Category: 2023

REVIEW: Vampire flick ‘Last Voyage of the Demeter’ disappoints

There have been many film adaptations of Bram Stoker’s classic novel “Dracula.” Adaptations of a single chapter, though? That’s a new one.

“The Last Voyage of the Demeter” is based on the chapter “The Captain’s Log” from Stoker’s 1897 book. In the film, the Demeter is a ship leaving Bulgaria helmed by Captain Elliot (Liam Cunningham). While the movie is narrated at points by Elliot who gives his thoughts on the development in his log, the film is centered on the character Clemens (Corey Hawkins).

A doctor looking to return to England, Clemens joins the crew of the Demeter which is sailing to Britain on a seemingly routine voyage. Along with the crew, the Demeter is carrying plenty of cargo, including a mysterious crate. As one would expect, the box contains the legendary vampire himself.

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REVIEW: ‘Mutant Mayhem’ is an exciting new spin on the TMNT

Turtle Power is back on the big screen and it’s the best it’s been in a while.

The latest film to feature the four ninja turtles takes place in familiar territory. Leo (Nicolas Cantu), Raph (Brady Noon), Donnie (Micah Abbey) and Mikey (Shamon Brown Jr.) live with their father figure Splinter (Jackie Chan) in the sewers under New York City.

An overprotective father, Splinter taught the four ninjutsu and stealth to keep them safe and out of sight from humans. The insatiable want to live normal teenage lives, though, inspire the turtles to do hero work in order to get recognized. However, doing so might put them in more trouble than they expected.

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REVIEW: ‘Barbie’ has plenty to like, not enough to love

“Barbie” has everything you’d expect from a movie about the popular Mattel toy, from pink houses to parties on the beach. Oh, plus an existential crisis and explorations of feminist concepts.

As expected, there are many Barbies in the flick, but the one at the center of the picture is a sort of classic take on the doll. To that end, Margot Robbie’s character is often referred to as “Stereotypical Barbie.” At the start of the film, she, and every other Barbie, live happily in Barbieland, a matriarchal utopia.

For Barbie, though, this begins to change when she suddenly has thoughts and feelings she didn’t have before, revolving around imperfections and death. It shakes her so much that she sets out to figure out what the problem is, and that leads her to venture into the real world. She’s not alone on the quest, either, as “Beach Ken” (Ryan Gosling), tags along.

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REVIEW: Nolan’s ‘Oppenheimer’ is an immaculate cinematic achievement

Scientific breakthroughs can be great things, leading to new discoveries and improvements in quality of life. They can also create terrifying, destructive power.

Christopher Nolan’s “Oppenheimer” captures the latter, and the impact it had on the figure that helmed such a breakthrough.

The film mainly revolves around J. Robert Oppenheimer’s work on the Manhattan Project, what led him to his involvement, and subsequent investigations into his character during the Red Scare. To do this the movie goes back and forth between three time periods.

Most of the movie takes place during the time where Oppenheimer was becoming a scientist and his work in Los Alamos. However, the movie also includes moments from Oppenheimer’s security hearing in 1954, as well as scenes in 1959 when Lewis Strauss’ hostile relationship with the physicist was brought up in commerce secretary nomination hearings with the Senate.

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REVIEW: Latest ‘Mission: Impossible’ excels at action, stumbles elsewhere

The “Mission: Impossible” series has always made its protagonist juggle his commitment to completing his objective while protecting those close to him. The first “Dead Reckoning” is certainly no exception.

This time around, IMF Agent Ethan Hunt (Tom Cruise) is informed about a dangerous artificial intelligence system, as well as a set of keys that can gain control of the program or shut it down. Hunt is ordered to recover it for the United States to give the country an advantage, but he goes rogue, believing it’s better to shut down the dangerous system rather than use it at all.

