REVIEW: ‘The Way Back’ is enjoyable for fans of sports and cinema

Ben Affleck’s movie goes for the three point shot, at the buzzer, and… It’s not too bad.

While “The Way Back” prominently features basketball, it’s less a sports movie about basketball and much more about a man trying to pick up the pieces of his life. The movie follows Jack, a construction worker who was at one point an excellent basketball player in high school with a full ride to join the University of Kansas Jayhawks program.

His path in life took a different direction, though. The movie picks up with Jack now suffering from alcoholism after experiencing a personal hardship. He’s given a chance at escapism, though, when he’s hired by his high school to coach the basketball team midseason. Despite not having the best players, Jack’s coaching is effective and he’s able to help the team find success. Unfortunately, he still deals with drinking too much.

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REVIEW: ‘Onward’ offers a dull quest

This movie is all about magic, but doesn’t necessarily have that Pixar magic.

Tom Holland voices Ian in “Onward,” a young elf living in a world that, despite fantasy and magic elements existing, has become like our own modern society. A high schooler, Ian lives with his mom Laurel (Julia Louis-Dreyfus) and his older brother Barley (Chris Pratt) who hasn’t exactly found his way in life.

Ian’s father Wilden passed away before he was born, something that weighs heavily on him. When he turns 16, though, he receives a staff for his birthday and finds a spell to bring back his dad for one day. He starts the spell, but is only able to bring his dad’s legs back. Knowing they only have a day, Ian and Barley decide to go on a quest to find a way to complete the spell.

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REVIEW: Moss, special effects boost ‘Invisible Man’

No Dark Universe, no problem.

After the shared cinematic universe idea for Universal’s famous movie monsters crashed, plans were reworked to have more independent, individual films. The first one up is “The Invisible Man,” written and directed by Leigh Whannell. The movie stars Elisabeth Moss as Cecilia, a woman who just left her abusive boyfriend.

Cecilia is shaken from the relationship and is left with anxiety, fearing that her ex, Adrian, (Oliver Jackson-Cohen) will come after her. However, she soon learns that Adrian has supposedly committed suicide. Just as she begins trying to rebuild her life, though, Cecilia begins to feel stalked and terrorized by an unseen force, which she believes is Adrian.

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REVIEW: ‘Call of the Wild’ hampered by split story, CG canine

In the 2019 “Lion King” I thought the computer animated animals didn’t emote enough. In this movie “Call of the Wild,” they might have done it too much.

This is the latest adaptation of a book of the same name about a big dog named Buck. As the films start, the dog is stolen from his home in California and sold to buyers in the Yukon.

From there, Buck goes on a series of adventures, which include becoming a sled dog to help deliver mail and later befriending a man named John (Harrison Ford) who lives in the region.

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REVIEW: ‘Downhill’ enjoyable thanks to mix of drama, dark comedy

“Downhill,” aka, “Marriage Story: On Ice.”

This movie taking place at a ski resort in Austria follows a family of four on vacation. The family includes the parents Billie (Julia Louis Dreyfus) and Pete (Will Ferrell), and their two sons Finn (Julian Grey) and Emerson (Ammon Jacob Ford). The family appears to have some stress from vacation traveling, but seem to be ready for a pleasant trip in Europe.

However, the situation gets rocky when a controlled avalanche to provide more snow on the slopes causes a sequence of events that results in a rift between the married couple. The rest of the trip explores their drama as they navigate the rest of their vacation.

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REVIEW: Weak story trips ‘Sonic’

One doesn’t need to be as fast as Sonic to catch up on what’s happening in this rather predictable film.

The Sonic character, originally appearing in Sega video games, isn’t a stranger to the screen. There have been six animated series about the Blue Blur, including the 90s series “Sonic the Hedgehog” and the 00s show “Sonic X.” There was also the late 90s anime film, also titled “Sonic: The Hedgehog.”

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REVIEW: ‘The Rhythm Section’ is far offbeat

Revenge movies don’t need to be this complicated.

The “Rhythm Section” is about a woman named Stephanie (Blake Lively), who lost her entire family in a plane crash. Since the tragedy, she fell into a world of drugs and prostitution. However, she learns from an investigative journalist that the plane crash was actually orchestrated.

With that knowledge, Stephanie seeks help from a former MI6 agent named B. After some pleading, B agrees to train her and prepare her for revenge on those who planted the bomb on the plane.

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REVIEW: ‘Birds of Prey’ is fun, but doesn’t soar high enough

There’s a feeling with this movie that the creative team said ‘we have Harley Quinn, let’s just slap a movie together around that character and it will all work itself out.’

Unfortunately, that doesn’t really happen here.

“Birds of Prey” picks up after the events of the 2016 movie “Suicide Squad” and audiences soon learn that Quinn (Margot Robbie) is no longer together with the criminal mastermind Joker. She’s not exactly able to enjoy her new single life right away, though, as Quinn soon learns that there’s a lot of people, whether it be random individuals or hardened criminals, who want her dead. Now that Joker isn’t with her anymore, those forces have a clear path to Harley.

One of those criminals is Roman Sionis (Ewan McGregor), who also goes by Black Mask. As Black Mask’s feud with Quinn develops, other characters are drawn in, including a detective named Renee (Rosie Perez), a mysterious assassin in Huntress (Mary Elizabeth Winstead), and a dangerous singer trained in combat who goes by Black Canary (Jurnee Smollett-Bell). Eventually these figures all become tied in a web that leads back to a young pickpocket named Cassandra (Ella Jay Basco), who stole a jewel that everyone in Gotham is after.

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REVIEW: Underneath the glitz and glamour, ‘The Gentlemen’ is empty

Few movies get as smug and full of itself as director Guy Ritchie’s new feature “The Gentlemen.”

The movie stars Matthew McConaughey as Mickey Pearson. Mickey is the kingpin of a crime organization that grows marijuana in the United Kingdom on land owned by wealthy British citizens. After building his empire up, though, Mickey is looking to get out of the “business” and settle down.

To do so, Mickey is holding meetings with Matthew (Jeremy Strong), a wealthy interested party. However, one night, a tabloid journalist named Fletcher (Hugh Grant) introduces information to Mickey’s right hand man Ray (Charlie Hunnam) that could throw a wrench in the situation.

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REVIEW: ‘Gretel & Hansel’ burned by poor story, character execution

It’s so disappointing when a movie is close to winning you over and doesn’t.

The most recent example is “Gretel & Hansel.”

The film is inspired by the classic dark fairy tale, although this one takes liberties. As the story goes, the two young protagonists Gretel (Sophia Lillis) and Hansel (Samuel Leakey) are forced to venture out into the woods on their own and fend for themselves.

As one would expect, they stumble upon a welcoming structure with plenty of food and a kind woman (Alice Krige) willing to share. However, there’s of course something more nefarious going on.

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