REVIEW: ‘Young Woman and the Sea’ is a winner despite a few flaws

A century before Katie Ledecky was representing the U.S. in significant swims over long distances, there was Gertrude Ederle. However, the latter’s greatest swim didn’t take place in the pool.

“Young Woman and the Sea” tells the story of how Ederle, a swimmer from Manhattan, became the first woman to cross the English Channel. The movie shows how Ederle, portrayed by Daisy Ridley, grew up to become a competitive swimmer who competed in the 1924 Olympics.

The film follows Ederle being coached up by Women’s Swimming Association founder Charlotte Epstein (Sian Clifford) and how she was driven by her sister Meg (Tilda Cobham-Hervey) who also swam. It then shows her motivation to conquer the Channel and what it took to pull it off.

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REVIEW: ‘Furiosa’ is positively fantastic

No Mad Max? No problem.

While “Furiosa” does in fact take place in the “Mad Max” universe, the character portrayed by Mel Gibson originally and then by Tom Hardy in 2015’s “Fury Road,” isn’t present. Instead, as the title implies, the film centers on the other main character from the 2015 picture, Furiosa.

The film chronicles how she was initially abducted by a biker warlord named Dementus (Chris Hemsworth), and later became a mainstay at the Citadel where Immortan Joe (Lachy Hulme) resides. Over the course of the film, she’s portrayed by Alyla Browne in her youth and Anya Taylor-Joy later in life.

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REVIEW: Inconsistent tone and fantasy rules cause ‘IF’ to flop

Incredible how there are now two movies this year that squander the creative imaginary friends concept.

Unlike “Imaginary” from earlier in 2024, though, “IF” is not a horror movie. Far from it. Instead it’s a family film centered on 12-year-old Bea (Cailey Fleming), a girl who’s staying at her grandma’s New York home while her father (John Krasinski) is in the hospital for a surgery. Having lost her mother due to cancer already, Bea is on edge.

That is until she comes across a man who’s accompanied by a fantastical creature, which inspires her to find out more. It turns out the guy is named Cal (Ryan Reynolds) and he’s helping various imaginary friends find new children to connect with after having been forgotten by the kids who made them. Wanting to help, Bea decides to assist Cal in the endeavor.

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REVIEW: Back out of watching ‘Back to Black’

Amy Winehouse should be remembered for her musical talents and ability to create songs people love. Unfortunately, this biopic decided to focus nearly entirely on her controversies and struggles.

The film picks up with Winehouse, portrayed by Marisa Abela, just before she records her first studio album, “Frank.” The audience learns about her family life, her love of music and how her demo tape has opened a doorway to success.

Following the release of “Frank,” Winehouse begins building her music career and at the same time, starts a relationship with her future husband Blake (Jack O’Connell). From there, the film dramatizes her struggles with alcoholism and addiction, as well as how she pushed forward to make her second and final album, “Back to Black.”

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REVIEW: Long live the ‘Kingdom of the Planet of the Apes’

It’s hard to imagine the current run of “Planet of the Apes” continuing on without Caesar, but director Wes Ball’s latest film in the series is a fitting follow-up to the 2010s trilogy.

“Kingdom” takes place several generations after Caesar’s death. Humans are now primitive and scarce, while the apes have built up small villages, one of them being home to the protagonist, Noa (Owen Teague). Led by Noa’s father, the clan built a peaceful society around training falcons.

The peace of Noa’s village is shattered, though, when it’s raided by another ape kingdom set on conquest. Injured in the battle, Noa awakens to find his village destroyed and residents taken hostage. From there, Noa sets out on a quest to rescue those imprisoned and gets an unlikely ally along the way.

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REVIEW: Gosling and Blunt lift ‘The Fall Guy’ above average

Ryan Gosling has been outstanding in many dramatic roles, but damn does he ever have some good comedic skills, too.

Gosling stars as Colt Seavers, an experienced stunt man who had a steady career and a budding romance with a camerawoman, Judy (Emily Blunt). However, that came to an end with a bad injury that took him a long time to recover from. He’s convinced to come out of retirement, though, to work on a film that’s being directed by Judy, which is her first project.

It’s an awkward experience because he broke up with the up-and-coming director after his injury. The situation is made even more complicated when the actor Colt is doing stunts for suspiciously disappears. It turns out, there are nefarious reasons why, and as Colt searches for the star, he’s put in danger.

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REVIEW: Steaminess of ‘Challengers’ is a smokescreen for its shallowness

Luca Guadagnino’s last film about cannibalistic monsters featured a more wholesome relationship than this sports drama. Imagine that.

The director’s latest film, “Challengers,” features a trio of central characters, all of whom are tennis players. There’s the pro Art Donaldson (Mike Faist), his wife and coach Tashi (Zendaya), as well as Patrick (Josh O’Connor), who’s trying to revive his career in the sport.

The film is set in the present day, with Art struggling in recent tournaments and Tashi wanting him to compete in a smaller event where he can gain some confidence. There he’s put in competition against Patrick, a former friend and rival. The film then goes through a series of flashbacks showing how the three got to where they are in life and their intertwined relationships.

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REVIEW: Vampiric flick ‘Abigail’ is just average

Spring is apparently the new spooky season because this vampire flick is the latest in a string of horror releases over the last few weeks.

The most recent in the genre to hit theaters stars Melissa Barrera as Joey, one of six criminals looking to pull off a kidnapping for ransom. The job is to abduct a young ballet dancer, Abigail (Alisha Weir), who’s the daughter of a wealthy and powerful, but mysterious figure.

Others on the team include former detective Frank (Dan Stevens), a hacker in Sammy (Kathryn Newton), a getaway driver named Dean (Angus Cloud), weapons expert Rickles (Will Catlett) and a mob enforcer with Peter (Kevin Durand). However, what they don’t know is that they’ve kidnapped a vampire.

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REVIEW: ‘Civil War’ entertains but doesn’t quite captivate

If a fascist regime ever rises up in the U.S., rest assured Texas and California will put aside their differences and the 2005 Rose Bowl to take it down.

That at least is the interpretation of writer and director Alex Garland in his new film “Civil War.” The film picks up in the near future with California and Texas, known as the Western Forces, marching toward Washington to topple the dictatorial third-term president portrayed by Nick Offerman.

The film centers on Lee Smith (Kirsten Dunst), an experienced photojournalist who’s been to several areas of conflict, and is now reporting on her country’s own inner turmoil. She’s joined by a Reuters reporter, a veteran journalist for the New York Times and a rookie photographer on the way from New York to D.C. to document the war’s ending.

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REVIEW: ‘The First Omen’ is fine, but not phenomenal

There are a few directions a classic horror film can go to build a franchise. One is a series of sequels, another is a remake, and a third option is a prequel. “The Omen” has already done the first two, so a prequel it is.

“The First Omen” is set in 1971, five years before the events of the original 1976 film. The movie centers on Margaret Daino (Nell Tiger Free), an American woman who arrives in Italy to take her vows and become a nun. While she’s initially eager about the opportunity, she slowly becomes wary.

She starts to see suspicious and disturbing things taking place at the religious orphanage and church she lives at, and it becomes more frequent. Her fears are only heightened when she receives a dire warning from the priest Father Brennan (Ralph Ineson).

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