In his mission, he’s joined by fellow IMF teammates Luther (Ving Rhames) and Benji (Simon Pegg). However, they’re far from the only ones after the keys, as several other powers are after them, including a foe from Hunt’s past. Additionally, a renowned thief, Grace (Hayley Atwell), comes into play as she’s hired to get the keys by one of the many seekers.

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REVIEW: ‘Teenage Kraken’ makes modest use of fun concept

Ruby Gillman is the latest kraken to enter pop culture, joining the rum, the hockey team and the krakens from “Pirates of the Caribbean” and “Clash of the Titans.”

Ruby (Lana Condor) is the protagonist of “Teenage Kraken,” a blue-skinned water creature that lives on land with her parents and brother. Though they come from the sea, the family fits in on land, pretending to be regular people, and manage to pull it off for the most part.

However, Ruby still struggles to fully fit in and that’s compounded by being an awkward teenager. She starts to come into her own, though, when she uncovers a family secret: that she can become the giant sea creature of legend, something that only those in her bloodline can do.

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REVIEW: ‘Asteroid City’ is a fine addition to Anderson’s filmography

Another Wes Anderson movie. Come for the quirks, stay for the feels.

The latest film from the auteur director is a few layers deep. The movie showcases a television broadcast of the play “Asteroid City,” and through that broadcast, the audience is also able to see behind-the-scenes of that production.

In the play itself, Jason Schwartzman plays the character Augie Steenbeck, whose son Woodrow (Jake Ryan) is attending an event celebrating teens who excel at science. During the event, the small rural town, known for being next to a crater where a meteor struck, is visited by an extra-terrestrial. Through this event, the audience learns more about the characters in the play, as well as the cast and crew of the production.

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REVIEW: Lawrence helps ‘No Hard Feelings’ punch above its weight

It’s nice to see a straightforward, R-rated comedy on the big screen again, and it certainly helps that this one features an Academy Award winner.

That Oscar recipient is of course Jennifer Lawrence, who plays the character Maddie in “No Hard Feelings.” Short on cash and wanting to prevent her late mother’s house from being taken by the bank, Maddie is trying to make money as an Uber driver. Unfortunately, she wakes up one morning to see her car being repossessed.

Needing a new ride, she follows up on a Craigslist ad from two parents offering a car in return for dating their shy, awkward son Percy (Andrew Barth Feldman), who’s going to Princeton in the fall. Maddie initially balks at the idea, but ends up going for it out of desperation. At first, she just reluctantly agrees, but as time goes on, Maddie starts bonding with Percy.

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REVIEW: Pixar’s ‘Elemental’ is a miss for the studio

Pixar movies can often turn on the water works or leave a person fired up when the credits roll. Surprisingly and disappointingly, “Elemental” doesn’t do either.

The studio’s latest film, “Elemental,” is set in a sprawling metropolis inhabited by beings made of air, water, plants and fire. Most of the different elements stick to their own kind, though, especially the fire people, who are the most recent immigrants to the city and reside in a more dilapidated part of town.

In their community, though, residents have found success, such as Ember (Leah Lewis) and her parents who operate a small convenience shop that she plans to take over. That plan hits a road block, though, when a water being named Wade who works for the city lets Ember know the shop isn’t up to code. However, in a twist of fate, the meeting actually brings the two together.

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REVIEW: ‘Past Lives’ is a romantic drama triumph

One of the most common aspects of the human experience is considering how different things could be if one made a different choice or a life event went an alternate way.

In stirring fashion, “Past Lives” writer/director Celine Song explores this concept, that boils down to the simple words “what if.”

The film, inspired by Song’s own life, centers on Nora (Greta Lee), a woman whose story began in South Korea before her family immigrated to Canada when she was a pre-teen. When she was growing up in South Korea, she was close friends with a boy named Hae Sung (Teo Yoo), but the two lost contact.

The two reconnect a dozen years later via social media and begin speaking regularly via Skype, but again are unable to consistently stay in touch as life takes them on different paths. The movie then follows up with the characters in the present day, when Hae Sung is able to visit Nora. who’s now a married writer in New York City.

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