothing in the dreams, people who see Paul in their sleep begin having terrifying nightmares, which turns him into an antagonist for many.

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