Category: 2017

REVIEW: ‘Dunkirk’ Is Technically Marvelous, But Lacking In Other Areas

Like Director Christopher Nolan’s other films, “Dunkirk” is a well crafted film. However, it’s not on the same level of his other great pictures.

As the title implies, “Dunkirk” is about the evacuation of British forces in early World War II after Germany invades France. The film opens with British troops preparing to evacuate across the English Channel before the German military has a chance to reach them. As this is taking place, the film also gives its focus to members of the Royal Air Force who did battle with the Luftwaffe to help the escape as well as a group of citizens who assisted in the rescue of soldiers from the battle field with their private vessel.

The picture develops by showing the hardships of the soldiers who were constantly under threat of the Luftwaffe while also displaying the bravery of citizens who helped the soldiers with their own ships.

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REVIEW: ‘The Big Sick’ Is A Triumph Thanks To Great Humor, Meaningful Drama

Once in a while during a summer, a great movie comes out that’s in a genre not associated with super heroes or action stars. “The Big Sick,” a romantic comedy, is one of those flicks.

The picture stars Kumail Nanjiani and is actually inspired by the story of how he met his wife Emily Gordon. The film follows Nanjiani through his life in Chicago as an Uber Driver and a stand-up comedian. By way of the latter, he meets Emily, played in the film by Zoe Kazan, and the two start a relationship. Things get a bit complicated, though, as Nanjiani’s family wants him to marry a Pakistani woman.

The situation becomes more complicated when Emily comes down with a sudden illness just after the couple has a fight and she is placed in a medically induced coma for treatment. This leads to Nanjiani having to balance his relationship with his parents and building a new relationship with Emily’s parents.

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REVIEW: Latest ‘Apes’ Film Is A Compelling Piece Of Cinema Worth Seeing

The “Planet of the Apes” franchise that was resurrected in 2011 concludes in marvelous fashion with “War for the Planet of the Apes.” This recent installment isn’t just one of the best movies of this summer, but one of the best films of the entire year so far.

The film’s setting is 15 years after the initial incident where the leader Caesar led a group of intelligent apes away from San Francisco to create their own home. Through a series of events since then, especially those that took place in the 2014 picture, the apes are now in a battle for survival with the remnants of human military personnel.

The film picks up with Caesar (Andy Serkis) extending the olive branch to the military, with the hope that peace can be reached. However, it’s soon learned by Caesar that it’s impossible after the military, led by a man simply known as Colonel (Woody Harrelson), strikes with a devastating attack on the apes’ home. As a result Caesar goes on a quest for revenge while also trying to ensure his peoples’ survival.

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REVIEW: ‘Homecoming’ Is The Best ‘Spider-Man’ Movie In Years

After a failed attempt at a franchise with “The Amazing Spider-Man” movies, Sony Pictures decided to give the webslinging super hero another chance on the big screen. This time around, though, the film takes place in the Marvel universe already familiar to audiences thanks to “The Avengers.”

The film picks up shortly after the events of “Captain America: Civil War,” where Spider-Man (Tom Holland) helped Tony Stark (Robert Downey Jr.) in trying to apprehend Steve Rogers. Following that venture, Spider-Man returns to his life as the teenager Peter Parker and attempts to balance his life as New York City’s newer super hero while also attending high school.

While this is taking place, another character, Adrian Toomes (Michael Keaton) is knee-deep in an underground weapons business where he sells arms that have been recovered from previous battle sites. Because this is also taking place in New York, Spider-Man soon finds out about the business. However, as the situation includes high-class weaponry, Stark advises Parker to not investigate the matter further.

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REVIEW: Main Concept Of ‘The House’ Not Fit For A Feature Film

“The House,” unfortunately, is another example of a film having comedic talent, but not the material to back it up.

The film revolves around the lives of two middle class, small town parents, Scott (Will Ferrell) and Kate (Amy Poehler). The movie picks up in the summer just after their daughter Alex (Ryan Simpkins) graduates from high school and prepares to go to a seemingly large, expensive college.

At first, this seems to be fine as Alex has been selected for a major scholarship. However, this is soon flipped as the city revokes the scholarship for a different use. As a result, the two parents become desperate to find another way to pay for tuition. At that moment, their friend Frank (Jason Mantzoukas) comes up with an idea for an ‘at home’ casino where they can make money and give the small town some thrills.

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REVIEW: ‘Baby Driver’ Is A B-Movie With Grade-a Filmmaking

Baby is not exactly a conventional name for an action movie character, but then again, Director Edgar Wright’s films are rarely conventional.

The film of course follows the lead character who goes by the alias Baby, played by Ansel Elgort. As the title implies, Baby is a driver, but more specifically, he’s a getaway driver for heists. In doing so, the young protagonist is able to work off a debt to a crime leader named Doc (Kevin Spacey) and at the movie’s onset, Baby’s almost done.

Just as he’s coming close to getting out of the crime world, though, he’s pulled into more heist jobs by Doc. At the same time, Baby meets and falls in love with a woman named Debora (Lily James), which only causes him to seek even more ways out of the crime world.

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REVIEW: Visually Impressive ‘Atomic Blonde’ Ruined By Convoluted Story

Beneath all of the style, colors and visual flair that “Atomic Blonde” offers to audiences, this late cold war spy thriller is unfortunately convoluted and dull.

The film follows special agent Lorraine Broughton (Charlize Theron), who’s sent by the British government to Berlin at the last moments of the cold war. Her mission is to investigate the murder of another operative and recover a list of agency information that may have fallen into the wrong hands.

To do so, Broughton has to work together with a less than professional British agent named David (James McAvoy) who’s been working in Berlin for the agency for years.

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REVIEW: ‘The Last Knight’ Is Another ‘Transformers’ That Doesn’t Get It Right

Convoluted story? Check. Weak acting? Check. Forgettable characters? Check. Humans given more important roles than the Autobots? Check.

Yep, this is a typical Michael Bay “Transformers” movie, just like the others, and that’s not a good thing.

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REVIEW: Good Cast Doesn’t Save Clichéd Comedy ‘Rough Night’

It’s always surprising when a movie comes along boasting plenty of talent that ultimately disappoints. “Rough Night” is a picture that falls into that category.

The film revolves around the character Jess (Scarlett Johansson) and her group of friends who are reuniting after quite some time. Friends since their days in college, the group decides to go to Miami for a bachelorette party for Jess, whose wedding day is close by.

While their party does get somewhat crazy, all seems to be going relatively well. That is until a male stripper whom they’ve hired ends up getting killed by way of an accident. As a result, the friends begin panicking and start trying to figure out how they can get out of the situation.

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REVIEW: ‘Cars 3’ Ends The Series On A High Note, But Continues To Fall Behind The Rest Of Pixar

The “Cars” universe has always confused the hell out of me and the latest entry is no exception. Like, why do the cars have doors and handles if there are no people? Why are there faster, more advanced cars? Are they built by other cars or is it cars evolving?

Those questions certainly came up with me from start to finish here, but the real important question is ‘was the movie any good?’

Well, not really, it more falls into the category of being just OK.

The movie once again follows the franchise’s protagonist Lightning McQueen (Owen Wilson). A car who’s won multiple racing championships, McQueen is still competing and remains confident in doing so. However, as he enters his latest race, he finds himself falling behind the younger cars that appear to be far more advanced.

As a result, McQueen is always playing catch-up and this ultimately leads to an accident where he gets severely injured. What follows is McQueen’s quest for redemption and to regain his status as one of the best racers in the world. To do so, McQueen eventually finds help in professional trainer Cruz Ramirez (Cristela Alonzo).

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