I need Margaret Qualley to back off the crime movies, because between this and “Drive Away Dolls,” it’s not been a great run in the genre.
Rather than the focusing on her, though, “How to Make a Killing” centers on Glen Powell’s character Becket Redfellow. A blue-collar worker in New York City, Becket appears to come from, at best, a middle-class background. However, he’s tied to a family with immense wealth, and remains in the will, meaning a fortune is possible.
Yet he’s not exactly first in line to receive anything. In fact, he’s far from it, more like fifth or sixth. Knowing his family abandoned his own mother leaving her to fend for herself, Becket decides to take matters in his own hands, and knock off heirs to put himself in a better position. But while he thinks he’s in the clear, a person from his past starts to suspect him.
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